Songwriters on Process

Julian Lage has been hailed as one of the "most prodigious guitarists of his generation," so this was a new one for me: an interview with a songwriter who doesn't write lyrics, only instrumentals. As someone steeped in improvisation, Lage isn't one for specific rituals. And that's why I loved this conversation: it's a deep dive into the abstract elements of creativity as we try to figure out where it all comes from. Lage is on the faculty at The New School, so we talked teaching philosophy too. (I'm a former academic.)Lage's latest album is called A View With a Room, out now on Blue Note Records. 

“A good song has fragmented fireworks. It needs to pull people in with interesting turns of phrases, word combinations that no one has heard before.”Hear Gavin Rossdale of Bush explain why the painters Francis Bacon and Lucien Freud are far and away the biggest inspirations to his creative process. We also discuss why great writers are so important to his songwriting and how he gets so many ideas while walking. (Audio note: I interviewed Rossdale while he was on his tour bus, so audio is a bit muffled.)

"I write all day, every day.  When I'm in the thick of it, it's a struggle to focus on anything else."For Grian Chatten of Fontaines D.C. , there’s no such thing as a writing ritual if you never stop writing.  He calls his writing process  his "constant annoying companion. I have writing on speed dial 24/7."  But Chatten says that he's always had a healthy relationship with writing because he's never forcing it. The key, he says, is to not take it too seriously or to make it appear to precious. "I treat it with as little importance as possible." 

"When you have a regimen, it's ok to let up on yourself. Because you know that tomorrow, you'll be doing it again."Madison Cunningham firmly believes in the writer's regimen. You have to put in the work every day. None of this "waiting for inspiration" stuff.  "Words on a page every day, even if it's not songwriting," she says.  So she starts each day by writing for ten minutes because everyone can make time for ten minutes. No excuses.Cunningham also reads voraciously. "Books are one of my favorite wells to draw from," she says in this episode. She draws inspiration from iconic writers like Mary Oliver, Sylvia Plath, Flannery  O'Connor, and Kurt Vonnegut.  But books are not her only source of inspiration: dishes are too. Cunningham is yet another in the line of songwriters I've interviewed who gets song ideas while washing dishes. "Every time I've put down the guitar and picked up a dish, I've never regretted it," she says.  Of course, it's not that the act of scrubbing food that gives us song ideas; instead, writing happens subconsciously.  Writers of any stripe need to understand that the writing process happens when we're eating, sleeping, walking, talking, sitting, staring, whatever--even doing dishes, because the mundane activities allow our minds to wander. Cunningham is a two-time Grammy nominee (2019, 2022). Her third and latest album is Revealer. 

"If I have one piece of advice to give, it would be to write something the moment you wake up." Will Sheff of Okkervil River likes a good writing ritual. He believes in writing every day, just as a professional athlete needs to practice every day.  But as you'll hear in this episode, he's also a firm believer in loafing. Sheff's first proper solo album, out October 7, is called Nothing Special. 

In most workplaces, falling asleep on the job is not a good thing. But if you’re in Metric, Emily Haines says it's a great thing.  In fact, she and her bandmates love it when they catch each other napping in the studio.  Because that means they're being productive. Listen to the latest episode now!

"I still have your cutlery, by the way," Butch Walker tells Matt Nathanson in this episode. Nathanson's latest album Boston Accent  was produced by Walker.  And while the two may have shared kitchen space and maybe even a utensil or two, their relationship in the studio worked because their creative processes were symbiotic: the limitation in one was offset by the complementary strength in the other. 

People tell John Moreland that he writes "bummer songs," which we both agreed is ironic gives that he cannot be in a bummer mood when he writes. "If I'm doing anything creative, my mind needs to be in a good space," Moreland told me. "I need a measure of self-acceptance when I write."And when Moreland writes, he has a ritual. He likes to write between midnight and 4am. It has to be dark, and it has to be cool/cold, so he sets the thermostat to around 66 F.  And here's my favorite part: Tokyo walking videos.   When Moreland is stuck, he turns to YouTube and watches these videos for about 20 minutes. Sometimes it might be white noise when he's creating. Moreland loves the soothing element of a camera capturing the downtown streets of Tokyo at night with only the sound of the city as its soundtrack. Moreland has one of my favorite voices in all of music. It hits me like no other. His latest album is called Birds in the Ceiling.

Kelsey Waldon finds the beginnings of spring and fall to especially conducive to songwriting. A good yellow legal pad helps as well. Her latest album is called No Regular Dog on Oh Boy Records.

Ready for some light summer reading? Taylor Goldsmith of Dawes isn't. He's currently reading Homer's The Iliad. This is the second time I've interviewed Goldsmith, and I remain in awe of his reading habits. He reads all the time. My PhD in English Literature ensures that I've always done a fair amount of reading, yet I feel silly around Goldsmith. What I love about Goldsmith is that he reads not just for fun but to be enveloped by the artist. "I get caught up in the story of the artist," he says. "That's a big part of what inspires me. I want to see how the works of artist talk to each other." He'll do this whether it's a songwriter or a prose writer. Dawes's latest album is Misadventure of Doomscroller.