New Books in Popular Culture

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

When the film was released in 1987, critic Roger Ebert famously panned Dirty Dancing. Yet the movie continues to be the favorite of millions of fans. In Deconstructing Dirty Dancing (Zero Books, 2017), Stephen Lee Naish reviews the movie scene-by-scene, parsing the reasons why it remains such a popular film. He returns to the NBN to chat with Joel Tscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies (University of North Carolina Press, 2017), historian Jennifer Le Zotte examines the movement of selling secondhand goods for profit and charity. Focusing on thrift stores, flea markets, and garage sales, Le Zotte traces the history of selling used goods and clothing, from its questionable start to becoming a multimillion dollar business. In From Goodwill to Grunge, Le Zotte traces the origins of secondhand style as a political, economic, and social act. She explores the ways in which both conservative and progressive activists used secondhand clothing for political and economic gains. Starting in the early 1900s and progressing through the 1990s grunge rock scene, Le Zotte shows how buying secondhand clothing was an act of rebellion and empowerment for drag queens and war protestors as well as the use of rummage sales for religious and political activism for church groups and civil rights organizations. Extensively researched, Le Zotte’s contribution to research into fashion and secondhand makes for enjoyable and informative reading that grounds secondhand markets in a variety of popular cultural spaces. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Growing up in a geodesic dome is not a claim everyone can make, but author Kate Daloz can. Her book We Are As Gods: Back to the Land in the 1970s on a Quest for a New America (PublicAffairs, 2016) traces the path taken by many children of suburbia in the 1960s across the country who, like her parents, wanted to return to the land. Her subjects are Judy and Larry (her parents), the place they moved to, and the community they helped found. One of many interesting discoveries in this book is the fact that the back to the land movement took place around the country, within the same demographic, and during the same two-to three-year period in the 1970s. The causes? One was the growing concern with pollution described in Rachel Carson’s Silent Spring (1962). Another, which deserves fuller examination, is the apocalyptic mood stemming from the atomic threat of the 1960s. Baby boomers remember, with no small amount of incredulity, schoolroom bomb practice (“How would going under my desk protect me?”). The answers that adults had were not reassuring, or they were naive. The younger generation felt imperiled, and adults were responsible. Cities weren’t safe either. By returning to the land, a person could face an uncertain future in a community of like-minded people, in home they had built themselves and that expressed their values. So move this group did, but not all to become hippies. Some formed communes that rejected middle class baggage (monogamy, capitalism, child rearing). Others had advanced degrees, found professional work, and considered themselves “square.” Live in a rural setting and you adopt rural culture: community barn raising (even if it is a geodesic dome), self-generated work (Christmas trees farms, organic produce), shared resources. The author shows that the effects of these communities since the 1970s have permeated throughout American culture. A new kind of fresh food market like Whole Foods and community food co-ops got their starts in such settings. So did recycling (a mainstay of farming culture). Whatever the circumstances that brought them into being, the results have reached far beyond their boundaries and continue to expand our lives. Kate Daloz’s essays have been published in periodicals such as American Scholar. She is an adjunct professor in the MFA program at Manhattanville College and a consultant at the College Writing Center, Baruch College, CUNY.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her book, Dr. Joyce Brothers: The Founding Mother of TV Psychology (Rowman and Littlefield, 2016), Kathleen Collins presents an extensive history of the woman who is arguably the most famous television psychologist. Starting with Brothers’ appearance as a boxing expert on the $64,000 Question in the 1950s, and bringing readers through her decades-long career in television and radio, Collins argues that Brothers created the personal approach to psychology that became the norm for television other popular media. Collins examines the different ways that Brothers created a career for herself for over 50 years, looking at her role as psychologist, as well as her roles as guest star, actor, and media celebrity. She looks at the ways Brothers used her savvy business sense to create a multilayered career that made vital contributions to psychology, television, and U.S. cultural history. Collins uses Brothers’ personal papers and her published interviews as well as her own interviews with Brothers’ daughter and colleagues to create a well-researched and informative exploration into this television icon. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Do you love Rock and Roll or is Rock and Roll music dead? Are you old enough to have put any money in a jukebox to hear your favorite song, watched American Bandstand, or spent any hours viewing music videos on MTV? It has been said that music can truly bring people together. Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll (McFarland, 2016) tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard and changed the world. So where did it all begin? Not where you may think. Describing the genesis of rock and roll, author James A. Cosby covers everything from its deep roots in the Mississippi Delta and The Blues to key early figures, like deejay “Daddy-O” Dewey Phillips and gospel music star Sister Rosetta Tharpe. Also discussed are the importance of country music performers and the influence of the so-called holy rollers of the Pentecostal church who became crucial performers in Rock and Roll’s early years –artists like Elvis Presley, Jerry Lee Lewis and Little Richard. James A. Cosby is an attorney by day and entertainment writer, book author, and music enthusiast by night. He is a regular contributor on pop culture matters for PopMatters.com as well as other media outlets. Cosby resides in Philadelphia, a great music city, and is currently conducting research for his second Rock and Roll book about the further history of the music genre from the early 1960s through the present day. Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll is his first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses @JazzItalianStyl to promote Italian Jazz and share some of the music she recovers in her book. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4). Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture