New Books in Japanese Studies

Erin Duncan O’Neill (Assistant Professor, University of Oklahoma) speaks with Elizabeth Emery (Professor, Montclair State University) about Emery’s recent book, Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853-1914 (Bloomsbury, 2020).Women figured prominently among the leading collectors and purveyors of Asian art in mid-nineteenth-century France, but scholars no longer recognize their influence. In her latest book, Reframing Japonisme,Elizabeth Emery asks us to consider their disappearance in light of the gendered dynamics at play in practices of artistic production and circulation of that period. She presents a trove of materials--art objects, literary accounts, and fragmentary records scattered among diverse archives—to bring renewed attention to women’s contributions to the French discover of Japanese art and its celebration in museums, social settings, and the global art market. In this conversation, Emery and Duncan O’Neill discuss two women at the heart of her story: an avid collector, Clémence d’Ennery, and the premier importer of Asian art with a shop on the rue de Rivoli, Louse Desoye. Emery documents their art education, commercial exchanges, and intellectual legacies alongside cogent analysis of the legal, economic, and literary forces that have conspired to obscure their contributions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In his pioneering study, Men in Metal: A Topography of Public Bronze Statuary in Modern Japan (Brill, 2020), Sven Saaler examines Japanese public statuary as a central site of historical memory from its beginnings in the Meiji period through the twenty-first century. Saaler shows how the elites of the modern Japanese nation-state went about constructing an iconography of national heroes to serve their agenda of instilling national (and nationalist) thinking into the masses. Based on a wide range of hitherto untapped primary sources, Saaler combines data-driven quantitative analysis and in-depth case studies to identify the categories and historical figures that dominated public space. Men in Metal also explores the agents behind this visualized form of the politics of memory and introduces historiographical controversies surrounding statue-building in modern Japan.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Lasse Lehtonen speaks to Satoko Naito about his research on Japanese women singer-songwriters of the 1970s and 1980s. Focusing on popular pioneers like Yumi Matsutoya (Yūmin), Miyuki Nakajima, and Takako Okamura, Dr. Lehtonen discusses how the artists assert their agency and artistry, not necessarily through their lyrics but via what Matsutoya once identified as "backstage feminism." He also shares his ideas on the important potential of incorporating music history and musicology in the study of social and cultural histories. Dr. Lehtonen is currently a post-doctoral researcher at the University of Tokyo.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Japan's Private Spheres: Autonomy in Japanese History, 1600-1930 (Brill, 2021) traces the shifting nature of autonomy in early modern and modern Japan. In this far-reaching, interdisciplinary study, W. Puck Brecher explores the historical development of the private and its evolving relationship with public authority, a dynamic that evokes stereotypes about an alleged dearth of individual agency in Japanese society. It does so through a montage of case studies. For the early modern era, case studies examine peripheral living spaces, boyhood, and self-interrogation in the arts. For the modern period, they explore strategic deviance, individuality in Meiji education, modern leisure, and body-maintenance. Analysis of these disparate private realms illuminates evolving conceptualizations of the private and its reciprocal yet often-contested relationship to the state.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

John Person’s Arbiters of Patriotism: Right-Wing Scholars in Imperial Japan (University of Hawaii Press, 2020) narrates the struggle for ownership of the moral high ground of “patriotism” in the Japanese empire through a political biography of Mitsui Kōshi and Minoda Muneki, two of the most important Japanists of the empire, and the nationalist Genri Nippon Society to which they belonged. Though Person admits that “Mitsui’s reputation as a dangerous thinker is well warranted,” and that of all the nationalist polemicists of the early twentieth century “there is perhaps no single person with as sordid a reputation as Minoda,” he urges us to reconsider facile dismissal of either man not just as “irrational fanatics” or even as “rightists.” Instead, Arbiters shows that while the Genri Nippon Society thinkers advocated an antisocialist, anti-Marxist, fascist-adjacent political program, both men were well-educated, eclectic, often cosmopolitan thinkers. Moreover, Genri Nippon wielded real power―Minoda in particular was behind the infamous academic repression of Minobe Tatsukichi for his “imperial organ theory,” for example―and for that reason must be taken seriously. At the same time, Person demonstrates the exquisite irony that with socialism outlawed in 1925, the state began to see the raucous hardline nationalists as the next potential threat. Who, in the end, would define genuine patriotism? And who would be surveilled as a threat rather than hailed as a hero? Arbiters of Patriotism is centered around intellectual history, but it is very much engaged with the realpolitik of the tensions between states and radical nationalists, which, as we discuss, is painfully relevant today.