Songwriters on Process

"I'm pretty much always thinking about lyrics every day of my life." That quote represents the energy that Jess Williamson brings to this episode of the podcast. Her level of introspection and enthusiasm made this conversation so much fun.But what happens when you're always thinking about songwriting and you can't write a song? Williamson discusses the anxiety she felt during a year-long songwriting draught that lasted for all of 2022 and even into 2023. It eventually broke one day when she "threw the capo on the sixth fret, started playing some chords, and that was it."Williamson's new album is called Time Ain't Accidental, out June 9 on Mexican Summer Records. In 2022, Williamson and Katie Crutchfield of Waxahatchee  formed Plains and put out their debut album I Walked With You a Ways.  

"We don't write on lined paper. That's a big no-no." This episode with Etta Friedman and Allegra Weingarten of Momma goes deep. We dig into the whys of the writing process, not just the hows.  We also discuss, for example, why mundane activities are never good for their creative process--a pretty unique answer among the songwriters I've interviewed. Most tell me that walking stimulates the writing process, but not these two: they use mundane activities like walking as a means to escape, not to create. I LOVE this band. Love them. Their 2022 album Household Name was one of my favorites of 2022 and heck even 2023. I am a huge fan, so this conversation was a blast. 

"A washing machine with a clumpy pair of shoes can be a beautiful thing."Legendary drummer Dave Lombardo, a founding member of Slayer, finds beauty in the mundane. And also in the annoying: "Even the rhythm of a jackhammer and the bumps in a road can be inspiring," he says in the latest Songwriters on Process podcast. Lombardo's debut solo album Rites of Percussion (Ipecac Recordings) is an instrumental effort consisting entirely of percussive instruments. What kind? Here's the list: two drum sets (single and double bass kits), a large concert bass drum, a timpani, a grand piano, and a flock of shakers, maracas, Chinese and symphonic gongs, Native American drums, congas, timbales, bongos, batás, wood blocks, djembes, ibos, darbukas, octobans, cajóns, and cymbals.

Sisters Natalie, Allison, and Meegan from Joseph talk about their individual and collective songwriting processes in this episode.  And in that discussion, they each learn something about the others that they didn't know! Joseph's new album The Sun is out April 28 on ATO Records.

"I'm a wrong hallway person. I like to make wrong turns."Eric D. Johnson of Fruit Bats and Bonny Light Horseman makes a lot of mistakes. And that's a good thing, he says, because that's when the good stuff happens. "The excitement is in the mistakes," he says. "The song is a house, and sometimes you walk into the wrong room."Johnson's talking in metaphors, of course, but his literal rooms need to be a place of chaos too. The room where he writes starts off clean, but by the end there's stuff everywhere: cables, papers, notebooks, assorted musical accessories strewn all about. "The room has to be neat to start, but the good stuff happens when the room is a disaster."The Fruit Bats' new album A River Running to Your Heart is out April 14 on Merge Records. Listen now to my latest episode with Eric D. Johnson!

"I've written whole songs on dog walks," says Amy Ray of The Indigo Girls.  "I write a lot when I'm on the lawnmower, says H.C. McEntire. What a great time this was listening to these two friends and fantastic songwriters go deep into their songwriting processes. For Ray, it involves writing five times a week for no more than two hours a day. For McEntire, it involves cork boards. We also discuss our shared love for Anne Lamott and Sharon Olds.  Catch them on on tour together this May. 

(NOTE: This interview is from December 2020. I've converted the video to podcast form. You can watch the interview here.)It's like opening a time capsule now when I listen to songwriters talk in 2020 about how they were navigating the pandemic as artists. For some, it was a bane: the isolation paralyzed their creativity. For Alex Skolnick of Testament, it was a boon. Quite simply, he says, "Not having to travel has opened me up to different ways to be creative that I didn’t have before."  But on those rare occasions when he's in a rut (and they are very rare), Skolnick knows what to do: "If I’m stuck, I know what to do to get inspired. I know which films to watch, which books to read, which tv shows to watch."

"All the time in the world is too much pressure."Shana Cleveland of La Luz prefers a good deadline when she writes songs. And with a toddler in the house, her day is nothing but deadlines, which are also known as When Your Child Wakes From Their Nap. If you're an artist like Cleveland, the best time to write is nap time. (We have four kids, so I know the feeling.) She discovered her knack for writing in those precious moments once she became a parent. "I can write just as many songs now in a much shorter period," Cleveland told me. And when she writes, she likes to sit outside in an office chair.Cleveland's new solo album is called Manzanita, out March 10 on Hardly Art Records. It is amazing. Really. And I'm a big fan of La Luz, so this was a lot of fun. 

I first interviewed Sara Watkins of Nickel Creek in 2013, and this latest conversation reminded me why she is one one of my favorite interviews. The thoughtfulness and introspection she brings to this discussion are wonderful.No matter the art you create, this episode is for you. We didn't focus on the practical aspects of the songwriting process nearly as much as we talked about Creativity (with a capital C): why we create and what it does to us when we do. Where does the urge come from? When is the drive the strongest? For Watkins, the ideal place to write from is curiosity. "The end goal is not to write songs. The end goal is to figure out my stuff, how to be me, how to work through stuff," she told me. Nickel Creek's first album in nine years, Celebrants, comes out March 24. 

Philip Selway, Radiohead's drummer, says that his best writing happens when "I'm looking the other way. My songs come along when they choose." But while Selway may prefer to wait for the muse, there are a few things he does to stimulate the songwriting process:Selway likes to write on his drum stool, not a traditional chair. "It grounds me in my wider life," he told me.Selway draws a mind map using a blue pen, a black pen, and a pencil. His lyrics are spread all over the paper with little sense of order. He likes pens and pencils because, he says, "I feel more connected to what's going down on the paper." When the ideas start running dry, Selway switches to one of the other utensils.He finds dance a boon to his creative process. Watching, not doing, that is. "I get profoundly affected by watching interpretive dance," Selways says.Philip Selway's latest solo album Strange Dance (Bella Union) is out February 24.