Almost a decade ago, Feras Fayyad was imprisoned and tortured by the Assad regime in Syria for filming anti-government protests. But after his release, he kept making documentaries. Fayyad became the first Syrian director to be nominated for Oscar with 'Last Men in Aleppo.' His new film, ‘The Cave,’ profiles a courageous young doctor as she runs an underground hospital in a besieged area outside Damascus. 

With even more new streaming services launching in the months ahead, we talk with opinionated analyst Rich Greenfield about the transforming media landscape and the challenges facing giants Disney, Comcast and AT&T. 

This week, how filmmaker Kevin Smith set out to rescue his hero, the legendary Stan Lee. Last year, Smith began to fear that the elderly Marvel creator was being abused. Smith acted, though felt strongly there could be no good outcome. He tells us about doing his best for Lee in what would be Lee’s final year. Plus, reporter Gary Baum on his investigation into the battle for control of Lee's life. 

Twenty-five years after ‘Clerks,’ Kevin Smith is shook. Despite his insistence that he's behind the times, he's always found ways to get his movies made. Smith tells us about doing it his way--which includes embarking on a 60-date roadshow for his new movie, ‘Jay and Silent Bob Reboot.’ He also reflects on his long relationship with Harvey Weinstein and the heart attack that almost did Smith in last year. 

The Netflix series 'Unbelievable' is based on a true story about how one team of cops pursued a serial rapist while another disbelieved and bullied a victim. Showrunner Susannah Grant tells us about turning a Pulitzer Prize winning news story into a scripted series. She also shares her thoughts on how to depict rape on screen and talks about speaking with the victim whose story is at the heart of the series.

Hot off Toronto, where ‘Hustlers’ won raves, Lorene Scafaria tells us about her fight to direct the movie, which is based on her script about a real-life group of strippers who robbed their Wall Street clientele. She finally won that battle, then the picture got dropped by Annapurna and then saved by STX. Scafaria also talks Jennifer Lopez's intense training to do that insane pole dance. 

Five months after firing their agents, members of the Writers Guild are still at war with the major agencies over packaging fees. In the heat of the ongoing union election, we explore a couple of perspectives on the two groups competing for Guild leadership. 

For years, Ryan O’Connell was in the closet: not because he’s gay, which he is, but because he was ashamed of having cerebral palsy.  His cover? He’d been hit by a car--which was true. But eventually, that lie took a toll. With his Netflix series ‘Special,’ O’Connell is out in a big way. He tells us about the 4-year struggle to find a home for his autobiographical comedy, which is now nominated for 4 Emmys. 

When Ben Berman set out to make ‘The Amazing Johnathan Documentary,’ he figured it would be a poignant film about an ailing comedian and magician. But very quickly, Berman found himself wondering: was he making a movie about Jonathan, or was Johnathan roping him into a project of his own. Berman shares the crazy story of making ‘The Amazing Johnathan Documentary,’ which is now available on Hulu. 

Julianne Moore joins us with her husband, writer-director Bart Freundlich, to talk about their careers and their new drama, ‘After the Wedding,’ the fourth film they’ve made together. Moore offers some advice to actors just starting out, tells us how she picks her projects, and she and Freundlich discuss the struggle that comes with trying to get an indie melodrama like ‘After the Wedding’ financed.