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In All Sorrows Can Be Borne (Rare Bird Books, 2021), Loren Stephens tells the story, inspired by true events, of a Japanese woman who survives the bombing of Hiroshima, joins her half-sister in Osaka and gives up her dream of becoming a theater star. Later, she marries the man of her dreams and gives birth to a beautiful son. After her husband is diagnosed with tuberculosis, he convinces Noriko to send the toddler to his sister and her Japanese American husband, who live in Montana. Eighteen years later, Noriko’s son enlists in the U.S. Navy and gets sent to Japan. This is a novel about Japanese society and postwar cultural norms, the human cost of war, and a mother’s love.Loren Stephens is a widely published essayist and fiction and nonfiction storyteller. Her work has appeared in the Los Angeles Times, the Chicago Tribune, MacGuffin, The Jewish Women’s Literary Annual, Forge, Crack the Spine, Amuse Bouche, The Writer’s Launch, the Summerset Review, the Montreal Literary Review, and Tablet Travel Magazine to name a few. She is a two-time nominee of the Pushcart Prize and the book Paris Nights: My Year at the Moulin Rouge, by Cliff Simon with Loren Stephens was named one of the best titles from an independent press by Kirkus. She is president and founder of the ghostwriting companies, Write Wisdom and Bright Star Memoirs. Prior to establishing her company Loren was a documentary filmmaker. Among her credits are Legacy of the Hollywood Blacklist, produced for PBS and nominated for an Emmy Award; Sojourner Truth: Ain't I a Woman? produced for Coronet Films and recipient of a Golden Apple from the National Education Association; and Los Pastores: The Shepherd’s Play produced for the Latino Consortium of PBS and recipient of a Cine Gold Eagle and nominated for an Imagen Award. I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Although scholars have emphasized the importance of women’s networks for civil society in twentieth-century Japan, Women and Networks in Nineteenth-Century Japan (University of Michigan Press, 2020) is the first book to tackle the subject for the contentious and consequential nineteenth century. The essays traverse the divide when Japan started transforming itself from a decentralized to a centralized government, from legally imposed restrictions on movement to the breakdown of travel barriers, and from ad hoc schooling to compulsory elementary school education. As these essays suggest, such changes had a profound impact on women and their roles in networks. Rather than pursue a common methodology, the authors take diverse approaches to this topic that open up fruitful avenues for further exploration. Most of the essays in this volume are by Japanese scholars; their inclusion here provides either an introduction to their work or the opportunity to explore their scholarship further. Because women are often invisible in historical documentation, the authors use a range of sources (such as diaries, letters, and legal documents) to reconstruct the familial, neighborhood, religious, political, work, and travel networks that women maintained, constructed, or found themselves in, sometimes against their will. In so doing, most but not all of the authors try to decenter historical narratives built on men’s activities and men’s occupational and status-based networks, and instead recover women’s activities in more localized groupings and personal associations.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Known for a tradition of Confucian filial piety, East Asian societies have some of the oldest and most rapidly aging populations on earth. Today these societies are experiencing unprecedented social challenges to the filial tradition of adult children caring for aging parents at home. Marshalling mixed methods data, Beyond Filial Piety: Rethinking Aging and Caregiving in Contemporary East Asian Societies (Berghahn, 2020) explores the complexities of aging and caregiving in contemporary East Asia. Questioning romantic visions of a senior’s paradise, chapters examine emerging cultural meanings of and social responses to population aging, including caregiving both for and by the elderly. Themes include traditional ideals versus contemporary realities, the role of the state, patterns of familial and non-familial care, social stratification, and intersections of caregiving and death. Drawing on ethnographic, demographic, policy, archival, and media data, the authors trace both common patterns and diverging trends across China, Hong Kong, Taiwan, Singapore, Japan, and Korea.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Andrea Castiglioni and Fabio Rambelli's edited volume Defining Shugendo: Critical Studies on Japanese Mountain Religion (Bloomsbury, 2020) presents the newest studies on Shugendō-related practices and traditions from both Japanese and non-Japanese scholars. Contributors in their chapters explore how Shugendō constructed topologies and invented chronologies, how their practitioners were imagined and fictionalized, as well as how the tradition was reflected through materiality and visual cultures. The book also delves into the intellectual history of Shungendō studies in Japan, at the same time reflecting on how mountain beliefs in Japan have been studied in the West. Part One of the book features a chapter by Suzuki Masataka on the formative processes of Shugendō as an institutionalized religious tradition from a historiographical perspective. Suzuki traces how different generations of scholars have presented Shugendō, taking into account the influence of concepts such as "ethnic religion" and "ethnic culture" in the Meiji period and the subsequent reinterpretations of Shugendō with nationalistic overtones in the first half of the Shōwa period. Part Two looks into premodern regional variations of Shugendō institutions and religious practices as four different cultic sites: the Kumano Sanzan area in the Kii Peninsula, Mount Togakushi in Nagano prefecture, Mount Haguro in Yamagata prefecture, and Daigoji in Kyoto. The chapters of this section show how Shugendō centers regulated complex networks based on symbiotic interactions between Shugendō professionals, Buddhist monks, lay members of religious confraternities, and lay devotees. Part Three investigates how narrative strategies were set up to support Shugendō groups and identities in the premodern period. This section examines the foundational narratives of temples and shrines (jisha engi) of the medieval period, as well as how Shugendō practitioners were depicted in Edo period literary sources such as vernacular fictions and dramas. Part Four highlights the role of material and visual culture related to Shugendō, such as copper statues, devotional paintings, stelae, mounds, and paper talisman. The chapters of this section demonstrate that Shugendō materiality allowed for a network of religious interactions between humans (Shugendō practitioners, lay devotees, artisans) and nonhuman agencies (sacred objects) for the formation and diffusion of shared Shugendō discourses in society. Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies