In this shortcast, the hosts and a guest discuss the queer cult classic film 'But I'm a Cheerleader'. They explore topics such as hyper normativity, gender deviance, the origins of queerness, plastic as symbolism, conversion therapy's dark history, aesthetic choices, representation of heterosexuality, and the film's feminist and femme perspectives.

Panelists on the Podcast for Social Research discuss big data and social media, György Lukács, Black Marxism, climate and class struggle, hyper-individualism, optimism versus pessimism, and the objectification of everything. They explore the impact of data-driven technologies, the relevance of the Frankfurt School, the importance of embracing despair and the need for reinvention. They debate the critique of 'Black Marxism' and discuss open debates and engagement with critical theory. The founding of the Institute for Social Research, the concept of ideology, and reimagining the future are also discussed.

In this episode, guests Adam Shatz and Kate Wagner discuss the uses of critical theory in understanding contemporary culture. They explore topics such as social media's impact on discourse, the influence of the Frankfurt School on cultural criticism, the separation of architecture from building, and the role of cultural criticism in representing working class struggles.

Panelists William Paris, Nathan Duford, Eduardo Mendieta, and Paul North discuss the relevance of Frankfurt School critical theory in understanding race, gender, and authoritarianism. Topics include the Frankfurt School's amalgam of Marx and Freud, the patriarch as racketeer, the fetishization of suffering, race as a pathology of time, the relationship between gender panic and normativity, and the thinkers who have pushed Frankfurt School critical theory in feminist directions.

In episode 67 of the Podcast for Social Research, a live recording of the opening panel of two-day symposium Frankfurt School and the Now, BISR’s Ajay Singh Chaudhary and Rebecca Ariel Porte and guests Seyla Benhabib and Aaron Benanav answer the perennial question, What is Critical Theory? As they trace a line from Kant to Marx to the classic and latter-day Frankfurt School critical theorists, they grapple with a wide range of attending questions: How can we understand the concept of critique itself? How does philosophy relate to social theory? What are we to make of critical theory's fraught history as a practice of negativity (the source of many of its most piercing insights and also of its perceived troubles for praxis)? Must criticism provide a solution? Or is the critique of “progress” as urgent as ever? In the 21st century, what remains of critical theory—and what doesn’t?

After a brief hiatus, Ajay and Isi are back with another episode of (Pop) Cultural Marxism! In episode 7, they sojourn amidst the splendid ruins of Hyrule in The Legend of Zelda: Tears of the Kingdom, the much celebrated 2023 game from Nintendo’s EPD development group, directed and produced by Hidemaro Fujibayashi and Eiji Aonuma. Before delving into the series’ past and present iterations, the two spend some time catching up on what’s new at the movies—including the expected summer blockbusters, relative degrees of quackery, and other matters. Then it’s on to Nintendo and its quasi-mercantilist business model, the awe-inspiring complexity of the latest entry in the Zelda franchise, leading to excurses on Situationist psychogeography, flânerie, combinatorial aesthetics, architectural reasoning and silent film techniques. Taking up Tears of the Kingdom as a kind of Trauerspiel in the Benjaminian sense, they explore the dialectical tension between humor and mourning, diegetic and critical knowledge formation, comparative religion, and the beauty of works that are incomparably more than the sum (or multiplication) of their parts. Stay tuned for answers to burning listener questions on the game’s environmental (or extractivist) dimensions—with reference to Miyazaki’s Princess Mononoke—and the (fairly incomprehensible) class structure of Hyrule.

In episode 66 of the Podcast for Social Research, recorded live at BISR Central, Daniel M. Lavery, erstwhile “Prudence” of Slate’s popular advice column, dropped by to discuss his latest book—a collection of “greatest hits” from his tenure as “Prudie,” interspersed with reflections on the uses and affordances of the advice column, the role and persona of the advice-giver, and the varieties of human experience, from the sacred to the profane, that the advice column offers up to view. Danny sat down with BISR’s Kali Handelman, Abby Kluchin, and Rebecca Ariel Porte for a truly wide-ranging discussion of the history, ethics, and gnarly practicalities of advice-giving—from Greek oracles to the micro-targeting of micro-identities in the internet age, from Aristotelian “practical wisdom” to the psychoanalytic scene of transference, from “agony aunties” to Miss Lonelyhearts. What is it we're actually asking for, or about, when we ask for advice? Stay tuned as the podcast wraps with the panel providing extemporaneous advice in real time to thorny questions from the audience!

In episode 65 of the Podcast for Social Research, recorded live at BISR Central, songwriter, improviser, and ecumenical instrumentalist Wendy Eisenberg took to the “stage” for an intimate solo performance of new acoustic work. They then sat down with BISR faculty Jude Webre for a wide-ranging discussion of their musical formation, theoretical inspirations, and promiscuous reading habits. Topics touched on include being the “type of guy” who’s inspired by Tom Verlaine; implicating others in your own embarrassments; the jazz training to noise pipeline (“codified at Bard”); “hardcore” as a blurry signifier; the brilliance of Brazilian music; Astrud Gilberto, voice leading, and musical power from below; the 4-track as time machine; how to change a line without touching it (as per William Gaddis); and sexy books for summer reading when all the trees are plump.

In episode five of Faculty Spotlight, Lauren and Mark sit down with Joseph Earl Thomas, BISR faculty and author the acclaimed memoir Sink. The three discuss: memoir-writing and the art of "un-knowing" writing; literary realism in the 21st century; having, or faking, a "world picture"; how, with Sylvia Wynter, we can think trans-culturally; Gayl Jones and the art of literary maximalism (and why it's not just for "white boys"); why "resignification" can't change the material world; and what it's like to live, work, and think in Philadelphia.

Episode 64 of the Podcast for Social Research is a live-recording of mezzo-soprano Lucy Dhegrae's sound lecture, Music and Trauma, recently delivered at BISR Central. Between performances of selections from her acclaimed Processing Series, including the frenetic "Dithyramb" and the ethereal "No," Dhegrae talks to BISR faculty Paige Sweet and Danielle Drori about the interrelationship—the push-pull—between trauma, body, psyche, and sound—particularly in the wake of traumatic experience. What does it mean to sublimate trauma, and how is it "felt" and processed in the body? How, moreover, is trauma expressible (and what does Julia Kristeva have to say about it)? How can we understand the difference between language and music, words and sounds? And how can we think about the interrelationship of the voice and the body, of "vibration against bone"?