New Books in Japanese Studies

The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin.In The Japanese Discovery of Chinese Fiction: The Water Margin and the Making of a National Canon (Columbia UP, 2019), William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.Jingyi Li is a PhD Candidate in Japanese Cultural and Literary History, University of Arizona Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Gracia Liu-Farrer, author of 'Immigrant Japan: Mobility and Belonging in an Ethno-nationalist Society', discusses the tensions of belonging and not belonging for immigrants in Japan. She explores the reasons people want to come to Japan, where immigrants fit in the economic landscape, and how they navigate belonging in a complex environment. They also discuss the formation of 'ethno-nationalism' in Japan's history and the present and future challenges for the country.

Baseball has been Japan's most popular sport for over a century. In The Sportsworld of the Hanshin Tigers: Professional Baseball in Modern Japan (University of California Press, 2018), anthropologist William Kelly analyzes Japanese baseball ethnographically by focusing on a single professional team, the Hanshin Tigers. For over fifty years, the Tigers have been the one of the country’s most watched and talked-about professional baseball teams, second only to their powerful rivals, the Tokyo Yomiuri Giants. Despite a largely losing record, perennial frustration, and infighting among players, the Tigers remain overwhelming sentimental favorites in many parts of the country. This book analyzes the Hanshin Tiger phenomenon, and offers an account of why it has long been so compelling and instructive. Professor Kelly argues that the Tigers represent what he calls a sportsworld —a collective product of the actions of players, coaching staff, management, media, and millions of passionate fans. The team has come to symbolize a powerful counter-narrative to idealized notions of Japanese workplace relations. The Tigers are savored as a melodramatic representation of real corporate life, rife with rivalries and office politics familiar to every Japanese worker. And playing in a historic stadium on the edge of Osaka, they carry the hopes and frustrations of Japan’s second city against the all-powerful capital.John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The 1930s-40s expansion of the Japanese empire was marked by significant interest among Japan-based scholars and policy-makers in China’s Muslim population and how best to write them into a new pan-Asian story. At the very same time, as Kelly Hammond shows in China's Muslims and Japan's Empire: Centering Islam in World War II (UNC Press, 2020), members of this longstanding community of Sino-Muslims were themselves engaged in numerous complex debates over culture and identity, and their place in an emerging post-dynastic China and a wider Islamic world. Choosing to reciprocate Japanese interest was thus just one possible path.Expertly navigating the multi-layered, transnational concerns which are brought into focus by the twentieth-century encounter between Japanese Empire, Chinese Nationalism and Sino-Muslims, Hammond reframes our understanding of wartime East Asia. From global developments stretching as far afield as Central Asia, Fascist Italy and Nazi Germany to the more intimate everyday experiences of Sino-Muslims caught between imperial spaces, the author offers a rich and little-told account of a particularly febrile period of recent history, as well as charting developments which continue to resonate in international relations and domestic minority policies to this day.Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

