The Week in Art

Italy’s far right weaponises culture; Carnegie International; Maria Bartuszová

Sep 22, 2022
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Episode notes
1
Introduction
00:00 • 3min
2
Brothers of Italy and Meloni - What Are the Poles Saying?
02:47 • 2min
3
The Rise of Matteo Salvini
04:54 • 2min
4
Is Culture a Strategic Cornerstone of Italian Politics?
07:02 • 2min
5
Is Italy Bringing Citizens Into Museums?
08:48 • 2min
6
Is There a Memory of the Nation?
10:32 • 2min
7
Is the Idea of Christian Rome Somehow a Kind of Islam Phobic Kind of Idea?
12:55 • 2min
8
Maloney's Policies Seem to Be Changing
14:40 • 2min
9
The Art World's Response to the Italian Presidential Campaign
16:15 • 2min
10
Cancel Culture
17:51 • 2min
11
The Use of the Terminology of Damaged Statues and Cancell Culture
19:25 • 2min
12
The Art of the Month: Art in the City
20:55 • 4min
13
What Does It Mean to Be International in the States Right Now?
24:57 • 2min
14
Is It Morning for You Yet?
26:45 • 3min
15
The Concept of the Contemporary Is Elastic
29:19 • 2min
16
Architecture in the Hall of Sculpture
31:00 • 3min
17
The Problem With Romanticism in Contemporary Art
33:36 • 2min
18
The Art of Collaboration in an Exhibition
35:16 • 2min
19
The Work of the Week, by Maria Bartusova
37:13 • 2min
20
The Art of Maria Bartisove
38:57 • 2min
21
Sculpture and Form - The Relationship Between Form and Form
41:03 • 2min
22
The Endless Eggs, or Infinite Eggs
42:36 • 2min
23
The Untitled Aliminium Cast
44:27 • 3min
24
Theugh's Art Is a Kind of Playful Process, Part of a Playful Experience
47:20 • 2min
25
Sculpture - The Endless Eggs
49:34 • 3min