London Review Bookshop Podcast

Caroline Bird and Helen Mort

Oct 26, 2022
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Episode notes
1
Introduction
00:00 • 3min
2
I Don't Want to Write a Poem About an Owl
02:55 • 2min
3
How to Write a Poem That Looks OK
05:23 • 2min
4
You Can't End It There
07:51 • 3min
5
I'm Not Just Like Rippin
11:13 • 5min
6
Castanova in a Coma
16:16 • 3min
7
The Illustrated Woman - A Poem About a Woman
18:46 • 4min
8
The Illustrated Woman
22:42 • 2min
9
What People Really Think About Women With Tattoos
24:48 • 5min
10
The Branding Cradle
29:32 • 2min
11
I Know What I Have Done, I Do Not Know What You Have Received
31:28 • 2min
12
The Last Days of August by John Ronson
33:32 • 3min
13
How Close to a Tattoo Is a Poem
36:42 • 3min
14
Is Poetry a Tattoo?
39:40 • 1min
15
How Do You Suck?
41:08 • 3min
16
The Illusion of Variety
43:52 • 2min
17
How Do You Write a Poem?
45:43 • 2min
18
How Do Poets Collect Images?
48:01 • 2min
19
How Do You Write Poems About Pregnancy?
50:13 • 2min
20
Poetry's Relationship to Truth
52:31 • 3min
21
The Poem and the Tattoo
55:26 • 2min
22
The Order of Her Book
56:56 • 3min
23
The Body Is the Theme and I Think You Should Be Writing About the Body
59:45 • 4min
24
How Important Is the First Draft of a Poem?
01:03:33 • 2min
25
The Relationship Between Reading and Writing About Tattoos
01:05:49 • 2min
26
Do You Read Poems?
01:08:07 • 2min
27
Bookshop Events - London Review Bookshop
01:10:27 • 2min