New Books in Popular Culture

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse. In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden. Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website. The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in Pinery Boys: Songs and Songcatching in the Lumberjack Era (University of Wisconsin Press, 2017) Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3). Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70). Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s James P. Leary. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work. Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found here. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Consuming Japan: Popular Culture and the Globalizing of 1980s America (UNC Press, 2017), Andrew McKevitt explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan’s remarkable post World War II economic success enable the East Asian nation to overtake the United States? Or could Japan’s globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the yellow peril, and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world? From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society. Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago. Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Paul Hensler, author of the book The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties (Rowman and Littlefield, 2017). Paul is a baseball historian and a member of the Society for American Baseball Research. He has also written The American League in Transition, 1965-1975: How Competition Thrived When the Yankees Didn’t, and has written for NINE: A Journal of Baseball History and Culture and the Baseball Research Journal. Hensler, who owns a masters degree in history, examines the issues that were percolating not only in Major League Baseball as the 1960s drew to a close, but also the political, social and cultural upheaval caused by the Vietnam War, the Civil Rights movement and the baby boomers who were coming of age. Baseball was on the verge of expansion, was dealing with an ineffective commissioner and was in the early stages of a labor movement that would radically change the game. American society and culture were in flux, Hensler writes, and armed with meticulous research and a wealth of sources, he presents a view of baseball history that has been overlooked. From the “Year of the Pitcher” to the “Amazin’ Mets,” Hensler takes the reader through one of the most turbulent years in American history. It was a line of demarcation for baseball, too, and Hensler provides a refreshing narrative. Bob D’Angelo earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Brett L. Abrams, author of the book Terry Bradshaw: From Super Bowl Champion to Television Personality (Rowman & Littlefield, 2017). It is part of a series called Sports Icons and Issues in Popular Culture. Abrams, an archivist of electronic records in Washington. D.C., does more than just document the football career of Hall of Fame quarterback Terry Bradshaw, who won four Super Bowl titles during the 1970s with the Pittsburgh Steelers. Abrams goes beyond the nuts and bolts of a successful athletic career and explores Bradshaw’s foray into country and gospel singing, his acting in movies, his adventure as a part owner of a NASCAR team, and finally, his long and successful run as a NFL color commentator and later a studio analyst first for CBS, and then for Fox. Maligned during his playing career for a perceived lack of intelligence—a prejudicial view of Southerners mostly held by people north of the Mason-Dixon line, Bradshaw played off his L’il Abner, good o’l boy image to craft his own niche in the entertainment field. As Abrams writes in this well-researched book, Bradshaw demonstrated what it took for an entertainer to master many of those entertainment industries in the late 20th century. More people may now know Bradshaw as an enthusiastic football analyst, but he is much more than that. Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture