Opera For Everyone

If you’ve never experienced an opera by Antonio Salieri, now is your chance. You may have seen the movie Amadeus, or heard that Salieri was the Austrian court composer whose jealousy was whispered to have played a part in Mozart’s early death. And though that rumor is probably a fiction, who could blame him for being jealous of the wunderkind Mozart? A highly accomplished composer in his own right, Salieri was mentored by Gluck, and in turn taught such pupils as Franz Liszt, Franz Schubert, and Ludwig van Beethoven. Enjoy this tragic opera with us, based on the Greek mythological characters Danaus and Hypermnestra.

Ep. 16 I Puritani by Bellini broadcast 11.19.17 by Opera for Everyone

Mozart’s comic yet profound look at human nature and one crazy day in a wealthy Spanish household. The Marriage of Figaro, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.

Explore the captivating story of Bellini's 'Norma', where love, betrayal, and duty collide in ancient Gaul. The opera's rich history and vocal performances are brought to life, highlighting Norma's emotional struggles and the complexities of her relationships. Delve into the poignant aria 'Casta Diva' and its themes of peace amidst turmoil. The historical context of Druidic rituals adds depth, while the fierce confrontation between Norma and Pollione showcases the stakes of their choices, leading to a dramatic sacrificial climax.

This episode of Opera for Everyone features Bizet's Les Pêcheurs de Perles - The Pearl Fishers - which debuted in Paris at the Théâtre Lyrique, on September 30, 1863. It's an opera in three acts with a French libretto by Eugène Cormon and Michel Carré. The opera is a story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint", generally known as "The Pearl Fishers Duet," is one of the best-known numbers in Western opera.

In this episode of Opera for Everyone we listen to Lakme, an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written in 1881-2, was first performed on in 1883 by the Opéra-Comique in Paris. The story is set in British India in the mid-19th century, Lakmé is based on Théodore Pavie's story "Les babouches du Brahamane" and novel "Le Mariage de Loti" by Pierre Loti. The opera includes the popular Flower Duet (Sous le dôme épais) performed in Act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika. The name Lakmé is the French rendition of Sanskrit Lakshmi, the name of the Hindu Goddess of Wealth. The opera's most famous aria is the Bell Song (L'Air des clochettes) in Act 2. Like other French operas of the period, Lakmé captures the ambience of the Orient seen through Western eyes, which was periodically in vogue during the latter part of the 19th century and in line with other operatic works such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore.[3] The subject of the opera was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt.

On this episode of Opera for Everyone we listen to Turandot, an opera in three acts by Giacomo Puccini, with an Italian libretto by Giuseppe Adami and Renato Simoni. The opera's version of the story is set in China, and involves Prince Calaf, who falls in love with the cold Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles; any wrong answer results in death. Calaf passes the test, but Turandot still refuses to marry him. He offers her a way out: if she is able to learn his name before dawn the next day, then at daybreak he will die. Prince Calaf's famous aria "Nessun Dorma" tells the story of Turandot's proclamation that "No one sleeps" so they can discover the name of the mysterious prince. In the end, Turandot doesn't discover his name, and he melts her heart and they are married. The opera was first performed in 1926, and although Puccini died in 1924 shortly before he finished the opera, it was completed by Franco Alfano.

On this episode of Opera for Everyone, we listen to Così Fan Tutte - an opera in two acts with music by Wolfgang Amadeus Mozart, and an Italian libretto by Lorenzo da Ponte. It is an "opera buffa" - comedic opera - and is one of the three Mozart operas for which da Ponte wrote the libretto. The other two da Ponte-Mozart collaborations were "Le nozze di Figaro" and "Don Giovanni." It debuted in 1790 in Vienna's Burgtheater. The opera's full name is "Così fan Tutte - ossia La Scuola degli Amanti" which translates to "Thus Do They All - or The School For Lovers." It refers to the storyline where two young men - Guglielmo and Ferrando - agree to a bet with their older and wiser friend Don Alfonso who wagers that women can cheat just the way men do. Don Alfonso plots to have the men tell their fiancees - Dorabella and Firodiligi - that they have been called away on military duty immediately, and begins a scheme to seduce the young women thereby proving his assertion that women will stray, allowing him to win the bet. The surly hotel maid, Despina, plays a key role in Don Alfonso's plot helping him to introduce the ladies to two young male foreigners besotted with the young sisters. The "foreigners" are actually the soldiers in disguise. The plot moves along with the men trying to seduce their own girlfriends, and luckily ends happily with the couples reunited with their true loves.

Don Giovanni is an opera in two acts by Wolfgang Amadeus Mozart. It debuted in Prague in 1787. Its based on the legend of Don Juan, a Spanish lothario who was obsessed with the conquest of women. The opera tells the story of Don Giovanni, his man-servant Leporello, Donna Elvira his scorned lover, Donna Anna and Don Ottavio - a young engaged couple, and the Commendatore - Donna Anna's father who is slain by Don Giovanni. Mozart's incredible score paired with a lively libretto by Lorenzo di Ponte make Don Giovanni one of the most performed operas in the world.

The opera Eugene Onegin is based on a beloved Russian lyric novel of the same name by Pushkin. Pushkin presents a vast overview of old Russian society around 1820, which Tchaikovsky’s original score neatly divides into each of its three acts: from the timeless rituals of country life to the rural gentry with its troubles and pleasures and, finally, the glittering imperial aristocracy of St. Petersburg. The opera tells the story of Tatyana, her sister Olga, and their loves Onegin and Lenski. The famous "Letter Scene," gives us an insight into the character when the intelligent and socially awkward young Tatyana pours out her heart to the cold Onegin in a tale of unrequited love. A spectacular birthday ball, a duel follow with a glittering, if conflicted end at a society ball in St. Petersburg where Onegin and Tatyana are reunited.