When Gurinder Chadha set out to make a movie based on journalist Sarfraz Manzoor’s memoir about the effect of Bruce Springsteen music on his life, she had one small problem. The movie couldn’t work without Springsteen’s songs. So when she and Manzoor snagged a moment with The Boss on a red carpet, they took their shot. Incredibly, it worked. Chadha and Manzoor tell the tale of their film ‘Blinded by the Light.'

When filmmaker Lulu Wang set out to write and direct a personal movie based on a real-life family saga, she had a clear vision for an American film, largely set in China, mostly in Mandarin. But buyers weren’t biting. Wang tells us about her circuitous route to finally making ‘The Farewell,’ which has turned into the indie success story of the summer.

In Lynn Shelton’s new comic caper film 'Sword of Trust,' Marc Maron plays a pawnbroker who gets caught up in a scheme to sell a Civil War artifact of dubious provenance. Shelton and Maron tell us about making the movie in 12 days in Alabama, and about shooting an extended, improvised, soul-baring monologue in the back of a sweltering box truck...for nine hours. 

Sarah Scott was a working actress in Hollywood with the usual ups and downs of a life in the entertainment industry. But, last year while shooting a pilot, Scott says she was harassed and assaulted by a fellow actor. She took the case to her union and the result was not completely satisfying. 

Filmmaker Reginald Hudlin recently directed the new documentary ‘The Black Godfather’ for Netflix, but he’s held a lot of other jobs, including writing ‘Black Panther’ comics and running BET...at the same time. He tells us about those years, plus, working with Quentin Tarantino. We’ve also got some goodies from cinematographer Caleb Deschanel on Disney’s new ‘Lion King.’

Actress, director, producer Elizabeth Banks is a member of a very small club: women who make commercial big-studio movies. After directing ‘Pitch Perfect 2’ and a ‘Charlie’s Angels’ reboot set for release this fall, plus producing the heartfelt Hulu comedy ‘Shrill,’ Banks has even bigger ambitions. She talks about getting bored with acting and moving into producing, directing, and making it in the mainstream.

In 1989, a young sailor named Tracy Edwards made history when she skippered the first all-female crew in a round-the-world race aboard a secondhand yacht named Maiden. Twenty-five years later, Edwards learned Maiden had been abandoned, and at the same time, someone wanted to make a film about her. Sailor Tracy Edwards and director Alex Holmes tell us about saving Maiden the boat, and making ‘Maiden’ the movie.

Over the course of its record-breaking 15 seasons, ABC's 'Grey's Anatomy' has never shied away from tough subjects. When a recent script included a scene of a patient undergoing a rape kit exam, the network wanted some changes. 'Grey's Anatomy' showrunner Krista Vernoff and writer Elisabeth Finch tell us how, with an assist from Shonda Rhimes, they got their powerful episode about consent to air as written.

Writer-producer Simon Kinberg has worked on the X-Men movie franchise since 2006. ‘Dark Phoenix’ was his directorial debut. The film got panned by critics and opened to only $33 million in the U.S. We talked to Kinberg a few days after that brutal weekend. He shares his perspective on what went wrong and tells us about the reshoots, release date changes, and working at Fox in the midst of Disney's takeover.

A week after TV writer Liz Feldman lost a family member unexpectedly and found out her fertility treatment had failed again, she took a meeting with some producers, having been told she didn’t need to come with ideas. So she was immersed in loss and blindsided when she was asked for ideas after all. A seasoned improvisor, Feldman delivered. That quick pitch turned into the Netflix series ‘Dead to Me,’ a funny show about grief.