Two Factor Problems: The Must-Have for Writing Captivating Stories
Story Grid Writing Podcast
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How to Write a Master Work
It's been funny to me how, like, when we first looked at we're like, well, you didn't swish the protagonist, but this is really great. And now, like, as we've gone back, we're Like, oh, this basically just ripped out the soul of the story. Now let's look at how you could have done that better, because now it's so just, it is. I've really, i mean, this has been fascinating to me a and yet, that that idea that the sam has to be in the same role as the protagonist, ah, is really, really good too. But either way, thanks so much for being a
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