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Two Factor Problems: The Must-Have for Writing Captivating Stories

Story Grid Writing Podcast

CHAPTER

Was the Captain the Murderer?

"Whatever is inciting my current protagonist does actually matter when i get back to the rerightran horses?" "What he was actually trying to get out of it was not just him getting a confirmation that the captain was the murderer. But there's something he was getting out of letting making sure the captain knows that i know that he's the murderer, right? So that's at the end of the scene." 'I could have, watson could have gotten the same information by just showing a picture of the captain to the witness,' says writer and director David Wojciechowska. "'We're going to change the protagonist back to randall a' And so whatever is inciting

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