Wie hat sich Merz im Weißen Haus geschlagen, Robin Alexander?

In „Buddenbrooks“ zeichnet Thomas Mann ein detailliertes Bild des gesellschaftlichen und wirtschaftlichen Wandels im 19. Jahrhundert. Der Roman folgt dem Aufstieg und Fall der Familie Buddenbrook, die in Lübeck als angesehene Kaufleute leben. Im Laufe der Generationen werden die Familienmitglieder mit den Herausforderungen des modernen Lebens konfrontiert, was zu inneren Konflikten und einem allmählichen Verfall der Familie führt. Mann thematisiert den Gegensatz zwischen Tradition und Fortschritt, den Verlust von Werten und die Entfremdung des Individuums. Das Werk gilt als ein bedeutendes Beispiel des deutschen Realismus.

The novel centers around Hans Castorp, who travels to a sanatorium in Davos, Switzerland, to visit his cousin Joachim Ziemßen. Initially intended as a short visit, Hans's stay extends to seven years, during which he engages in deep philosophical discussions with other patients and staff, including the Italian humanist Settembrini and the Jesuit Naphta. The narrative explores themes of time, health, death, and the clash between the ordinary and extraordinary, set against the backdrop of Europe before World War I. The novel is known for its complex characters, allegorical elements, and its reflection on the intellectual and cultural currents of the early 20th century[2][3][4].

The play follows Doctor Faustus, a German scholar who, dissatisfied with traditional forms of knowledge, turns to magic and makes a pact with the devil Mephastophilis. In exchange for his soul, Faustus gains 24 years of unlimited power and knowledge. The play explores themes of knowledge, power, and sacrifice, serving as a cautionary tale about the perilous nature of unchecked ambition and the pursuit of forbidden knowledge. Set in various European locations, it reflects the Renaissance spirit and the intellectual climate of Elizabethan England.

Published in 1912, 'Der Tod in Venedig' is a symbol-laden novella by Thomas Mann that explores themes of aestheticism, decadence, and the conflict between intellect and passion. The story follows Gustav von Aschenbach, a disciplined and respected author, who becomes infatuated with a young Polish boy named Tadzio while on vacation in Venice. Despite the outbreak of a cholera epidemic, Aschenbach stays in the city, sacrificing his dignity and well-being for the sake of his obsession with Tadzio. The novella culminates in Aschenbach's death, highlighting the tragic consequences of his unchecked desires and the decay of his moral and physical self.