New Books in Japanese Studies

In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers’ hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose. In Pleasure in Profit: Popular Prose in Seventeenth-Century Japan (Columbia UP, 2020), Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world. Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Sarah Kovner’s Prisoners of the Empire: Inside Japanese POW Camps (Harvard UP, 2020) is a nuanced look at the experiences, narratives―and the popular/historical memories of those experiences and narratives―of World War II-era Allied POWs in Japanese custody, especially in the English-language world. While never denying the horrors of war and the POW experience, Kovner finds less systemic and intentional cruelty by the Japanese camp commanders and guards than she does poor planning and preparation, and often outright neglect when it came to the fate of internees. Simultaneously, the book is sensitive to how POWs’ experiences differed enormously due to their status in the eyes of the Japanese as well as the time and place of their captivity. In particular, Kovner contrasts the experience of white, mostly Anglophone POWs and Asians, who were more likely to be subjected to systematically poor treatment. In addition, Prisoners of the Empire also explores the ways that Japan “was present even when it was absent” in the twentieth-century history of international agreements on POW treatment and war crimes. Kovner has produced a significant and thought-provoking contribution to several different subfields of history. In addition to its obvious relevance to those interested in the history of modern Japan, World War II, and historical memory, because of its considerations of such issues as the Geneva conventions and war crimes trials, the book will also be of interest to readers interested in international law and relations.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots.In Licentious Fictions: Ninjō and the Nineteenth-Century Japanese Novel (Columbia UP, 2019), Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of “Japan’s Russia,” this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that “Japan’s Russia” as idea and cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignorance, a systematic lacuna in our historiography that tied method to historical actors, concept to theory.Olga V. Solovieva and Sho Konishi's Japan's Russia: Challenging the East-West Paradigm (Cambria, 2021) seeks to depart from this logic in order to identify thoughts and practices that helped produce a dynamic transnational cultural phenomenon that we identify as “Japan’s Russia.” It does so by orchestrating case studies from cutting-edge scholarship originating in multiple disciplines, each with its own methodological and theoretical implications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Global Education Effect and Japan: Constructing New Borders and Identification Practices (Routledge, 2020) volume investigates the "global education effect"--the impact of global education initiatives on institutional and individual practices and perceptions--with a special focus on the dynamics of border-construction, recognition, subversion, and erasure regarding "Japan". The Japanese government's push for global education has taken shape mainly in the form of English-Medium Instruction programs and bringing in international students who actually serve as a foreign workforce to fill the declining labour force. Chapters in this volume draw from education, anthropology, sociology, linguistics, and psychology to examine the ways in which demographic changes, economic concerns, race politics, and nationhood intersect with the efforts to "globalize" education and create specific "global education effects" in the Japanese archipelago. This book will provide a valuable resource for anyone who is interested in Japanese studies and global education.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Religion is at the heart of such ongoing political debates in Japan as the constitutionality of official government visits to Yasukuni Shrine, yet the very categories that frame these debates, namely religion and the secular, entered the Japanese language less than 150 years ago. To think of religion as a Western imposition, as something alien to Japanese reality, however, would be simplistic. As this in-depth study shows for the first time, religion and the secular were critically reconceived in Japan by Japanese who had their own interests and traditions as well as those received in their encounters with the West. It argues convincingly that by the mid-nineteenth century developments outside of Europe and North America were already part of a global process of rethinking religion.The Buddhist priest Shimaji Mokurai (1838–1911) was the first Japanese to discuss the modern concept of religion in some depth in the early 1870s. In his person, indigenous tradition, politics, and Western influence came together to set the course the reconception of religion would take in Japan. Shimaji Mokurai and the Reconception of Religion and the Secular in Modern Japan (University of Hawaii Press, 2016) begins by tracing the history of the modern Japanese term for religion, shūkyō, and its components and exploring the significance of Shimaji’s sectarian background as a True Pure Land Buddhist. Shimaji went on to shape the early Meiji government’s religious policy and was essential in redefining the locus of Buddhism in modernity and indirectly that of Shinto, which led to its definition as nonreligious and in time to the creation of State Shinto. Finally, the work offers an extensive account of Shimaji’s intellectual dealings with the West (he was one of the first Buddhists to travel to Europe) as well as clarifying the ramifications of these encounters for Shimaji’s own thinking. Concluding chapters historicize Japanese appropriations of secularization from medieval times to the twentieth century and discuss the meaning of the reconception of religion in modern Japan.Highly original and informed, Shimaji Mokurai and the Reconception of Religion and the Secular in Modern Japan not only emphasizes the agency of Asian actors in colonial and semicolonial situations, but also hints at the function of the concept of religion in modern society: a secularist conception of religion was the only way to ensure the survival of religion as we know it today. In this respect, the Japanese reconception of religion and the secular closely parallels similar developments in the West.Hans Martin Krämer is professor of Japanese studies at the Center for Asian and Transcultural Studies, Heidelberg University.Samee Siddiqui is a former journalist and currently a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. You can find him on twitter @ssiddiqui83 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Reflecting the Past: Place, Language, and Principle in Japan's Medieval Mirror Genre (Harvard UP, 2020) is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval.Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Transnational Identities on Okinawa’s Military Bases: Invisible Armies (Palgrave MacMillan, 2019), Johanna Zulueta considers the role of civilian workers on U.S. bases in Okinawa, Japan and how transnational movements within East Asia during the Occupation period brought foreign workers, mostly from the Philippines, to work on these bases. Decades later, in a seeming “reproduction of base labour”, returnees of both Okinawan and Philippine heritage began occupying jobs on base as United States of Japan (USFJ) employees. The book investigates the role that ethnicity, nationality, and capital play in the lives of these base employees, and at the same time examines how Japanese and Okinawan identity/ies are formed and challenged. It offers a valuable resource for those interested in Japan and Okinawa, U.S. military basing, migration, and mixed ethnicities.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Ishikawa Sanshirō (1876-1956) was a journalist, intellectual, and self-proclaimed socialist active in early twentieth-century Japan. In Ishikawa Sanshirō’s Geographical Imaginations: Transnational Anarchism and the Reconfiguration of Everyday Life in Early Twentieth-Century Japan (Leiden UP, 2020), Nadine Willems follows the life and travels of this thinker, who has been known as a “radical anarchist” as well as “the conscience of Japan.”During his seven-and-a-half-year self-imposed exile in England, Belgium, and France following the High Treason Incident, Ishikawa Sanshirō mingled with thinkers and activists such as the English social philosopher Edward Carpenter (1844-1929) and lived with the family of Paul Reclus (1858-1941), the nephew of the French anarchist and geographer Elisée Reclus (1830-1905). Reclusian ideas of “social geography” as a politically engaged science that is mindful of the moral responsibilities of geography as a discipline were pivotal to the formation of Ishikawa’s own socio-political model of domin seikatsu (“life of the people of the earth”). However, instead of characterizing Ishikawa as a radical intellectual inspired by Western thought in a narrative of one-directional influence, Willems positions Ishikawa in a transnational network of thinkers that engaged with geographical imaginations and their actualizations.Willems observes that through his engagements with “grassroots” geography and Buddhist ideas such as interconnectedness, Ishikawa Sanshirō challenged Japan’s modernization, capitalism, and social-Darwinism, proposing instead to “re-humanize” science and embark on experiments in self-sufficient living and the establishment of a loose local network of self-governing farmers’ councils in Japan.Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies