

Ukraine museum collections: kept safe or looted? Plus, Okwui Enwezor’s Sharjah Biennial and Ming Smith at MoMA
Feb 3, 2023
Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
Introduction
00:00 • 2min
Kursen Regional Art Museum
02:26 • 2min
Are the Russians Taking the Paintings for Safekeeping?
04:27 • 2min
Is It a War Crime?
06:25 • 2min
What Do You Know About the Russian Military Invasion of Ukraine?
07:57 • 2min
Is Malgin Making Decisions?
10:03 • 2min
UNESCO's Position on Returning Artwork During an Armed Conflict
11:56 • 2min
What Happened to the Museum in Simferopol?
13:29 • 3min
The Art News Bulletin - The Shahja Biennial
16:23 • 5min
The Relationship Between Haudelkasimi and Okwe
21:20 • 3min
The Sharjah Biennial, a South-South Discourse
23:55 • 3min
The Ambitiousness of the Biennial
26:44 • 2min
What Artists Are Making for the Middle East?
28:33 • 3min
Is Shah Jhabhayanya Different From Abu Dhabi?
31:23 • 5min
Invisible Man Somewhere Everywhere by Ming Smith
35:58 • 4min
Ming Smith and Remian
39:39 • 2min
Ming Smith's Invisible Man
41:59 • 2min
Ming Smith's Surveilled Body
43:47 • 2min
Is Ming Smith a Photographer?
45:33 • 2min
The Rough Edges of Ming-Smet's Photography
47:23 • 2min
Projects Ming Smith
49:35 • 3min