134: Robert Gjerdingen and Giorgio Sanguinetti

1

Introduction

00:00 • 2min

2

The Early Days of Partimento Research

01:33 • 6min

3

How Dent and Georgia San Guinetti Met

07:13 • 4min

4

The Evolution of Professional Music Theory

10:44 • 5min

5

The Dark Side of Music Theory

15:37 • 4min

6

The Anglo-American View of Music History

20:01 • 2min

7

The Cultural Divide in Italy

21:49 • 6min

8

The Problem With the Italian Psychological Society

27:20 • 2min

9

Partimenti of J.S. Bach

28:55 • 6min

10

The Relationship Between Handel and Pasquini

34:40 • 3min

11

Partimenti by Dominico Scarlatti

37:34 • 2min

12

The Ideal Form of Realization of a Partimento

39:28 • 2min

13

Joseph Heiden's Connection to Partimento

41:38 • 4min

14

The Connection Between Mozart and Partimento

45:51 • 4min

15

The Importance of Partimenti

50:00 • 2min

16

The Connection Between Beethoven and Beethoven

51:32 • 5min

17

The History of the Paris Conservatory

56:52 • 4min

18

The Importance of Partamenti

01:00:35 • 5min

19

The Influence of Italian Composers on Russian Music

01:05:46 • 5min

20

Joseph Reeple's Music Skamata

01:11:06 • 3min

21

The Evolution of Music Education

01:14:01 • 4min

22

The Landscape for Party Mentor in Music Education

01:18:02 • 4min

23

Part of Mentee

01:22:24 • 3min

24

Neapolitan Sofejo Manuscript

01:25:26 • 4min

25

The Future of Partamento

01:29:14 • 2min

26

The Power of Partamenti

01:30:46 • 4min