Opera For Everyone

Aida premiered in Cairo in December 1871. Giuseppe Verdi’s four-act opera, Aida, was commissioned for the newly constructed opera house in Cairo, following the celebrations for the opening of the Suez Canal. Taking inspiration from a third century story discovered by Egyptologist Auguste Marietta, librettist Antonio Ghislanzoni worked with Verdi to create a drama which is both grand and intimate, set in Egypt, “in the time of the Pharaohs.” The opera’s magnificent music depicts spectacle and triumph for the state, and praise for the gods. It also brings us close to all of the emotions of three people caught up in a high-stakes love triangle. Join us for a story of achingly beautiful tenderness, soaring triumph, and devoted resignation on this episode of Opera for Everyone. Hosted by Pat Wright and Keely Herron.

A Baroque-style opera by George Frideric Handel, Rodelinda premiered in 1725 in London. Considered by Beethoven to be “the greatest composer who ever lived,” Handel created operas which tug at our emotions and fill our senses. The title character of Rodelinda is a queen who is under house-arrest following the supposed death of her royal husband. She rebuffs the persistent advances of his usurper and his scheming advisor, all while bravely protecting her young son. Events do not go smoothly when her husband returns on the scene. Dare we hope for a happy ending? Find out on this episode of Opera for Everyone.

La Rondine, “The Swallow,” is an opera in three acts by the famed Italian composer Giacomo Puccini and librettist Giuseppe Adami which had its premiere in 1917 in Monte Carlo. Originally commissioned to write an operetta by the Carltheater in Vienna, Puccini decided in favor of a full opera. La Rondine refers to the title character, Magda, who opens the story as the glittering hostess of a lively Parisian party in the apartment she shares with a wealthy elder gentleman, Rambaldo. One of the guests, the poet Prunier, opines on romantic love, and Magda wistfully recalls a brief romance of her youth, and considers the possibility of finding romance once again, in spite of her very stable and practical current arrangement. Magda’s spunky maid, Lisette, announces the arrival of a young man from the countryside, and, well, you can imagine how events might unfold. . . Hosted by Pat Wright and Keely Herron.

Il Trittico is a set of three one-act operas by Giacomo Puccini that premiered in 1918. The first opera, IlTabarro, centers on an evening in the life of river workers on a barge in Paris’s Seine of the early 20th century. The second opera, Suor Angelica, takes place entirely in a convent and features only female singers. It is set in the late 17th century, and give a glimpse into life of the convent sisters and how they manage their desires. The final opera, Gianni Schicchi, is comedic and cautionary tale. Inspired by Dante’s Canto 30 on falsifiers, Gianni Schicchi, shows a world of two emotions: greed and love. Love may triumph, but greed keeps us astonished and amused.

Madama Butterfly is an opera in three acts by Giacomo Puccini. It premiered at Milan’s LaScala in 1903, and with a few revisions by Puccini after its opening, it has become one of the most frequently performed operas in the world. Inspired to make the story into an opera after seeing David Belasco’s play Madame Butterfly in London, Puccini created one of the most beloved characters in the world of opera. The story focuses on a young Japanese woman, Butterfly, who marries and American naval officer, Pinkerton, who is stationed in Nagasaki. The two marry, but have a very different understanding of the meaning of this cross-cultural marriage. These different understandings have tragic results for Butterfly. Puccini’s music is lush and powerful, at times including influences from America and Japan. In this episode of Opera for Everyone we discuss both the opera, and the popular stories which led to its creation.

Rigoletto is a three-act opera by Guiseppe Verdi, first performed in 1851 in Venice. In this episode we follow the story of Duke of Mantua's jester, Rigoletto. He gleefully mocks members of the court for the amusement of the Duke, earning the enmity of the courtiers, and the powerful curse of a father whose daughter the Duke has dishonored. However, the seemingly heartless Rigoletto hides a tender secret-- his lovely and innocent daughter Gilda. Her sweetness is no match for the crafty, carousing Duke and his courtiers. This opera has complex drama, and one of the all-time great opera tunes, La Donna è Mobile.

il Trovatore is a powerful and tuneful opera in four acts by the great master, Giuseppe Verdi. Il Trovatore, "The Troubadour," premiered in Rome in January 1853. Set in 1409, during a period of civil war in Spain, Il Trovatore is a story that illustrates the mortal danger inherent in an unrelenting pursuit of vengeance. Alas, in this story, love does not triumph. It's strong human drama, heightened by Verdi's incomparable compositions.

Richard Strauss's opera Ariadne auf Naxos blends mythology and culture, combining serious opera with comedic entertainment. The podcast explores the challenges of producing both opera and comedy, the debate between high art and low art, and the empowering song that lifts Ariadne's spirits. It provides an introduction to the opera, discusses the plot and characters, and reflects on the exhaustion of meeting perceived expectations.

On this episode of Opera for Everyone we listen to Cosi Fan Tutte, the third collaboration between composer Wolfgang Amedeus Mozart and Italian librettist Lorenzo Da Ponte. Cosi Fan Tutte overflows with lush Mozart tunes paired with delightful and profound lyrics by Da Ponte. Cosi Fan Tutte premiered in 1790 at the Burgtheater in Vienna. While sometimes considered a charming romp, Cosi Fan Tutte tackles serious issues of gender, class, and evil with a deft touch. We invite you to enjoy this exquisite opera. Hosted by Pat Wright with special guest Greg

On this episode of Opera for Everyone we listen to Idomeneo, an opera seria in three acts by Mozart with an Italian libretto by Giambattista Varesco. The work was commissioned by Karl Theodor, Elector of Bavaria and premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany, as part of a court carnival. The opera tells the story of Idomeneo, the King of Crete, his son Idamante, and the princess Ilia, who Idomeneo captured when he defeated Ilia's father the Trojan king Priam in the Trojan war.