Bev Wood - Journey from Film to Digital

1

Introduction

00:00 • 5min

2

What's the Difference Between a Black and White Developer and a Silver Tint?

05:28 • 3min

3

Do You Have a Full Skip Bleach?

08:14 • 2min

4

The Three Strip Printing Process Is Interesting

10:15 • 3min

5

Do You Shoot a Color Negative?

13:34 • 3min

6

How to Print a Color Negative to Color Print Stock

16:11 • 3min

7

Isn't It All About Credits?

19:19 • 4min

8

Filmmaking Is a Very Extensive Process

23:31 • 3min

9

Do You Still Watch Digital Dailies?

26:27 • 2min

10

Digital vs Film - How You Made That Transition

28:23 • 4min

11

CineSight, I'm Not Bringing Up a DI With Him

32:28 • 2min

12

The Next D.I.

34:39 • 3min

13

Film, You Know, You Learned Your Emotions

37:11 • 5min

14

Digital Dailies

42:37 • 5min

15

You Know What Half a Click Is?

47:32 • 2min

16

Do You Have a Problem With Adding a Window?

49:40 • 3min

17

The Worst Mistakes Cinematographers Can Make

53:04 • 5min

18

Do You Have a D.I. Process?

57:53 • 2min

19

Do I Just Really Time Movies?

01:00:23 • 2min

20

Getting Along With the Visual Effects Supervisors

01:01:55 • 2min

21

Is There a Future for Digital Cinematographers?

01:03:39 • 3min

22

Do You Have a Relationship With Your Colorist?

01:07:01 • 1min

23

Print for Candlelight - Lesson Learned

01:08:24 • 6min

24

How Do You Know When You Need to Change Your Color?

01:14:08 • 2min

25

The Biggest Difference Between Digital and Film?

01:15:38 • 2min

26

Kodak's Hot Process Is Not as Hot as It Used to Be

01:18:03 • 5min

27

How to Shoot Film in the Digital World?

01:22:41 • 2min