Two Factor Problems: The Must-Have for Writing Captivating Stories

1

Introduction

00:00 • 2min

2

The Story Grid Tool and Technique

01:42 • 6min

3

The First Error Message - Where Did Tim Di Diverge From Ed McBayes Protocol?

07:40 • 2min

4

The Proposition of Possibilities in the Ed McBain Story

09:18 • 2min

5

Why Is Randall So Afraid to Come Forward?

11:03 • 2min

6

Is There a Bias in the System?

12:44 • 2min

7

The Transparency to a Pacity Shift

14:18 • 2min

8

Is the Prosecutor a Fish Out of Water?

16:44 • 2min

9

Is This a Problem for Iterating the Pattern?

18:31 • 2min

10

What Is Inciting the Protagonist?

20:04 • 2min

11

Was the Captain the Murderer?

21:43 • 2min

12

The Protagonist Goal State in the in the Pop

23:59 • 2min

13

The Inciting Incident of This?

26:10 • 2min

14

The Eye Witness Walking in Is the Inciting Incident, and That's as It's Written

27:44 • 2min

15

How to Write a Short Story That Feels Wrapped Up

30:01 • 3min

16

The Implications of Switching Out the Protagonist

32:39 • 2min

17

Do You Have Any Differences in Your Story?

34:09 • 2min

18

Watson, I'm a Young Officer, but I'm Trying to Figure Out What to Do

36:37 • 2min

19

Is Sam a Potential Victim?

38:14 • 3min

20

How Do I Tell a Story From the Point of View of a Victim?

41:09 • 2min

21

You're Going Down a Metaphysical Wormhole

42:40 • 5min

22

Getting Lined Up Is So Important

47:39 • 2min

23

The Flip Flops of Dilemma

49:11 • 3min

24

Randall Needs to Have a Victim

51:54 • 5min

25

The Real Reason That a Struthers Is There Is Because He's the One That Calls the Death of the Lt.

56:32 • 2min

26

Are We Cool?

58:13 • 2min

27

Choosing a Protagonist That's Not Directly Aligned Will Affect Your Story

01:00:42 • 2min

28

What I'm Seeing Is a Gaping Whole Problem in the Story Right Now

01:02:14 • 3min

29

The Invisible Fear Guorillas

01:05:05 • 2min

30

How to Write a Master Work

01:06:54 • 4min