Opera For Everyone

This episode of Opera for Everyone features Luciano Pavarotti as Nemorino and Kathleen Battle as Adina in a 1990 Metropolitan Opera production of Gaetano Donizetti's L'Elisir D'Amore conducted by James Levine. This "Opera Buffa" - comedic opera - premiered in 1832 at Teatro Cannobiana, in Milan. The opera in two acts with a libretto by Felice Romani, is set in a small village in the Italian countryside. The story focuses on a romance between the beautiful young Adina, and Nemorino a shy and insecure man who works on her land. L'Elisir D'Amore is considered to represent the best of the bel canto tradition that reigned in Italian opera in the early 19th century The show-stopping tenor aria “Una furtiva lagrima” in Act II is a favorite aria for many opera lovers.

On this episode of Opera for Everyone we listen to the opera Tosca by Giacomo Puccini. Tosca is an opera in three acts with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered in 1900 in Rome, Italy at the Teatro Costanzi. The story is based on the French-language play "La Tosca" by Victorien Sardou. It's a melodrama set in Rome in June 1800, where Napoleon's invasion of Italy threatens the Kingdom of Naples' control of the city. The drama - based on real life events - focuses on an escaped political prisoner named Cesare Angelotti, his friend the famous painter Mario Cavaradossi, and Cavaradossi's lover, the beautiful, devout and talented singer Floria Tosca. Tosca is a passionate, dynamic opera fueled by deception, murder, suicide, and love, and it features some of Puccini's best-known and loved arias.

On this episode of Opera for Everyone we listen to the Opera Otello by Guiseppe Verdi, and also continue our conversation with dramatic baritone Lester Lynch, who plays Iago in this production. Otello is an opera in four acts to an Italian libretto by Arrigo Boito. The opera is based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan in 1887. It follows the story of Otello, a moor commanding a military unit in Cyprus, his wife Desdemona, and several of his officers. Iago, an ensign, is jealous of his colleague Cassio who has been promoted to captain by Otello. Iago plots to make Otello suspicious that his wife is in love with Cassio and has been unfaithful. In the end, Otello kills Desdemona and then himself. Iago is unrepentant.

On this episode of Opera for Everyone, we welcome special guest Lester Lynch, who is a baritone opera singer performing with some of the world's leading operas. He discusses his album "On My Journey Now" a collection of spirituals and hymns, as well as his experience as an African-American vocalist and musician. This episode is in honor of the life, work and legacy of Martin Luther King Jr.

Mozart & Salieri is an opera in one act by Nikolai Rimsky-Korsakov set to a Russian libretto taken almost verbatim from a novella of the same name by Alexandr Pushkin. It's based on the oft-disputed legend that Salieri poisoned Mozart out of jealousy for his genius. The novel occurs in a single afternoon and evening with Mozart dropping by Salieri's apartment in Vienna to play his nearly-completed "Requiem." The two go together to an inn for dinner where Salieri poisons Mozart.

Delve into the enchanting world of Massenet's 'Manon,' where beauty and vanity drive a spirited maid on an adventurous journey. Explore the tumultuous romance between Manon and Des Grieux, battling societal pressures and familial expectations. The hosts unravel the emotional tension in a vibrant Paris, as love clashes with class struggles. Expect witty banter and reflections on betrayal, jealousy, and the heart-wrenching climax of lost dreams. This rich narrative intertwines whimsy and tragedy, making for a compelling discussion on opera's timeless themes.

On today's episode of Opera for Everyone we listen to The Magic Flute, also known as Die Zauberflöte, by Wolfgang Amadeus Mozart. It's an opera in two acts, first performed in Vienna in 1791. In this opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity in the Temple of Wisdom under the high priest Sarastro. Tamino is accompanied on his quest to the Temple of Wisdom by the earthy Papageno, a bird-catcher, who is also looking for true love. Together they learn the high ideals of Sarastro's community and seek to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, and with the Queen and her cohorts vanquished. Papageno fails the trials completely but is nevertheless rewarded with the hand of his ideal female companion, Papagena. Image courtesy of Texas A&M University- Commerce Marketing Communications Photography

If you’ve never experienced an opera by Antonio Salieri, now is your chance. You may have seen the movie Amadeus, or heard that Salieri was the Austrian court composer whose jealousy was whispered to have played a part in Mozart’s early death. And though that rumor is probably a fiction, who could blame him for being jealous of the wunderkind Mozart? A highly accomplished composer in his own right, Salieri was mentored by Gluck, and in turn taught such pupils as Franz Liszt, Franz Schubert, and Ludwig van Beethoven. Enjoy this tragic opera with us, based on the Greek mythological characters Danaus and Hypermnestra.

Ep. 16 I Puritani by Bellini broadcast 11.19.17 by Opera for Everyone

Mozart’s comic yet profound look at human nature and one crazy day in a wealthy Spanish household. The Marriage of Figaro, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.