Jacob's Room is a novel by Virginia Woolf that innovatively portrays the life of Jacob Flanders through fragmented narratives and the observations of others. The book explores themes of identity, loss, and the passage of time, reflecting on the impact of the First World War on a generation. Woolf's experimental style in this work laid the groundwork for her later novels, such as 'Mrs. Dalloway'.
Night and Day is Virginia Woolf's second novel, published in 1919. It delves into the lives of Katharine Hilbery and Mary Datchet, contrasting their experiences with love, marriage, and societal expectations in Edwardian London. The novel explores themes of identity, class, and the evolving roles of women during this period. Despite its traditional narrative structure, it subtly challenges conventional norms of love and marriage.
Published in 1813, 'Pride and Prejudice' is a novel that revolves around the lives of the Bennet family, particularly the second eldest daughter, Elizabeth. The story is set in the early 19th century and explores themes of love, societal expectations, and personal growth. The novel centers on Elizabeth's tumultuous relationship with the wealthy and proud Mr. Darcy, whose initial arrogance and reserve gradually give way to a deeper understanding and mutual respect. Through their interactions, both characters learn to overcome their prejudices and flaws, leading to a transformative journey of self-discovery and redemption. The novel also delves into the societal pressures on women to secure marriages, the importance of family, and the nuances of social hierarchy during the British Regency period[3][4][5].
Published in 1925, 'Mrs. Dalloway' by Virginia Woolf explores the lives of its characters over a single day in post-World War I London. The novel centers around Clarissa Dalloway, an upper-class housewife, as she prepares to host a party. Her day is punctuated by a visit from Peter Walsh, an old suitor, and her reflections on her past choices. The narrative also follows Septimus Warren Smith, a veteran struggling with shell shock and mental illness, whose story parallels and contrasts with Clarissa's. The novel delves into themes of time, identity, social class, and the psychological impacts of war. Woolf's stream-of-consciousness style provides a deep insight into the characters' inner lives, highlighting the complexities of human experience and the societal norms of the time[1][3][5].
Published in 1928, 'Orlando: A Biography' is a novel by Virginia Woolf that spans over three centuries, from the Elizabethan era to the 1920s. The story revolves around Orlando, a young nobleman who begins as a favorite at the court of Queen Elizabeth I. Orlando's life is marked by numerous romantic encounters, including a significant relationship with the Russian princess Sasha. After a transformative period in Constantinople, Orlando awakens as a woman and continues her life, navigating the societal changes and constraints of different genders across various historical periods. The novel is a tribute to Woolf's friend Vita Sackville-West and explores themes of gender identity, literature, and the fluidity of human experience[2][3][5].
The novel follows Jane Eyre from her childhood at Gateshead Hall, where she is mistreated by her aunt and cousins, to her education at Lowood School, and later her employment as a governess at Thornfield Hall. There, she falls in love with her enigmatic employer, Edward Fairfax Rochester, but discovers a dark secret about his past that forces her to make a difficult choice. The novel explores themes of love, independence, and social justice, and is known for its realistic portrayal of the inner life of a woman during the Victorian era.
In 'A Room of One's Own', Virginia Woolf delivers a groundbreaking essay that addresses the status of women in literature and society. The essay, originally based on a series of lectures given at women's colleges, posits that for women to write fiction, they must have money and a room of their own. Woolf explores the historical limitations faced by women in accessing education, careers, and artistic endeavors, and she critiques the societal structures that have hindered women's creative expression. Through the fictional character of Judith Shakespeare, Woolf illustrates the tragic fate of a talented woman denied the opportunities available to men. The essay concludes with an exhortation to women to claim their intellectual and creative freedom, advocating for economic and intellectual autonomy as essential for fostering creativity and self-expression[2][3][5].
Melvyn Bragg and guests discuss Virginia Woolf's highly influential essay on women and literature, which considers both literary history and future opportunity.
In 1928 Woolf gave two lectures at Cambridge University about women and fiction. In front of an audience at Newnham College, she delivered the following words: “All I could do was offer you an opinion upon one minor point - a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved”.
These lectures formed the basis of a book she published the following year, and Woolf chose A Room Of One’s Own for its title. It is a text that set the scene for the study of women’s writing for the rest of the 20th century. Arguably, it initiated the discipline of women’s history too.
With
Hermione Lee
Emeritus Professor of English Literature at the University of Oxford
Michele Barrett
Emeritus Professor of Modern Literary and Cultural Theory at Queen Mary, University of London
and
Alexandra Harris
Professor of English at the University of Birmingham
Producer Luke Mulhall