VINTAGE OR VIOLENCE

A soundscape of Kampala merged with Uganda's story of textiles, created by Ssozi Joseph of Gorilla Waves. This piece was initially made for the VINTAGE OR VIOLENCE exhibition in Galiraaya Plaza. An updated version of it now closes the VINTAGE OR VIOLENCE podcast, and pulls from our previous episodes and Vox pops to paint a picture of Uganda's complex relationship for secondhand clothes. This recap 'episode' is a trip down memory lane for our early listeners, or a delicious taste of what to enjoy for new ears!

Textile boutique, Ndara, uses the act of creation to restore dignity and autonomy in the Central African Republic. Founded in 2017 this women’s cooperative has been instrumental in employing and upskilling victims of on-going violence in the region. From weekly leadership, math, and literacy classes to producing quality hand-made artisan products from upcycled textiles, Ndara has built something truly exquisite in one of the least known and poorest countries on the African continent.    This episode, in conversation with founder Charlotte Mararv, we explore the possibilities of existing outside ‘survival mode’. Ndara's Website Ndara's Instagram Ndara's Facebook

In this episode, Aja Barber, author of 'Consumed', discusses the global and environmental cost of fast fashion. She shares her personal journey from fast fashion enthusiast to slow fashion spokesperson. The episode highlights the need for collective change in the face of colonialism, climate change, and consumerism.

In this podcast, they discuss the global impact of fast fashion, focusing on Uganda, the Central African Republic, Ghana, and London. They explore the link between climate change and the fast fashion industry. They also talk about the lack of representation of Africa in global platforms and the need to collect more stories from across the continent.

The podcast hosts reflect on their limited series conversation and express gratitude for feedback. They discuss the impact of secondhand clothes and the collapse of the textile industry in Uganda. They also talk about their research process, upcoming projects, and the importance of amplifying non-white, non-global North voices. The chapter descriptions mention the expulsion of Ugandan Asians, acknowledgments, and a detailed discussion about a presentation or slideshow.

The Chairman of the largest second-hand clothing market in Uganda and three activists advocating for a ban on second-hand clothing join Bobby and Nikisi in a round table debate. They discuss the economic impact, environmental challenges, and power dynamics related to the second-hand clothing trade, emphasizing the need to reimagine the clothing and textiles industry for the country's benefit.

Guest Asengo Fill Kevins, a trained professional chef, shares her experience of turning to selling secondhand clothes due to financial struggles. The podcast explores the challenges of starting a business in this industry and delves into the process of growing and selling cotton in a village. It also highlights the risks and problematic nature of the second-hand clothing industry, while exploring potential solutions.

Guest Faridah Ali, a second-hand clothing boutique owner, reflects on her entry into the business, her education in the Social Sciences, and the challenges faced by university-educated Ugandans. Topics discussed include the impact of secondhand clothes on Uganda's textile industry, the limited career opportunities for many people, and the importance of studying entrepreneurialism.

Guest Professor Aaron Wanyama discusses the rise and fall of cotton in Uganda, the decline of the mass market fashion line industry, the impact of privatized economy and secondhand clothing, and the revival of the textile industry. They also explore the impact of population growth and fast fashion on the clothing industry.

Morine Wavamunno, a philanthropist and businesswoman who owned a thriving textile business and fashion house, discusses the impact of secondhand clothing on Uganda's textile industry, the challenges faced by fashion designers in Kampala, and the desire to revive Uganda's beauty through flexible structures and support for the informal sector.