New Books in African American Studies

In her new book, Collisions at the Crossroads: How Place and Mobility Make Race (University of California Press, 2019), Professor Genevieve Carpio considers tensions around mobility and settlement in the 19th- and 20th-century American West, especially California’s Inland Empire. In this wide-ranging study, the first academic work to draw on the Inland Mexican Heritage archives, Carpio examines policies and forces as disparate as bicycle ordinances, immigration policy, incarceration, traffic checkpoints, and Route 66 heritage. She shows how regional authorities constructed racial hierarchies by allowing some people to move freely while placing limits on the mobility of others. Highlighting the ways that people of color have negotiated and resisted their positions within these systems, Carpio offers a compelling and original analysis of race through spatial mobility and the making of place.Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Annette Joseph-Gabriel talks with Tiffany Gill about the history of African American travel in the late twentieth century and its significance to Black communities across the lines of class and gender. Joseph-Gabriel is an assistant professor of French at the University of Michigan, College of Literature, Science and the Arts.Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware. She is the author of Beauty Shop Politics: African American Women’s Activism in the Beauty Industry and the co-editor (with Keisha Blain) of To Turn the Whole World Over: Black Women and Internationalism (University of Illinois Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Yuko Miki’s book, Frontiers of Citizenship: A Black and Indigenous History of Postcolonial Brazil(Cambridge University Press, 2018), was the recent recipient of LASA’s 19th-century section Honorable Mention for Best Book. Frontiers of Citizenship is a beautifully written book that integrates quite seamlessly the history black and indigenous peoples in 19th century Brazil. The book explores the intersections of race and ethnicity, borderlands studies, as well as the intersecting histories of citizenship, popular politics, national identity, emancipation, and labor. In the book, Dr. Miki explores the quandaries of citizenship in a multiracial society and challenges the idea that citizenship is an equally important and equally valued goal for everyone. The book not only demonstrates otherwise, but really helps the reader challenge these widely held assumptions in a compelling and grounded manner. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Suspect Freedoms: The Racial and Sexual Politics of Cubanidad in New York, 1823-1957 (NYU Press, 2017), Nancy Mirabal details New York Cuban diasporic history between the nineteenth and twentieth centuries with keen attention to how political debates about the potential future, visibility, and belonging in Cuba played out along issues of race and gender. By shifting moments of importance in Cuban and U.S. history, it becomes clear exactly how contentious the differing opinions on how to move the island away from Spanish colonial rule and the role it would come to play – if any – on the political, racial, and economic landscape of the United States. Mirabal utilizes vast archival material spanning club records, literary texts, newspapers, photographs, and oral histories to tell how exiled Cuban migrants formed, maintained, and disagreed within social clubs in New York. Her inclusion of labor history, intellectual history, political history, social history, and immigration history makes for an incredibly detailed and dynamic history.Mirabal is committed to writing a history that focuses on the experiences and intellectual debates of Afro-Cubans during a period of enslavement, empire, and colonialism. Further, she tells how the movement of peoples and ideas of revolution and independence were both being informed and redefined by an exiled Afro-Cuban experience well before and after 1898. Mirabal writes, “Afro-Cuban migrants were some of the most incisive, powerful, and radical voices in the exile nationalist movement, so much so that by the mid- to late nineteenth-century, meanings of Cubanidad were inextricably tied to ending slavery, racial equality, and a promise of enfranchisement” (6). Suspect Freedoms recounts a history of how nation-building in Cuba, which was dependent largely on diasporic intellectuals, was a racialized and masculinist project dependent on the white supremacy, anti-blackness, and patriarchy. Even then, the intricacies with which Dr. Mirabal recounts Black migrant’s, women’s, and Black women’s experiences and resistance to such fault lines within this century-long period of Cuban diasporic history is masterful.Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1975” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. You can follow Jonathan on Twitter @joncortz and their personal website www.historiancortez.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New York and San Francisco acted as both a fallout shelter for left-wingers and a laboratory for social experimentation.Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, The Rebel Café profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There's so much discussion in the contemporary United States about marijuana. Debates focus on legalization and medicalization. Usually, Reefer Madness, Harry Anslinger, and race are brought into the conversation. But a big part of the larger marijuana story is missing. In Chris S. Duvall's new book, The African Roots of Marijuana (Duke University Press, 2019), he tells a distinctly non-American story that nevertheless has important lessons for current debates. Duvall helps us understand cannabis as a crop, commodity, and tool in African culture and in the history of slavery. He showcases the plant-person relationship and offers valuable lessons about colonialism and rise of 'big marijuana' in 2019.Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential.Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing.She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace.Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading.Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Marisol LeBrón’s new book, Policing Life and Death: Race, Violence, and Resistance in Puerto Rico (University of California Press, 2019), examines the rise of and resistance to punitive governance (tough on crime policing policies) in Puerto Rico from the 1990s to the present. As in the United States, LeBrón shows how increased investment in policing did not respond to a spike in crime. It actually emerged as a strategy to shore up the local political and economic establishment mired in the crisis of the archipelago’s postwar colonial development policy “Operation Bootstrap,” spiking unemployment, lack of U.S. investment, and a growing informal economy which included the drug trade. Puerto Rican elites hoped to reinvent themselves as models for tough on crime policing and gatekeepers for the United States to Latin America. Beginning with the mano dura contra el crimen (iron fist against crime) policy of commonwealth Governor Pedro Rosselló in 1993, police increasingly targeted lower income, predominantly Black public housing complexes (caseríos) as sources of criminality and lawlessness. Using Justice Department reports, social media research, newspapers, and oral interviews to create a “police archive,” LeBrón demonstrates that while police killings, brutality, surveillance, and harassment were hallmarks of mano dura, the policy also reinvented popular understandings of the “who” and “where” of crime that endure to the present. In doing so, she shows how presumptions about race, class, gender, and sexuality linked to certain places (public housing, sex work neighborhoods, schools, and universities) created notions of victims and criminals who “deserved” life or death. The book’s second half explores critiques of and resistance to punitive governance by looking at underground rap, university student activism, social media debates, and non-punitive anti-violence activism. These case studies show the growing resistance to policing as policy instead of social investment, but also the tenacity of the discourses of criminality activists must wrestle with today.LeBrón is also the author of the forthcoming Aftershocks of Disaster: Puerto Rico Before and After the Storm (Haymarket Books) and the co-creator of the Puerto Rico Syllabus.Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies