Film, You Know, You Learned Your Emotions

I'm never really worried about it because the director has always said, well, you do that. And usually the director who at that point in time is oftentimes working on the mix is fine if you pull it all together. It's also when we're shooting, I end up talking to the post super and everything and explaining to him. This is normally the way that we do it and getting them to agree to it. So when we get into post, there's no surprise. You know, what I hated was cinematographers coming in saying, oh, we'll fix it in post. What happened to aiming for bullseye and getting what you wanted in the camera?