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Bev Wood - Journey from Film to Digital

Team Deakins

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Do You Have a D.I. Process?

The studio of course wanted us to get them in, get them out because the eyes were very expensive in those days when it first started. Usually you had two weeks to get it done. And I touched upon the, you know, earlier how sometimes it was difficult because the director had dailies that they had been using to cut the movie. Maybe those digital dailies weren't exactly what the DP wanted. It would sometimes add a lot more time on to the process. You've timed it with the DP and then the director comes in and says, that's not the movie that I want to release. I want to go match the dailies.

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