Chapters
Transcript
Episode notes
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Introduction
00:00 • 2min
What's Going on at School Motion A?
01:38 • 3min
The Three Cs, Content, Community and Critique
04:35 • 3min
Getting Credentials for Animation Boot Camp
07:34 • 3min
The Microstof Design Mixlike Studio Tendril Nandocosta Osinaye
11:02 • 2min
Animator - I Love Dye Motion
12:34 • 5min
The Teaser Is a Great Piece Aso
17:13 • 1min
The Best Video Game Is Arcane
18:42 • 4min
Ariel Costa's History of Horse Power
22:22 • 3min
Five of the Six Best Motion Designers
24:58 • 2min
The Lifetime Value of Motion Desenters
27:18 • 3min
Campmograp - The Weirdest Thing About It
30:05 • 6min
Is That Still a Thing?
35:48 • 3min
Line Production Workflows With a Very Small Team
38:36 • 2min
The Pandemic of Remote Work
40:32 • 2min
Freelancers and Working Rooms
42:40 • 2min
Having a Freeland Studio, I'm a Producer, or a Junior Artist - That's What I Am Now
44:27 • 2min
The Pros and Cons of Remote Work at School Motion
46:35 • 5min
Why Is It So Crucial to Be a Good Artist?
51:07 • 2min
Motion Design - Is There Anything Wrong With Doing No Work?
52:59 • 2min
Using Cloud Footed Storage for Editors
54:58 • 5min
Motion Design Studio
59:40 • 3min
Is There a Difference Between a Studio and an Artist?
01:03:01 • 2min
Artists Don't Have to Play by These Dubious Rules
01:05:22 • 4min
I've Been on Twitter Spaces Where Teachers Are Talking To, and End of Teas
01:09:11 • 4min
Rado, I Love the Music Metaphor
01:12:46 • 4min
I've Been There, I'm Getting the Escape Pod, or the Biggest Rug Pole
01:17:10 • 2min
Motion Designers
01:19:27 • 4min
How to Make a Difference in the Art Industry
01:23:43 • 5min
Yoda's Hut - I'm Getting Durty Here, and I Would Just Post All These Yoda Gifts
01:28:44 • 3min
I'll Bring Ryan in Here, I'll Bring You in Here
01:31:16 • 5min
The Theorium Block Chain
01:36:27 • 3min
Is There a Slang for Nft?
01:39:25 • 2min
The Crypto Punks Profile Pick
01:41:03 • 5min
You're Doing a Disservice to Yourself, Right?
01:45:58 • 4min
Don't Just Mint on the Dirty Block Chain, You're Not Supporting Me Now, Right?
01:49:56 • 3min
What Makes a Good NFT Project?
01:52:29 • 4min
What's the Difference Between Fine Art and Fine Art?
01:56:04 • 2min
The Pf P Thing Is Like It's Own Thing
01:58:25 • 4min
What's the Story Behind Your Collectibles?
02:02:46 • 2min
Is There a Talent Shortage?
02:05:12 • 5min
Is There Still Too Much Work Out There?
02:09:55 • 4min
Why Are All These Artists Sitting Here Working at a Studio?
02:14:11 • 6min
Freelance Motion Designers
02:20:04 • 5min
Ike, It's Nothing More Expensive
02:24:38 • 3min
Motion Design
02:27:52 • 4min
The Slow No Comp Profile Is Taking a Second to Render
02:31:52 • 3min
After Is a Subsetive Like Premier, Part of a Much Larger Initiative
02:34:41 • 2min
Adobe - Frame Io
02:36:12 • 2min
Adobe Stock Integrated
02:37:48 • 3min
The New Ways to Cut Things Out in Photo Shop
02:40:28 • 4min
Using Blunder - How to Set Up a Very Mography Thing in Blender
02:44:34 • 3min
Is There a Grease Pencil in C Forty Modelling Tools?
02:47:57 • 3min
The One Thing Lagging in My Cynema Ford Workflow Is Cutting Edge Tools and Sculpting Tools
02:50:58 • 2min
The Eye Pads Are So Easier to Use Than You'd Think
02:53:12 • 2min
Mac Crow
02:55:38 • 4min
What's Next for After Effects?
02:59:50 • 5min
Unreal 5
03:05:14 • 5min
Is There a New Level of Realism in 3d Animations?
03:10:28 • 2min
Is 2013 Going to Be a Great Year for Motion Design?
03:12:13 • 4min
Vr a R
03:16:34 • 4min
I Think the Studio Is Going to Be a Big Part of the Business, Right?
03:20:42 • 4min
The Adobe Ads - What's the Biggest Thing?
03:24:47 • 2min
We Missed Andrew Cramer, Ooh, My God.
03:26:39 • 2min
The School of Motion
03:28:27 • 2min