New Books in Language

A deep and thought-provoking examination of crisis politics and their implications for power and marginalization in the United States. From the climate crisis to the opioid crisis to the Coronavirus crisis, the language of crisis is everywhere around us and ubiquitous in contemporary American politics and policymaking. But for every problem that political actors describe as a crisis, there are myriad other equally serious ones that are not described in this way. Why has the term crisis been associated with some problems but not others? What has crisis come to mean, and what work does it do? In When Bad Things Happen to Privileged People: Race, Gender, and What Makes a Crisis in America (U Chicago Press, 2023), Dara Z. Strolovitch brings a critical eye to the taken-for-granted political vernacular of crisis. Using systematic analyses to trace the evolution of the use of the term crisis by both political elites and outsiders, Strolovitch unpacks the idea of “crisis” in contemporary politics and demonstrates that crisis is itself an operation of politics. She shows that racial justice activists innovated the language of crisis in an effort to transform racism from something understood as natural and intractable and to cast it instead as a policy problem that could be remedied. Dominant political actors later seized on the language of crisis to compel the use of state power, but often in ways that compounded rather than alleviated inequality and injustice. In this eye-opening and important book, Strolovitch demonstrates that understanding crisis politics is key to understanding the politics of racial, gender, and class inequalities in the early twenty-first century.Dara Z. Strolovitch is Professor of Women’s Gender, and Sexuality Studies, American Studies, and Political Science at Yale University, where her research and teaching focus on political representation, social movements, and the intersecting politics of race, class, gender, and sexuality.Host Ursula Hackett is Reader in Politics at Royal Holloway, University of London. Her Cambridge University Press book America's Voucher Politics: How Elites Learned to Hide the State won the 2021 Education Politics and Policy Best Book Award from the American Political Science Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Neil Cohn, author of 'Who Understands Comics?: Questioning the Universality of Visual Language Comprehension', challenges the assumption of universal comprehension of visual narratives. He explores the complexity of interpreting images, cultural variations, and the developmental trajectory in acquiring the ability to comprehend visual narratives. The podcast also covers topics like the brain's predictions and updates in comics, the influence of disordered focus on comic popularity, methods in visual language comprehension studies, children's development of visual language fluency, and the differences between films and comics in comprehension processes.

Allison M. Prasch, Assistant Professor of Rhetoric, Politics, and Culture at the University of Wisconsin-Madison, has a new book that focuses on the way that presidents used words, speeches, and international visits to communicate more than simple policy prescriptions during the Cold War period. This is a fascinating analysis and takes the reader through particular presidential visits to a variety of places—where the president’s symbolic quality as well as the words spoken communicate not only to the country or place visited, but also are communicating to American citizens back home as well as our antagonists in the Soviet Union and elsewhere. The World Is Our Stage: The Global Rhetorical Presidency and the Cold War (U Chicago Press, 2023) examines the ways in which the office of the American president—along with the individual inhabiting it—combines with the presentation of policy and rhetorical engagement to impact thinking about U.S. power abroad as well as at home. This is an important thesis and Prasch delineates a clear analysis of how this looked and operated during the Cold War, with five case studies that provide evidence and examples of how this actually worked.The five case studies include President Harry S. Truman at Potsdam, President Dwight D. Eisenhower’s Good Will Tours, particularly in South America, President John F. Kennedy in West Berlin, President Richard M. Nixon’s trip/opening to China, and finally President Ronald W. Reagan in Normandy. Prasch weaves together historical, political, cultural, and rhetorical dimensions of each of these presidential events to understand the impacts and the reverberations for the United States, for the Soviet Union, for U.S. allies and enemies. She documents the ways in which some of these moves were responses to similar kinds of trips and events taken by Soviet leaders at the same time. Prasch has included deep archival research at presidential libraries and the like in order to flesh out the Oval Office discussions about these events—going through memos and interviews with presidential staff who were in charge of the planning and orchestration of the trips, the particular speeches, and the choices as to the venue and audiences.The World is Our Stage: The Global Rhetorical Presidency and the Cold War is a crucial addition to the scholarship on rhetoric and the American presidency, moving beyond the words themselves and examining the multiple dimensions of presidentiality on display on the world stage when a president takes the opportunity to give a speech at a certain global venue. This analysis is particularly vital given the symbolic, performative, and policy import of these kinds of events.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Critics have long viewed translating Arabic literature into English as an ethically fraught process of mediating between two wholly incommensurable languages, cultures, and literary traditions. Today, Arabic literature is no longer “embargoed” from Anglophone cultural spaces, as Edward Said once famously claimed that it was. As Arabic literary works are translated into English in ever-greater numbers, what alternative model of translation ethics can account for this literature’s newfound readability in the hegemonic language of the world literary system?Anna Ziajka Stanton's book The Worlding of Arabic Literature: Language, Affect, and the Ethics of Translatability (Fordham UP, 2023) argues that an ethical translation of a work of Arabic literature is one that transmits the literariness of the source text by engaging new populations of readers via a range of embodied and sensory effects. The book proposes that when translation is conceived of not as an exchange of semantic content but as a process of converting the affective forms of one language into those of another, previously unrecognized modalities of worldliness open up to the source text.In dialogue with a rich corpus of Arabic aesthetic and linguistic theory as well as contemporary scholarship in affect theory, translation theory, postcolonial theory, and world literature studies, this book offers a timely and provocative investigation of how an important literary tradition enters the world literary system.Anna Ziajka Stanton is Caroline D. Eckhardt Early Career Professor of Comparative Literature and Assistant Professor of Comparative Literature at the Pennsylvania State University. She has published articles in the Journal of Arabic Literature, Philological Encounters, the Journal of World Literature, the Cambridge Journal of Postcolonial Literary Inquiry, and Middle Eastern Literatures. Stanton is the translator of Hilal Chouman’s Limbo Beirut, which was longlisted for the 2017 PEN Translation Prize and shortlisted for the 2017 Saif Ghobash Banipal Prize for Arabic Literary Translation. She has been an editor at the Journal of Arabic Literature since 2014.Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In 1798, young French general Napoleon Bonaparte entered Egypt with a veteran army and a specialist group of savants—scientists, engineers, and artists—his aim being not just conquest, but the rediscovery of the lost Nile kingdom. A year later, in the ruins of an old fort in the small port of Rosetta, the savants made a startling discovery: a large, flat stone, inscribed in Greek, demotic Egyptian, and ancient hieroglyphics. This was the Rosetta Stone, key to the two-thousand-year mystery of hieroglyphs, and to Egypt itself. Two years later, French forces retreated before the English and Ottoman armies, but would not give up the stone. Caught between the opposing generals at the siege of Alexandria, British special agents went in to find the Rosetta Stone, rescue the French savants, and secure a fragile peace treaty.Jonathan Downs' book Discovery at Rosetta: Revealing Ancient Egypt (American University in Cairo Press, 2020) uses French, Egyptian, and English eyewitness accounts to tell the complete story of the discovery, decipherment, and capture of the Rosetta Stone, investigating the rivalries and politics of the time, and the fate of the stone today.Madhumanti Datta completed her PhD in Linguistics from the University of Southern California, USA. Her primary research area is the syntax of human languages, focussing on what possible and impossible structures in human language tell us about how linguistic structures are built, how meaning is represented and about the knowledge of grammar that speakers of a language intuitively possess. She is interested in issues surrounding language, both from the social and cultural perspective as well as from the biological perspective of language as a window into human cognition. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

John Guillory (NYU English author of the pathbreaking Cultural Capital) is here to discuss his amazing new Professing Criticism: Essays on the Organization of Literary Study (U Chicago Press, 2022)He speaks with John and with Nick Dames, co-editor of Public Books, Professor of Humanities at Columbia and most recently author of The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton 2023). The gap between criticism and scholarship looms large, as does the utility of Panofsky's 1940 distinction between "monuments" and "documents." they ask what sorts of cultural documents achieve aesthetic memorability, for good or for ill.Mentioned in the episode: W. B Yeats, "Monuments of unageing intellect"; a line from "Sailing to Byzantium" (1933). George Eliot, in Middlemarch (1871-2): "Would it not be rash to conclude that there was no passion behind those [Samuel Daniels] sonnets to Delia which strike us [nowadays] as the thin music of a mandolin?" Hannah Arendt, Lectures of Kant's Political Philosophy (1982) on judgment, and how general categories can be brought to bear on particulars. Willa Cather, The Professor's House (1925) Randall Jarrell, Pictures from an Institution: A Comedy (1954; John has a short "B-Side" appreciation in Public Books). Elaine Hadley, Living Liberalism Pierre Bourdieu, Distinction Alvin Gouldner , The Future of Intellectuals and the Rise of the New Class (1979) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Piers Kelly discusses the creation of the Eskayan language in the Philippines, exploring its origins and role in colonial resistance. The podcast delves into the themes of mimicry and rejection in cultural identity, as well as the historical events that led to the emergence of the language. It also explores the broader applications of linguistic anthropology and the speaker's current research focus on linguistic systems in West Africa and Australia.

Andy Hunter, Founder and CEO of Bookshop.org, discusses the challenges faced by physical bookstores and explains how Bookshop.org supports them. He shares his personal journey of creating the platform to combat Amazon's dominance. Despite hurdles like shipping issues and a small team, Bookshop.org expanded successfully. The hosts talk about future plans, supporting independent bookstores, and their love for local bookstores and favorite authors.

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande’s cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history.Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020.Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language