New Books in Japanese Studies

Ken Ruoff’s Japan’s Imperial House in the Postwar Era, 1945-2019 (Harvard UP, 2020), is a revised and expanded version of the author’s The People’s Emperor: Democracy and the Japanese Monarchy, 1945-1995 (2003). The book is an extensive and detailed treatment of the Japanese imperial institution as it enters a new era, Reiwa, with the abdication of the Heisei emperor (Akihito) in 2019. In addition to The People’s Emperor’s discussions of the creation of the postwar imperial institution as a “constitutional symbolic monarchy,” the continued (clandestine) role of Hirohito in politics, the postwar emperors’ approach to Japan’s war responsibility, the “massification” of the imperial family as a kind of model “middle-class” household for the postwar, and various forms of resistance from conservatives, Japan’s Imperial House adds two new chapters and an extensive and important addendum to one other. The two new chapters, respectively, provide a retrospective on the Heisei era (1989-2019) and an overview of the challenges facing the imperial line with Akihito’s son, Naruhito, now on the Chrysanthemum Throne as the Reiwa emperor. The addendum is to chapter 5, which discusses the ways in which anti-democratic and otherwise revanchist forces in postwar Japan coopted the playbook of democratic organizing to achieve (largely symbolic) victories. As we discuss in the interview, Ruoff returns to this topic because his analysis turned out to presage the tactics and successes of Nippon Kaigi, Japan’s most influential nongovernmental ultra-conservative lobbying group, during the Abe Shinzō regime.Terms and names perhaps unfamiliar to some listeners that get bandied about in our discussion include tennō (sovereign, emperor), Yoshida Shigeru (influential early postwar prime minister), Kobayashi Yoshinori (an often-controversial manga artist), and Yasukuni Shrine (which has enshrined prominent Class-A war criminals in addition to the general war dead since March 1978).Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Tropics of Savagery: The Culture of Japanese Empire in Comparative Frame (U California Press, 2010) is an incisive and provocative study of the figures and tropes of “savagery” in Japanese colonial culture. Through a rigorous analysis of literary works, ethnographic studies, and a variety of other discourses, Robert Thomas Tierney demonstrates how imperial Japan constructed its own identity in relation both to the West and to the people it colonized. By examining the representations of Taiwanese aborigines and indigenous Micronesians in the works of prominent writers, he shows that the trope of the savage underwent several metamorphoses over the course of Japan's colonial period--violent headhunter to be subjugated, ethnographic other to be studied, happy primitive to be exoticized, and hybrid colonial subject to be assimilated.Dr. Robert Tierney is professor of Japanese literature in the Departments of East Asian Languages and Cultures and Comparative and World Literatures in the University of Illinois at Urbana-Champaign.Samee Siddiqui is a former journalist who is currently a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. You can find him on twitter @ssiddiqui83 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

How did Japanese academics study their "fields" in places like Manchuria and Inner Mongolia in the transwar decades? How did they transform in the postwar, under the US Occupation, and after? Into the Field: Human Scientists of Transwar Japan (Stanford UP, 2019) is the first monograph on the collective biography of this cohort of professional Japanese intellectuals, or in Miriam L. Kingsberg Kadia's words, "the men of one age."Kadia observes that during the transwar decades (1930s-1060s), these "men of one age" jointly embraced a set of unchanging assumptions regarding epistemology that was anchored in the ideal of "objectivity." The scholarship, or gakujutsu, that they aimed to produce were concerned with the quest of universal laws governing human society and the natural world, the use of a comprehensively delineated method to assure rigor in pursuit of "truth," and impartiality. Those who studied the human sciences applied the ideal of "objectivity" to the study of Self and Others in Japanese colonized and occupied lands.Following the lives of these transwar human scientists into the fields, Kadia reveals that these "men of one age," such as Izumi Seiichi, were both creators and creations of imperial epistemology. Kadia points out that although the duration of Japanese imperial control was too short to apply their academic findings to policy in much of the empire, Izumi and his colleagues "enjoyed outsized influence in justifying the empire as a hierarchy of confraternal races ruled for their own benefit by the putatively superior Japanese."The US Occupation in the postwar allowed the continuation of the pursuit of "objective" knowledge for the Japanese human scientists, as well as opening new avenues for them. Kadia argues that "what changed after 1945 were the values understood to constitute objectivity," namely ideals vaunted as characteristically American: democracy, capitalism, and peace. During the Cold War, Kadia reminds us, the US saw strategic potential in Japan's studies of East Asia and Oceania, and the Japanese academics largely "upheld the convenient fiction of their reluctant cooperation with and quiet opposition to the former government." To rehabilitate Japan's scholarly reputation, the Japanese academics were integrated into a new transnational intellectual community that both reflected and supported US hegemony, although some Japanese academics resisted the subordination of domestic progress to grand strategy. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Jürgen Melzer’s Wings for the Rising Sun: A Transnational History of Japanese Aviation (Harvard UP, 2020) traces the history of Japanese aviation from its origins with hot-air balloons in the 1870s until the end of the Pacific War in 1945. Melzer’s narrative centers around three themes: transnational technology transfer and Japan’s efforts to attain technological independence, domestic efforts to mobilize public enthusiasm for aviation development (what Melzer calls “air-mindedness”), and the complicated interplay of aviation with military and diplomatic history. The first chapters take us to the end of World War I, which was a turning point for Japanese aviation. Until that time, Japan had been most interested in French technologies, but the settlement of the Great War at Versailles provided an opportunity to take advantage of German aviation advancements. Parts 2 and 3 contrast the development of aviation in the Imperial Japanese Army and Navy, exposing crucial differences not only between the two services but within each one. Part 4 begins with Japan’s turn to American civil aviation technologies in the wake of the 1931 Manchurian Incident, and the subsequent impact of Japanese aggression and US retaliatory sanctions leading up to Pearl Harbor. The final chapter covers the fevered development of rocket- and jet-propelled aircraft during the war, and therefore in the context of resource shortages and a fast-ticking clock. Melzer, a former Lufthansa pilot, has written a book that will appeal to readers interested in STS, military history, international relations, and Western history, in addition to Japanese history aficionados.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes (Eiga monogatari), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales: Women Exorcising History in Heian Japan (Harvard University Press, 2020) is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe contends that the blossoming of tales, marked by The Tale of Genji, inspired Eiga’s new affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace.Tracing the narrative arcs of politically marginalized figures, Watanabe shows how Eiga’s female authors adapted the discourse and strategies of The Tale of Genji to rechannel wayward ghosts into the community through genealogies that relied not on blood but on literary resonances. These reverberations, highlighted through comparisons to contemporaneous accounts in courtiers’ journals, echo through shared details of funerary practices, political life, and characterization. Flowering Tales reanimates these eleventh-century voices to trouble conceptions of history: how it ought to be recounted, who got to record it, and why remembering mattered.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Transpacific Correspondences: Dispatches from Japan’s Black Studies, an essay collection edited by Dr. Yuichiro Onishi and Dr Fumiko Sakashita, introduces a little-known, but critical history of Black Studies in Japan. Taking the Black Studies Association (Kokujin Kenkyu no Kai) as its focus, the collection charts the history of members of the Black Studies Association, and the ways in which Japanese scholars and writers studied, translated and disseminated the works of black radical thinkers, and were politically transformed by their engagement with this work. The collection is interdisciplinary in nature, covering important topics that would be of great interest to political theorists, black feminist theorists, historians, and scholars of music and literature. Transpacific Correspondence is an important contribution to the history of Afro-Asian encounters and the globalized field of Black Studies.Felicity Stone-Richards is a PhD student in Political Science at the University of California, Santa Barbara. She is a comparative political theorist of Afro-diasporic and Japanese theory, and scholar of contemporary transnational political activism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In 1800, the Shogun’s chief minister wrote the following about the city of Edo:"Someone said that if Edo did not have frequent fires, then people would be more showy and flash. In the capital or in Osaka they do everything with lavish elegance: people hang up paintings in their homes or put out arrangements of flowers. But in Edo, even in the affluent areas, everything is restrained. People only display a single flower [in a bamboo tube or a simple pot]. The wealthy have fine chess sets, but the box will have paper fixed under the lid to double up as the board. Edo’s sense of conciseness comes from continual fires."According to Professor Timon Screech, author of Tokyo Before Tokyo: Power and Magic in the Shogun’s City of Edo (Reaktion Books, 2020), the city is the source of much of what we consider to be Japanese culture: sushi, Mt Fuji, cherry blossoms. Tokyo Before Tokyo is a rich illustrated volume that presents the vibrant visual history of Edo. The book is presented as a series of vignettes, dealing with key landmarks and districts from the old city, from the Shogun’s castle to the famous red-light Yoshiwara district.In this interview, Professor Screech and I talk about the different vignettes that make up Tokyo Before Tokyo, and the role that Edo played in old Japan. We also investigate his decision to focus on landmarks and districts, and whether any of old Edo can be seen in today’s Tokyo.Professor Timon Screech is Professor of the History of Art at SOAS University of London. He is the author of at least a dozen books on the visual culture of the Edo period, including perhaps his best-known work Sex and the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawaii Press, 1999). In addition to Tokyo Before Tokyo, his other most recent book is The Shogun's Silver Telescope: God, Art, and Money in the English Quest for Japan, 1600-1625 (Oxford University Press, 2020). In 2019, Professor Screech was elected as a Fellow of the British Academy.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Tokyo Before Tokyo. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In this newly revised and updated 2nd edition of Voices of Early Modern Japan: Contemporary Accounts of Daily Life During the Age of the Shoguns (Routledge, 2020), Constantine Nomikos Vaporis offers an accessible collection of annotated historical documents of an extraordinary period in Japanese history, ranging from the unification of warring states under Tokugawa Ieyasu in the early 17th century to the overthrow of the shogunate just after the opening of Japan by the West in the mid-19th century. Through close examination of primary sources from "The Great Peace", this fascinating textbook offers fresh insights into the Tokugawa era: its political institutions, rigid class hierarchy, artistic and material culture, religious life, and more, demonstrating what historians can uncover from the words of ordinary people. New features include: An expanded section on religion, morality and ethics A new selection of maps and visual documents Sources from government documents and household records to diaries and personal correspondence, translated and examined in light of the latest scholarship Updated references for student projects and research assignments The first edition of Voices of Early Modern Japan was the winner of the 2013 Franklin R. Buchanan Prize for Curricular Materials. This fully revised textbook will prove a comprehensive resource for teachers and students of East Asian studies, history, culture, and anthropology. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In The Dutch Language in Japan (1600-1900): A Cultural and Sociolinguistic Study of Dutch as a Contact Language in Tokugawa and Meiji Japan (Brill, 2020), Christopher Joby offers the first book-length account of the knowledge and use of the Dutch language in Tokugawa and Meiji Japan. For most of this period, the Dutch were the only Europeans permitted to trade with Japan. Using the analytical tool of language process, this book explores the nature and consequences of contact between Dutch and Japanese and other language varieties. The processes analyzed include language learning, contact and competition, code-switching, translation, lexical, syntactic, and graphic interference, and language shift. The picture that emerges is that the multifarious uses of Dutch, especially the translation of Dutch books, would have a profound effect on the language, society, culture, and intellectual life of Japan.You can get The Dutch Language in Japan (1600-1900) at a discount at the Brill website by entering the code 72150 on check out. (Promo Code effective until May/31/2021)Jingyi Li is a Ph.D. Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Dennis Frost’s More than Medals: A History of the Paralympics and Disability Sports in Postwar Japan is a history of disability sports in modern Japan. The 1964, 1998, and upcoming Paralympics are important case studies, but Frost’s interests go far beyond this pinnacle of international, competitive disability sports. More than Medals explores the history and development of disability sports, highlighting Japan as an international actor, Oita prefecture as a domestic and international disability sports mecca, and most of all the ongoing tension between two visions of the purpose of disability sports: one which is primarily rehabilitative and the other which emphasizes elite athletic competition. This, as Frost shows, is fundamental to understanding the dynamics of accessibility and inclusivity in disabled sports. More than Medals will appeal to readers interested in the history of Japan, sports, and mega-events such as the Paralympics, as well as to those interested in disability studies.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies