Ryan speaks with Edith Hall about why she wants to open up Aristotle’s works to the world at large, how Aristotle defined what a human being is and how one can be happy, the importance of doing what you’re good at and enjoying what you’re doing so long as it’s good for the social good, and more.Edith Hall, FBA is a British scholar and professor of classics at Durham University, specializing in ancient Greek literature and cultural history, and professor in the Department of Classics and Centre for Hellenic Studies at King's College, London, as well as a Fellow of the British Academy. Her research and writings have been influential in three distinct areas: (1) the understanding of the performance of literature in the ancient theater and its role in society, (2) the representation of ethnicity; (3) the uses of Classical culture in European education, identity, and political theory. She has written and been a part of many publications about Greek classics, including Aristotle's Way: How Ancient Wisdom Can Change Your Life (2018), Sophocles and the Greek Tragic Tradition (2009), and Inventing the Barbarian: Greek Self-Definition through Tragedy (1989). ✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail🏛 Check out the Daily Stoic Store for Stoic inspired products, signed books, and more.📱 Follow us: Instagram, Twitter, YouTube, TikTok, FacebookSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How should we live? This is the basic question for all of us. In this episode of the Philosophy Bites podcast Edith Hall, author of the book Aristotle's Way, gives a sympathetic answer to Aristotle's take on this question. 

Melvyn Bragg and guests discuss Plato's account of the once great island of Atlantis out to the west, beyond the world known to his fellow Athenians, and why it disappeared many thousands of years before his time. There are no sources for this story other than Plato, and he tells it across two of his works, the Timaeus and the Critias, tantalizing his readers with evidence that it is true and clues that it is a fantasy. Atlantis, for Plato, is a way to explore what an ideal republic really is, and whether Athens could be (or ever was) one; to European travellers in the Renaissance, though, his story reflected their own encounters with distant lands, previously unknown to them, spurring generations of explorers to scour the oceans and in the hope of finding a lost world.The image above is from an engraving of the legendary island of Atlantis after a description by Athanasius Kircher (1602-1680).With Edith Hall Professor of Classics at Durham UniversityChristopher Gill Emeritus Professor of Ancient Thought at the University of ExeterAndAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldProducer: Simon Tillotson

Melvyn Bragg and guests discuss what is reputedly the most performed of all Greek tragedies. Antigone, by Sophocles (c496-c406 BC), is powerfully ambiguous, inviting the audience to reassess its values constantly before the climax of the play resolves the plot if not the issues. Antigone is barely a teenager and is prepared to defy her uncle Creon, the new king of Thebes, who has decreed that nobody should bury the body of her brother, a traitor, on pain of death. This sets up a conflict between generations, between the state and the individual, uncle and niece, autocracy and pluralism, and it releases an enormous tragic energy that brings sudden death to Antigone, her fiance Haemon who is also Creon's son, and to Creon's wife Eurydice, while Creon himself is condemned to a living death of grief.WithEdith Hall Professor of Classics at Durham UniversityOliver Taplin Emeritus Professor of Classics, University of OxfordAndLyndsay Coo Senior Lecturer in Ancient Greek Language and Literature at the University of BristolProducer: Simon Tillotson

Yuval Noah Harari, best-selling author of Sapiens, explores the evolution of storytelling and its manipulation in the age of AI. Edith Hall, a classicist, draws parallels between ancient information flow and the internet, revealing humanity's long-standing desire for intelligent machines. Madhumita Murgia discusses AI's dual impact on society, highlighting both its potential to drive scientific progress and its role in deepening inequalities. Together, they navigate the tension between innovation, truth, and the ethical challenges posed by advanced technologies.

Melvyn Bragg and guests discuss Pericles (495-429BC), the statesman who dominated the politics of Athens for thirty years, the so-called Age of Pericles, when the city’s cultural life flowered, its democracy strengthened as its empire grew, and the Acropolis was adorned with the Parthenon. In 431 BC he gave a funeral oration for those Athenians who had already died in the new war with Sparta which has been celebrated as one of the greatest speeches of all time, yet within two years he was dead from a plague made worse by Athenians crowding into their city to avoid attacks. Thucydides, the historian, knew him and was in awe of him, yet few shared that view until the nineteenth century, when they found much in Pericles to praise, an example for the Victorian age. With Edith Hall Professor of Classics at King's College London.Paul Cartledge AG Leventis Senior Research Fellow at Clare College, University of CambridgeAnd Peter Liddel Senior Lecturer in Ancient History at the University of ManchesterProducer: Simon Tillotson

What does it mean to live a good life? How can we achieve that good life? These are questions a Greek philosopher explored over 2,000 years ago in his Nicomachean Ethics. My guest today argues that the insights Aristotle uncovered millennia ago are still pertinent to us in the 21st century. Her name is Edith Hall, and she’s a classicist and the author of Aristotle’s Way: How Ancient Wisdom Can Change Your Life. Today on the show we discuss what Aristotle thought the good life was and how it’s different from our modern conception of happiness. We then dig into how Aristotle believed the cultivation of virtue was a key part of living a flourishing life and why understanding your unique potential and purpose is also important. Edith then shares insights from Aristotle on how to handle misfortune and become a better decision maker, as well as the importance of relationships to human happiness.Get the show notes at aom.is/aristotle.

Melvyn Bragg and guests discuss the great epic poem attributed to Homer, telling the story of an intense episode in the Trojan War. It is framed by the wrath of the Greek hero Achilles, insulted by his leader Agamemnon and withdrawing from the battle that continued to rage, only returning when his close friend Patroclus is killed by the Trojan hero Hector. Achilles turns his anger from Agamemnon to Hector and the fated destruction of Troy comes ever closer. With Edith Hall Professor of Classics at King's College LondonBarbara Graziosi Professor of Classics at Princeton UniversityAnd Paul Cartledge A.G. Leventis Senior Research Fellow and Emeritus Professor of Greek Culture at Clare College, CambridgeProducer: Simon Tillotson.

Professor Edith Hall and comedian Desiree Burch join Greg Jenner to explore the life and myths surrounding ancient Greek philosopher and mathematician Pythagoras. They discuss his eccentricities, travels, philosophical beliefs, and controversial teachings. The episode also delves into Pythagoras' contributions to music theory and his impact on cultural consciousness. Controversies surrounding him as a cult leader are also explored. Plus, a quick-fire quiz to test your knowledge!

Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of OxfordEdith Hall, Professor of Classics at Durham University