In episode 63 of the Podcast for Social Research, a live-recording of our Wednesday, May 3rd event Cop City: Police, Protest, and Social Control, BISR faculty Nara Roberta Silva, Patrick Blanchfield, Geo Maher, and guests Natasha Lennard and Kamau Franklin examine and contextualize the planned construction of "Cop City"—the Atlantan “state-of-the-art public safety training academy” that features classrooms, firing ranges, and a “mock city” in which police trainees can practice the methods of tactical urban warfare. Who and what is driving the creation of Cop City—and why is it a phenomenon of national significance?  How can we understand the "boomerang" effect that has brought imperial counterinsurgency "back," as it were, to U.S. shores? What is the nature of the opposition to Cop City? How, here and elsewhere, have authorities wielded statutory law to intimidate protesters and effectively prohibit protest? What are the politics on the ground, in Atlanta, a majority black city with a majority black political leadership? Finally, for a society unwilling to address extreme racial and material stratification, is Cop City its inevitable future? 

In this shortcast of the Podcast for Social Research, recorded live before a screening of Fellini Satyricon as part of our Occasional Evenings series, BISR classicist Bruce King and fellow faculty Isi Litke take up the ancient past and its (cinematic) reconstruction in the present. How did ancient Romans imagine, and then parody, a “good” death—or the staging of one? How do we come to grips with the fragmentary nature of our knowledge of antiquity? What imaginaries emerge (including 20th century fascist ones) in the fissures between what remains and what’s been lost? What do out-of-sync dubbing, nonsense language, dream logics, and incongruous gestures have to do with the postmodern dismantling of grand narratives of the ancient past and its putative “simplicity and grandeur”? Quick LinksGet Embed PlayerDownload Audio File

In this episode of the podcast, recorded live at BISR Central as part of our Occasional Evenings series, writer and critic Lucy Ives joins BISR’s Rebecca Ariel Porte, Lauren K. Wolfe, and special guest Sonia Werner for a reading and discussion of Lucy’s latest novel Life Is Everywhere (Graywolf Press, 2022)—an enormously capacious and, perhaps counterintuitively, characteristically “weak” novel. Starting with the question, implicit in Life Is Everywhere, as to what the novel can possibly contain (bodies and feelings? institutions and systems? historical events? speculative counterfactuals? emails and utility bills?), their conversation touches on genre—is it an organizing principle or an awkward limit?—how certain failures in writing are inadvertent strengths, the pleasures of “difficult” novels, unpromising premises, “strong” versus “weak” theory, thinking versus feeling protagonists, the disruptive power of affect, the kinds of knowledge that novels produce, the strangeness of the nearest things, Mrs. Dalloway, Henri Lefebvre, time travel, Aristotle’s poetics as high comedy, and much more.

In episode six of (Pop) Cultural Marxism, Isi and Ajay consider the cultural imperative du jour, "Let People Enjoy Things"—and offer an alternative: not letting people enjoy things. What underlies the collective impulse to not criticize? What is the purpose of criticism? And how does the injunction to not criticize misunderstand the relationship between the self and representation? Are critics cheerless? Why are we anxious for our art (are blockbuster movies so fragile)? Why, in this moment, are we seemingly so driven to seek out cultural experiences that console? Isn't critical engagement in itself a pleasure? As Isi and Ajay explore the anti-critical impulse (with a detour into the present and future of the Oscars), they take up objects ranging from Best Picture winner Everything Everywhere All at Once (and the—rather ardent—discourse surrounding it) to Florian Sigl's The Magic Flute, Kate Wagner's Baffler essay "Don't Let People Enjoy Things," Franz Kafka's retranslated diaries, the video game Like a Dragon: Ishin!, A.O. Scott's New York Times exit interview, aesthetic debates reaching back to Adorno, Benjamin, and Lukács, and much else besides.

In episode four of Faculty Spotlight, hosts Mark and Lauren interview Andy Battle, BISR faculty and urban historian. The three discuss: why cities are so radicalizing--and alienating; the deep connection between capitalism and urbanization; how "private welfare states" drive up the cost up the cost (sometimes prohibitively) of building infrastructure; what Henri Lefebvre means by the "Right to the City"; Eric Adams (and his parallels with Trump); dance culture (and "dis-alienation"); and Cop City, the "outside agitator," and why "policing is what's left when you can't or won't...address the problems" that fundamentally beset us.

In this shortcast, recorded live before a screening of Chantal Akerman's "love film for my mother," BISR's William Clark, Paige Sweet, and Isi Litke offer a sweeping overview of the film’s technical innovations, thematic stakes, and its film-historical context. Their talk touches on Akerman’s deft hybrid of experimental and narrative traditions, formal techniques as narrative strategies, the domestic terrain of diminished sovereignty, the uncanny activation of everyday objects, ten static minutes of making meatloaf, haunted houses, whether unleashed aggression might result in repose, and what sort of genre conventions this endurance test of a film may be partaking in after all. 

In episode 61 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Joseph Earl Thomas and Paige Sweet sit down for an intimate conversation about the peculiar and often unsparing perceptions children have of adult worlds and the writerly innovations at play in the endeavor of representing their experience of it. Their wide-ranging talk touches on everything from strategies of self-narration to means of soliciting a reader’s agency, how to tell a life-story out of order, whether animals can understand us, flat versus hyperbolic language (and their differential effects when narrating Black life in particular), comprehending things in bits (as opposed to the epiphanic moment), whether the norms to which adults acquiescence are in fact inevitable, plus an extremely capacious (materially and emotionally) kitchen sink. Before the discussion, Joseph reads an excerpt from his aptly and provocatively titled coming-of-age memoir Sink, a much-lauded and vividly told story of need, desire, imagination, and the manifold objects of adolescent attachment. 

In episode 5 of (Pop) Cultural Marxism, Isi and Ajay dive deep into the spectacle of James Cameron’s latest blockbuster Avatar: The Way of Water, touching on questions of cinematic language, the ironic celebration of nature through its destructions, papyrus fonts, visual and narrative incoherence, Final Fantasy (and being unfair to it), Ridley Scott, Moby Dick, Heidegger’s question concerning technology, Prehistoric Planet, windmills, colonialism, György Lukács, Eiji Otsuka, Sontag's “Fascinating Fascism,” dubs vs. subs, 64-bit water, underwater motion capture, the shock doctrine, the movie's mildly eugenic obsession with sexualized (yet sexless) bodily perfection, James Cameron's legacy in crafting so much of the style of contemporary "cinematic universe" form, even the bizarre Manhattan mall where Isi and Ajay watched the movie. And, of course, lots and lots of water. 

In episode 60 of the podcast, recorded live at Goethe-Institut New York, BISR's Ajay Singh Chaudhary joins translator Tess Lewis, political theorist Corey Robin, and novelist Jessi Jezewska Stevens for a wide-ranging discussion of Ernst Jünger’s 1939 novel On the Marble Cliffs, now out from NYRB in a new translation by Lewis. Prompted by the question, “Why read Jünger today?,” their talk explores the various “tangled” scenes of Jünger reception—from his contemporaries (excoriated by Thomas Mann and Walter Benjamin) to his apologists (defended for his denunciation of the Nazis—if only for their vulgarity) to patent aesthetic and thematic parallels in contemporary anime and manga. Is it possible, or worthwhile, to read Jünger in the context of the contemporary right and its concern with its own worldview losing traction in a changing world? Is Jünger literary aristocracy—or, rather, a kind of literary adolescent? And, what is it like to translate something that you feel at odds with?   

In episode 59 of the podcast, on the occasion of Valentine's Day, we are celebrating the many friendships that BISR has fostered over the years. You’ll hear the stories of four friendships – and one marriage – all of which began at a BISR class or event. First, Paige Sweet and Joseph Earl Thomas, fellow faculty who met at a student meetup, share their intellectual and creative affinities. After that, student Sasha Kruger and faculty Amrita Ghosh describe the after-class chat that sparked an enduring, transcontinental friendship. Next, faculty members Rebecca Ariel Porte and Danya Glabau will discuss an intellectual friendship that dates back to BISR’s early days. Faculty Lygia Sabbag Fares and student Susie Hoeller follow, talking about friendship even in the midst of political non-alignment. And lastly, faculty Audrey Nicolaides and the brains behind BISR’s website Josh Johnson (both former students) tell the story of their first encounter at an early BISR course back in 2012, the several inauspicious dates that followed, and, eventually, their wedding, officiated by BISR's executive director, Ajay Singh Chaudhary.