Birth of Tragedy #3: 4-7 ("Objective" v/s "Subjective" Art)

1

Introduction

00:00 • 2min

2

Sanich Nicha's the Opposite Estimation of the Value of Dreams

02:24 • 3min

3

The Redeeming of Life Through Illusion

05:45 • 2min

4

Is It a Mere Appearance of Mere Appearance?

07:35 • 2min

5

Apollo, the Apotheosis of the Principium Individuationist

09:57 • 3min

6

What Are the Characteristics of the Greeks?

12:43 • 3min

7

Ancient Greece - The Boundary Drawing Culture of the Ancient Greeks

15:23 • 2min

8

What Is the Morality of the Greek Society?

17:37 • 3min

9

The Dionysians and the Titanic and the Barbarian

20:14 • 3min

10

The Dionysian, the Artist of Apollo With His Little Cithera or Harp?

22:56 • 3min

11

The Dionysian and the Apollinian, in New Births, Ever Following and Mutually Enhancing

25:37 • 2min

12

Apollinian and Dionysian Cassandra

28:03 • 3min

13

Homer and Archilochus, the Forefathers of Greek Poetry

31:15 • 3min

14

Nicha's Thesis of Art and the Art of Disinterested Contemplation

33:45 • 3min

15

I Quoran Quot - Isn't Archilochus the First Subjective Artist?

36:34 • 3min

16

The Lyric Poet

39:11 • 5min

17

The Artist's Subjectivity to Neture

44:11 • 3min

18

Apollinian Power - The Mirror of Illusion

47:06 • 2min

19

Nicha Is Not Speaking of the Will as an Ontological Truth, as an Actual Monistic Unity

49:25 • 3min

20

The Lilyric Poet and the Lyricist, A, Nicha's Characterization of the Lyric Poet

52:00 • 2min

21

Schopenhauer's Song of the Heartstrings and the Emotions

54:11 • 3min

22

Song Is an Interplay Between Willing and Pure Willless Contemplation

56:42 • 5min

23

The Subjective Object Discrimination in the Arts

01:01:18 • 2min

24

The Origin of the Folk Song

01:03:24 • 3min

25

Melody Is Primary and Universal

01:06:32 • 2min

26

In the Poetry of the Folk Song, Language Is Tried to Its Utmost

01:08:57 • 2min

27

The Language of the Greek People

01:11:10 • 3min

28

Is There a Time When Ancient Greek Was More Musical?

01:13:58 • 2min

29

The Imitative Imitation of Music in Images and Concepts

01:16:21 • 2min

30

The Essence and the Phenomenon of the Lyricist

01:18:37 • 3min

31

The Lyric Poet Is Dependent on the Spirit of Music

01:21:23 • 2min

32

The Poetry of the Lyricist

01:23:47 • 2min

33

The Origin of the Greek Tragedies, Part Seven

01:26:15 • 2min

34

The Chorus Is the Origin of the Dramatic Chorus

01:28:42 • 3min

35

Is the Chorus an Ideal Observer?

01:31:18 • 2min

36

Schiller's View of the Chorus

01:33:44 • 2min

37

The Chorus Is the Thing That Makes It Impossible

01:36:00 • 4min

38

The Satyr, the Dionysian Chorus, and the Middle World of Art

01:39:59 • 2min

39

The Satyr, It's Not Necessarily Like Hearkening Back to a Longing for a Romantic, More Idilic, Simpler Time

01:41:43 • 3min

40

Apollinian Message Through Dionysian Form

01:44:35 • 3min

41

Dionycian Reality

01:47:31 • 3min

42

Hamlet and the Dionycian Man

01:50:14 • 2min

43

How Knowledge Kills Action

01:52:36 • 3min

44

The Dionycian and the Apollynian

01:55:15 • 3min

45

Nicha's Art as an Inducement to Life

01:57:56 • 3min

46

A, I'm a Bit of a Labyrinthist, but I'll Be Honest, It's Not a Bad Book.

02:00:49 • 3min