#6961
Mentioned in 9 episodes

A Room of One's Own

Book • 1929
In 'A Room of One's Own', Virginia Woolf delivers a groundbreaking essay that addresses the status of women in literature and society.

The essay, originally based on a series of lectures given at women's colleges, posits that for women to write fiction, they must have money and a room of their own.

Woolf explores the historical limitations faced by women in accessing education, careers, and artistic endeavors, and she critiques the societal structures that have hindered women's creative expression.

Through the fictional character of Judith Shakespeare, Woolf illustrates the tragic fate of a talented woman denied the opportunities available to men.

The essay concludes with an exhortation to women to claim their intellectual and creative freedom, advocating for economic and intellectual autonomy as essential for fostering creativity and self-expression.

Mentioned by

Mentioned in 9 episodes

Mentioned by Stephen Dubner and Angela Duckworth in the context of her essay on the importance of a room of one's own for writers.
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Mentioned by Stacey Abrams as a recent purchase to learn more about a subject.
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Mentioned by Cal Newport in relation to space for contemplation and its importance for self-reflection.
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Mentioned by Melvyn Bragg as a seminal work in the study of women's writing.
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Mentioned by Ellie Cawthorne and Francesca Wade when discussing her literary impact and life.
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Mentioned by Hayley Goldenberg as a book she is adapting into a musical.
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Recommended by Samantha Power for its exploration of gender and societal constraints.
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Marilena Berends erwähnt Woolfs Essay im Zusammenhang mit Bewegungsfreiheit und der Gleichstellung der Frau.
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Mentioned by Anna Goldsworthy in the context of the invisibility of women composers, using Woolf's fictional character Judith Shakespeare as an example.
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Mentioned by Francesca Specter as a seminal work about the feminist act of getting a desk.
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Erwähnt von Speaker 4 als bahnbrechender Essay für weibliches Selbstbewusstsein.
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Erwähnt von Daniela Strigl im Kontext des Theaterfestivals und der Diskussion über Reden.
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Mentioned by Carissa Véliz as an example of the long-standing need for private spaces for thinking.
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Mentioned as capturing the tension between building and critiquing in her essay.
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