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Bev Wood - Journey from Film to Digital
Team Deakins
Do You Have a Relationship With Your Colorist?
I think that if you get a job, an opportunity to work on something,test, test, test. You know, go in and see if you can do it on a flat neutral negative. And then, yeah, and just what's the comparison between doing it that way and doing it in the camera? And also, you know, on the lights. For the effect that you want, what's the minimalist way, which lights to gel that give you the look that you want,. But you don't have to gel all the lights? Right.
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