Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
Introduction
00:00 • 3min
How to Be a Successful Commercial Producer
02:32 • 2min
How to Use Extra Hands to Make Your Production More Efficient
04:28 • 3min
The Misconceptions About Soft Light
07:43 • 3min
How to Make Your Light Look Good Without Buying a Softbox
10:51 • 3min
How to Make Your Light Source Big
13:45 • 2min
The Benefits of a Soft Box
16:02 • 2min
How to Get the Most Out of Your 120D Light
17:46 • 3min
The Future of Light Sources
20:26 • 3min
How to Track Your Time Automatically Instead of Manually
23:08 • 3min
How to Tea Bone a C-Stand
26:37 • 2min
How to Make a Diffusion Roll for a Shoot
28:43 • 2min
How to Make a PBC Pipe Look Professional
30:53 • 2min
How to Use a Diffuser in Photography
32:39 • 2min
How to Make a Studio Lighting Solution
34:16 • 2min
The Importance of Light Mats
35:55 • 2min
How to Use a Light Mat for Interviews
38:06 • 2min
The Future of Cinematography
39:49 • 2min
Lighting Tips for Small Crews
41:46 • 2min
How to Use Tungsten in Cinema
43:37 • 3min
How to Shoot Raw With a 12-Bit Camera
46:29 • 2min
The Fuji Xt3 Is a Great Camera for Videography
48:50 • 2min
The Color Science of the Canon C200 10 Bit Camera
50:37 • 2min
The Canon Is a Great Camera for Video Diving
52:37 • 2min
Panasonic S1h Full Frame Camera
54:29 • 2min
The Panasonic Lumix DMC-X1200 Is a Great Camera for Filmmakers
56:55 • 2min
The C200 Is Too New to Be Upgrading
58:48 • 2min
How to Monitor the Actual Image Being Recorded on Your C200
01:00:32 • 2min
How to Use a C200 to Monitor a Video on a Monitor
01:02:22 • 2min
The Cine 7 500 and the Focus 7 500 Are Great Monitors for Shooting Outdoors
01:03:56 • 2min
The Cine Is a Wireless Transmitter That Can Be Used With Any Turdic System
01:05:43 • 3min