New Books in African American Studies

Anne Twitty is the author of Before Dred Scott: Slavery and Legal Culture in the American Confluence, 1787-1857, published by Cambridge University Press in 2016. Before Dred Scott looks at numerous freedom suits filed in the St. Louis circuit court in order to examine the legal history of slavery and freedom. In this area, known as the American Confluence, a unique legal culture developed characterized by a sophisticated and widespread knowledge of formal law. From enslaved people to slaveholder, Twitty illustrates the many ways people in this area were deeply enmeshed in law.Twitty is Associate Professor of History at the University of Mississippi. She studies 19th century American social and cultural history. More specifically, Twitty works on legal and labor history, slavery and freedom, gender and women’s history, and the history of the South and Midwest. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rethinking Rufus: Sexual Violations of Enslaved Men (University of Georgia Press, 2019) is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations.To tell the story of men such as Rufus―who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated―historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers’ journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster’s sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. Rethinking Rufus illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community.Adam McNeil is a PhD Student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Kimberly Welch is the author of Black Litigants in the Antebellum American South (University of North Carolina Press, 2018). Welch is Assistant Professor of History and Assistant Professor of Law at Vanderbilt University. Her book explores the history of free and enslaved black Americans use of local courts in the Cotton South. Largely focused on unpublished and unexplored lower court records from the Natchez district of Mississippi and Louisiana between 1800 and 1860, Dr. Welch’s study highlights the many ways black Americans were able to utilize a system, which was stacked against them, for their own benefit.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more.Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects.jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk.Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

During the civil rights era, Memphis gained a reputation for having one of the South’s strongest NAACP branches. But that organization, led by the city’s black elite, was hardly the only driving force in the local struggle against racial injustice. In the late sixties, Black Power proponents advocating economic, political, and cultural self-determination effectively mobilized Memphis’s African American youth, using an array of moderate and radical approaches to protest and change conditions on their campuses and in the community.While Black Power activism on the coasts and in the Midwest has attracted considerable scholarly attention, much less has been written about the movement’s impact outside these hotbeds. In Black Power in the Bluff City: African American Youth and Student Activism in Memphis, 1965–1975 (University of Tennessee Press, 2016), Shirletta J. Kinchen helps redress that imbalance by examining how young Memphis activists, like Coby Smith and Charles Cabbage, dissatisfied by the pace of progress in a city emerging from the Jim Crow era, embraced Black Power ideology to confront such challenges as gross disparities in housing, education, and employment as well as police brutality and harassment. Two closely related Black Power organizations, the Black Organizing Project and the Invaders, became central to the local black youth movement in the late 1960s. Kinchen traces these groups’ participation in the 1968 sanitation workers’ strike—including the controversy over whether their activities precipitated events that culminated in Martin Luther King’s assassination—and their subsequent involvement in War on Poverty programs. The book also shows how Black Power ideology drove activism at the historically black LeMoyne-Owen College, scene of a 1968 administration-building takeover, and at the predominately white Memphis State University, where African American students transformed the campus by creating parallel institutions that helped strengthen black student camaraderie and consciousness in the face of marginalization.Drawing on interviews with activists, FBI files, newspaper accounts from the period, and many other sources, the author persuasively shows not only how an emerging generation helped define the black freedom struggle in Memphis but also how they applied the tenets of Black Power to shape the broader community.Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this this interview, Carrie Tippen talks with Catherine Keyser about early twentieth century fiction and the role that modern food plays in literature as a language for talking about race and racial categories. In Artificial Color: Modern Food and Racial Fictions, published in 2019 by Oxford University Press, Keyser explores the ways that modern fiction writers responded to the theories and anxieties about race in the early twentieth century through related anxieties about modern industrial food. In each chapter, Keyser focuses on a few closely related authors and texts, linked by their common use of food for plot, imagery, and metaphor, each one shedding some light on how that food carried meanings of racial identity. Keyser uncovers the historical context around each food to help today’s readers see what it might have meant to the writers and their contemporary readers. Keyser examines the use of soda pop and syrup or images of effervescence in Jean Toomer’s Cane as a metaphor for inevitable racial intermixing; the promises of raw food for revitalizing African American resistance in George Schuyler’s speculative fiction; Ernest Hemingway and Gertrude Stein’s search for a cosmopolitan identity through European terroir; the fragility of whiteness in F. Scott and Zelda Fitzgerald’s anxieties about coffee, wine, and the sticky Mediterranean; and the failure of capitalism to secure black masculinity through the figure of the grocer in Zora Neale Hurtson’s Their Eyes Were Watching God and Dorothy West’s The Living is Easy. Keyser’s careful pairing of familiar texts with their less canonical contemporaries brings an important new perspective to both.Catherine Keyser is Associate Professor and McCausland Fellow at the University of South Carolina. Cat’s research focuses on Modern American Literature, African American Literature, Periodicals, Gender, and Food. She is also the author of the 2010 book Playing Smart: New York Women Writers and Modern Magazine Culture from Rutgers University Press, 2010. You can follow Cat on Twitter @Cat_Keyser.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Allison Davis (1902-1983) was a pioneering anthropologist who did ground-breaking fieldwork in the Jim Crow south,  challenged the racial bias of IQ tests, and became the first African American to be tenured at the University of Chicago. And yet despite these contributions Davis's work is little read today. The Lost Black Scholar: Resurrecting Allison Davis in American Social Thought(University of Chicago Press, 2018) is the first full-length biography of Davis ever written. In it, historian David Varel documents Davis's remarkable life. In this episode in New Books in Anthropology we talk about Davis's collaboration with authors such as W.E.B. Du Bois, Edward Sapir, John Dollard, W. Lloyd Warner Warner, St. Clair Drake, and many others. We also discuss how Davis pioneered concepts such as structural racism and explored the relationship between race and class. David Varel talks about the choices he made as a White academic writing about an African American life, and the importance of widening intellectual genealogies by including 'lost' figures such as Davis.David Varel earned his Ph.D. in history from the University of Colorado, Boulder. The Lost Scholar: Resurrecting Allison Davis in American Social Thought (University of Chicago Press, 2018) is his first book.Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731-1814 (Oxford University Press, 2019) bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, Seán Moore, Associate Professor of English at the University of New Hampshire as well as journal Editor for Eighteenth Century Studies, merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labor of the African diaspora.The volume is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, it claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery.Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution―from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies