New Books in Popular Culture

While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, Moss draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience. Checkout the book’s companion website at www.VibesfromtheScreen.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is enacted. A fan of Morrissey herself, Hidalgo effectively weaves an academic lens with a true tribute book to Morrissey and his fan. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor Mitchel Roth explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the legislature refused to fund. The rodeo was also dangerous, however, and developed against the background of a prison system based on forced labor and corporal punishment. In this episode of New Books in History, Roth discusses his new book. He tells listeners about the origins of the rodeo, its development over the decades, and its demise. Throughout its life, the racial and gender dynamics of the rodeo changed with time as did its main events. Its popularity grew to a height with Western nostalgia in the 1950s, but by the 1980s, changing prison populations and changing cultural norms surrounding issues like the treatment of animals brought the rodeo’s run to an end. In addition to discussing the life of the rodeo, Roth also discusses controversies surrounding it, the research he completed for the book, and his current project in this episode. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s Hal Ashby and the Making of Harold and Maude (McFarland, 2016). James A. Davidson has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video & Multimedia. He lives in Reno, Nevada. Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features Helen Rappaport, whose latest work reveals the historical background behind the Masterpiece Theater miniseries Victoria, due to air in the United States this month. Rappaport served as historical consultant to the show. The Queen Victoria who gave her name to an age famous for a prudishness so extreme that even tables had limbs, not legs, is nowhere evident in Rappaport’s book, the television series, or the novel by Daisy Goodwin, also titled Victoria, that gave rise to the series. Victoria: The Heart and Mind of a Young Queen (Harper Design, 2017) explores in vivid, compelling prose the letters, diaries, and other documents associated with the reign of a strong-minded, passionate, eager, inexperienced girl who took the throne just after her eighteenth birthday. This Victoria loved to ride, resisted marriage, fought to separate herself from her mother, detested her mother’s close adviser, and became infatuated with her prime minister before transferring her affections to Prince Albert, who initially did not impress her. Wildly devoted to her husband, she bore nine children but hated being pregnant and regarded newborn infants as ugly. Even her name caused controversy: christened Alexandrina, she switched to Victoria on taking the throne, overriding critics who insisted that Elizabeth or Charlotte were more suitable appellations for a British monarch. By the time she died sixty-three years later, entire generations understood the word “queen”as synonymous with “Victoria.” Although the most powerful woman in the world, Victoria here makes some serious mistakes, as any eighteen-year-old thrust into the center of politics would. If she had no social media to record every misstep, she also had no publicity managers or image brokers to spin her rash remarks or misjudgments. As Daisy Goodwin notes in the foreword to this book, Victoria had to grow up in public, and she left a precious record of that journey in her own exquisite handwriting. But since this is the official companion volume to a television show, it also includes details about casting and costuming, as well as numerous photographs of the actors and background information about the times. It makes a perfect starting point for a discussion of history and historical fiction, their differences and similarities, and how to observe the requirements of one without violating the precepts of the other. C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe. Ben Westhoff’s new book, Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the transformed images of Ice Cube, Snoop Dogg, and Dr. Dre. Ben Westhoff is an award-winning journalist whose work has appeared in The Guardian, Rolling Stone, Vice, Pitchfork, and The Wall Street Journal. He spent three years as the music editor at LA Weekly and is the author Dirty South: OutKast, Lil Wayne, and Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop. His website can be found at http://benwesthoff.com. Richard Schur is the host of this podcast and is Professor of English at Drury University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture