New Books in Popular Culture

Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Eddie Cantor was once among the most popular performers in the United States. He was influential and innovative on stage, radio, and film from the early twentieth century though the early 1960s. He is not widely known today, however, despite his importance in his time. In a new biography, David Weinstein discusses Cantor, his work, his times, and his politics. The Eddie Cantor Story: A Jewish Life in Performance and Politics (Brandeis University Press, 2017) explains the many ways Cantor’s work was representative of the period, but also the ways he pushed the boundaries of entertainment during his career. Cantor was Jewish and unlike many of his Jewish contemporaries in the business, he did not hide or shy away from his background either in performance or in politics. In this episode of New Books in History, Weinstein discusses his biography of Cantor. He talks about Cantor’s career and his anti-Nazi activism and the importance of his Jewish heritage is shaping his career and political activism. Weinstein also discusses some of the more contradictory aspects of Cantor’s career, particularly his use of blackface. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

I first really got to know Andrew Friedman after the death of our mutual friend, the great food writer Josh Ozersky. Andrew is a widely respected food writer who has collaborated on numerous landmark cookbooks and chef memoirs. Now his labor of love, Chefs, Drugs and Rock & Roll: How Food Lovers, Free Spirits, Misfits and Wanderers Created a New American Profession (Ecco Press, 2018), is making waves in the industry. Friedman charts a course starting in the mid 1960s and winding up in the early 1990s during which the profession of cheffing became what it is today: Respectable. But what a hot, heavy, up and down journey to get there! We conducted this interview on the front sun deck of a beautiful house in Silverlake, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

While Stanley Kramer is considered a successful producer and director of many films as Hollywood moved out of the studio era, he also was criticized for his lesser skills as a director, as well as his liberal beliefs that permeated many of his movies. In Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War (University Press of Kansas, 2017), Jennifer Frost, Associate Professor of History at the University of Auckland presents a new study of Kramer’s films, emphasizing four of his popular message films. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization. Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory. Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a major work. Shadle unearths, analyzes, and advocates for a repertoire that has been erased almost completely from the historical and performance record. Along the way, Shadle debunks or nuances some of the most common narratives in musicological historiography on American music. Written in a lively, approachable style, he provides contemporary assessments of the music, while also contextualizing American symphonic works within the musical, cultural, and political history of the United States. Despite focusing on nineteenth-century music and composers, Shadle’s work resonates with and informs some of the controversies that dog classical music today, including the continued dominance of pieces by white male composers in the repertoire of the nations leading orchestras. He challenges the arguments that critics made then, and some continue to make today, that uphold the systemic exclusion of non-canonical music and works by composers from marginalized groups. Learn more about Orchestrating the Nation here. Douglas W. Shadle is an assistant professor of musicology at Vanderbilt University whose research centers primarily on American orchestral music and American musical culture in the nineteenth century. His work has appeared in many journals and collected editions including American Music, the Journal of the Society for American Music, and MLA Notes. His article How Santa Clause Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Controversy won the 2016 Society for American Music Irving Lowen’s Article Award and a 2015 ASCAP Deems Taylor/Virgil Thomson Award. Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise has been well-reviewed not only by musicologists, but also in the popular press in venues such as The New York Times, The New Yorker, and the Washington Post. It was also honored with an ASCAP Foundation Deems Taylor/Virgil Thomson Award in 2017. Currently, Shadle is working on a short monograph for the Oxford Keynote Series on Antonin Dvořak’s New World Symphony. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture