Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38
Introduction
00:00 • 2min
How to Play Drums With a Crushstick
02:08 • 3min
How to Play Kick Kicks on a MIDI Keyboard
04:38 • 3min
Sean Everett on the Path to Being a Great Mixer
07:33 • 3min
The Grizzly Bear Mix
10:55 • 2min
The Importance of Having an SSL Room
12:30 • 2min
The Importance of Subs in Mixing
14:09 • 3min
The Secret Key to Professional Sounding Recordings
16:46 • 2min
The Importance of Sound and Color in Mixing
19:00 • 2min
The Evolution of Loudness
20:53 • 2min
How to Master Your Mix
22:45 • 2min
The Power of Mixing
24:42 • 2min
Blake's Relationship With Tony Berg
27:12 • 2min
How to Record a Drum Set
29:05 • 3min
How to Record Your Own Drums
32:16 • 2min
How to Mic a Kick Drum
34:01 • 2min
How to Make Your Music Sound Unique
35:40 • 2min
How to Record a Kick Drum
37:22 • 2min
How to Track a Traditional Vocal From Brittany
39:34 • 3min
How to Mix Widely on Drums
42:31 • 3min
How to Keep a Dark Mix Feeling Energetic
45:06 • 2min
How to Use a Multi Band on the Master Bus
47:21 • 2min
How to Mix a Masterpiece
49:09 • 2min
The Importance of a Master Bus Compra
51:21 • 2min
How to Mix With an Analog Console
52:58 • 2min
How to a-B a Mix in the Box
54:49 • 2min
How to Find the Right Level Coming Out of Your Analog Stems
56:37 • 2min
The Devil's Advocate Style of API in the Box
58:21 • 2min
The Chaos of a Console
01:00:02 • 2min
How to Use a 525 Compressor on Your Guitar
01:01:53 • 2min
The AMS Is a Magic Box
01:03:43 • 2min
The Importance of Randomness in Recording
01:05:33 • 2min
How to Use the Soothe to Create a Smooth Sounding Record
01:07:33 • 2min
The Importance of a Good Head Microphone
01:09:05 • 2min
How to Multi-Track a Vocal
01:11:14 • 2min
How to Staging a Mix
01:13:18 • 2min
The Importance of Parallel Processing on Vocals
01:14:59 • 2min
The Sound of the Tame and Parlor Records
01:16:41 • 3min