David Fedman's Seeds of Control: Seeds of Control: Japan’s Empire of Forestry in Colonial Korea (University of Washington Press, 2020) is hard to categorize. In a good way. Put simply, it is a broad but sharp look at the history of Japanese forest management in the Korean peninsula, 1910-1945. In this sense, Fedman’s book is an environmental history, to be sure, but also a material history of empire, science, and industry. It is a history of Japan and Korea, but also of transnational networks of knowledge and power. In other words, Seeds of Control is positioned at the intersection of environmental, imperial, and material histories, but it also contributes to studies in the history of science and other fields. Fedman problematizes the ideologies and practices of forest conservation and regeneration (“greenification”) within the asymmetric politics of colonial rule. Part 1 sets the stage with an overview of the institutional transformations of Japanese forestry across the Tokugawa-Meiji divide and the ways that Japanese “stories about the land… were mobilized in service of settler colonialism.” Part 2 begins with the reform of land rights under imperial rule. Fedman then delineates the histories of the Forest Experiment Stations, the timber industry (especially in the Yalu River basin), and the state-led project of civic forestry and the place of Forest Owners Associations. Finally, Part 3 looks at wartime (1937-1945), starting with the uses of “forest-love thought” as an “ideological lubricant” for mobilization and finally the spectacular denuding and exploitation of the Korean peninsula’s forests in support. Because of its transdisciplinarity, this book will appeal to a wide range of academic audiences.Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In a bustling city-center of Seoul, women in yellow vests protesting over the “final” resettlement between the Japanese and Korean governments every Wednesday is an iconic sight, testifying to the strength and resilience of the “comfort women” movement. In her award-winning book Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress (University of Michigan Press, 2018), Elizabeth Son examines a long neglected aspect of the “comfort women” advocacy movement: embodied practices of the former “comfort women” and activists as they protest against the historical amnesia of sexual slavery. Through a transpacific framework, Son shows how the “comfort women” movement holds Asian American and Asian activists together as they collectively address America’s imperialist past and seek redress against militarized sexual violence. Son’s monograph takes the reader to the materiality, physicality, and aurality of the Wednesday demonstrations as the collective presence of former “comfort women” and activists refuse the label “post” of post-colonial, and counter the forced historical amnesia of “comfort women” history. Son further examines the testimonies of “comfort women” during the Women’s Tribunal, which was organized transnationally to highlight the failure of Tokyo Tribunal and other international organizations in recognizing sexual slavery as a crime. Transpacific redressive theater further critiques cultural amnesia, and transpacific memorials connect “comfort women” from formerly colonized nations as well as Japan to rise in solidarity against the universal atrocity of the war. In examining embodied aspects of transpacific redress of the “comfort women” movement, Son’s work asks important questions surrounding the limits/possibilities of transpacific alliances, historical erasure of sexual slavery and the violent legacy of militarized imperialism.Elizabeth Son is Associate Professor and the Director of the Interdisciplinary PhD in Theatre and Drama (IPTD) Program at Northwestern University. She was an inaugural Mellon/ACLS Scholars & Society fellow, and was a scholar-in-residence at KAN-WIN: Empowering Women in the Asian American Community. She continues to partner with KAN-WIN as a crisis hotline volunteer and co-founding member of their “comfort women” justice advocacy team. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan (U Hawaii Press, 2019) examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in modern Japanese history, including colonization and empire, war, the nuclear bombings, and the transwar proletarian movement. More broadly, it outlines an ethical position known as persistence, which occupies the grey area between complicity and resistance: Like resilience, persistence signals a commitment to not disappearing—a fierce act of taking up space but often from a position of privilege, among the classes and people in power. Akamatsu grew up in a settler-colonial family in rural Hokkaido before attending arts college in Tokyo and becoming one of the first women to receive formal training as an oil painter in Japan. She later worked as a governess in the home of a Moscow diplomat and traveled to the Japanese Mandate in Micronesia before returning home to write and illustrate children’s books set in the Pacific. She married the surrealist poet and painter Maruki Iri (1901–1995), and together in 1948—and in defiance of Occupation censorship—they began creating and exhibiting the Nuclear Series, some of the most influential and powerful artwork depicting the aftermath of the Hiroshima bombing. For the next forty or more years, the couple toured the world to protest war and nuclear proliferation and were nominated for the Nobel Peace Prize in 1995.With abundant excerpts and drawings from Akamatsu’s journals and sketchbooks, The Art of Persistence offers a bridge between scholarship on imperial Japan and postwar memory cultures, arguing for the importance of each individual’s historical agency. While uncovering the longue durée of Japan’s visual cultures of war, it charts the development of the national(ist) “literature for little citizens” movement and Japan’s postwar reorientation toward global multiculturalism. Finally, the work proposes ways to enlist artwork generally, and the museum specifically, as a site of ethical engagement.Charlotte Eubanks is associate professor of comparative literature, Japanese and Asian Studies at the Pennsylvania State University. She studies the material culture of books and word/image relations, with a focus on Japanese literature from the medieval period to the present. Her articles have appeared in Ars Orientalis, Book History, Harvard Journal of Asiatic Studies, Japanese Journal of Religious Studies, PMLA, Symposium, Word &Image, and a range of other venues. She is associate editor at the journal Verge: Studies in Global Asias. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

“To mother, from Tsuneno (confidential). I’m writing with spring greetings. I went to Kanda Minagawa-chō in Edo—quite unexpectedly—and I ended up in so much trouble!”This letter, hidden in an archive in Niigata Prefecture, inspired Professor Amy Stanley to write her latest work: Stranger in the Shogun’s City: A Japanese Woman and Her World (Scribner, 2020). She traces Tsuneno’s life, from growing up in a rural community through her escape to the city of Edo, where she lives in the final decades of the Tokugawa Shogunate. In this interview with Professor Stanley, we discuss her book: the life of its main character and its historical setting. We touch on how Tsuneno's life tells us more about life, especially the life of women, during this period of Japanese history. We also talk about what inspired her to write about this ordinary woman, and what the research process was like.Amy Stanley is a Professor of History at Northwestern University, where she is a historian of early and modern Japan, with special interest in women's history. You can follow her on Twitter at @astanley711.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Stranger in the Shogun's City. Follow on Facebook or on Twitter at @BookReviewsAsia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Abe Shinzō is seen today through many lenses: as the longest-serving prime minister in the history of Japan; as a pragmatic leader with a consistent policy vision and a commitment to the art of statecraft; as a nationalist whose strong historical revisionist beliefs led him to make inflammatory moves that opened old wounds and antagonized Japan’s neighbors. In his new biography, The Iconoclast: Shinzō Abe and the New Japan (Hurst, 2020), Tobias Harris presents a painstakingly researched, engagingly written, and fair assessment of Abe’s political career and legacy.Beginning with Abe’s familial connection to the leaders of the Meiji Restoration, Harris show how the political dynasty linking Abe to his father Abe Shintarō and his grandfather Kishi Nobusuke played significant—and often controversial—roles in the political history of Japan dating back to the 1930s. Readers will witness Abe’s gradual rise through the ranks of the Liberal Democratic Party and his complex relationships with leading figures in both Japanese and US political circles. Harris skillfully analyzes the failure of Abe’s first premiership, the lessons he learned during his time in the political wilderness, and his path to reelection in 2012, which marked the beginning of his historic second administration.Harris’s balanced discussion of the Abe administration’s accomplishments and failures leaves no stone unturned, providing insight into everything from the Abenomics program and Abe’s efforts to revise the postwar constitution to an insider’s view of his diplomatic engagement with the Obama and Trump administrations and his attempts to improve Japan’s international relations. Readers predisposed to dislike Abe because of his revisionist perspective on Japanese history will be challenged to see him in a wider context, and Harris raises poignant questions about Abe’s missed opportunities for his champions to consider.Steve Wills is Associate Professor of History at Nebraska Wesleyan University and one of the hosts of the New Books in East Asian Studies series. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies