New Books in Popular Culture

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism. Author Ira Dworkin is an assistant professor of English at Texas A&M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new book, Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy (Beaufort Books, 2017), Patty Farmer examines the relationship between Hugh Hefner’s Playboy empire and some of the most influential comedians and cartoonists of the past 50 years. Farmer explores the ways in which the Playboy Clubs and Resorts of the 1960s and 1970s established spaces for comedians to hone their acts, get paid, and started the careers for many comedians and musicians. She looks at the savvy business decisions of Hefner that led to clubs which have influenced popular culture and society in a variety of ways. Farmer describes how establishing these clubs challenged racial barriers as desegregated comedy clubs in the 1960s as well as gender barriers, giving a performance space to many rising female comedians such as Phyllis Diller and Joan Rivers. Farmer also looks at the role Playboy magazine played in launching the careers of many cartoonists such as Shel Silverstein and Al Jaffe and the meticulous attention to detail that Hefner paid to all cartoons and artists used throughout the magazine. Using interviews and oral histories, Farmer presents inside experiences from comedians and cartoonists who owe much of their career to Playboy magazine and Playboy Clubs. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchananor email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows? Punk musician and writer Franz Nicolay explores these questions and much more in his Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar(The New Press, 2016). The book chronicles his various tours through Eastern Europe between May 2012 and July 2014. Traveling by himself in a rental car or by train with his wife, Nicolay explores cities and towns with small but devoted punk scenes and describes what he sees in Soviet post-industrial towns. Along the way, he learns what Russian punks think about the Pussy Riot controversy and he experiences first-hand political turmoil in the Ukraine. Blending travel memoir, cultural criticism, and popular music studies, Nicolay’s writing explores the life of a touring musician, the people that they encounter on tour, and his response to what he sees and experiences. The resulting book is insightful, funny, and essential for anyone who wants to learn more about punk in Eastern Europe and the life of a touring musician. Franz Nicolay is a New York musician, who has played with many acts, such as the Hold Steady, Against Me!, and the Dresden Dolls. He is a writer whose work appears at Slate.com and in the New York Times and teaches courses at Bard College. Fans can buy his music, explore his writing, and learn about his performances at his website. Richard Schur, professor of English at Drury University, is the host for this podcast episode. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rise of the Dungeon Master: Gary Gygax and the Creation of D and D (Nation Books, 2017) by David Kushner and illustrated by Koren Shadmi is a gorgeous depiction of the late E. Gary Gygax’s life and times. Gygax’s story and the tale of D and D’s genesis is ideally suited to the graphic novel format, and Kushner — who met and even gamed with Gygax — conveys these twin narratives well. Shadmi’s illustrations blend the mundane with the fantastical, and the striking cover art alone is sure to win Rise of the Dungeon Master a place on many comic collectors’ shelves. I happily recommend it to anyone looking for a short overview of the subject, and certainly anyone with a love of both comic books and D and D. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, In Search of the Lost Chord: 1967 and the Hippie Idea (Akashic Books, 2017), Danny Goldberg explores the political, social, and cultural influences of 1967–a pivotal year in American history. Goldberg, who graduated from high school in 1967 and was influenced by the cultural of the1960s, presents a subjective history on what he sees as the legacy of 1967 fifty years later. In In Search of the Lost Chord, Goldberg examines not only the music scene of 1967, but the role of psychedelics, hippies, protest culture, Eastern religions and spirituality, politics, the Black Power movement, and activists such as Martin Luther King, Jr., Muhammad Ali, Allen Ginsberg, Timothy Leary, Cora Weiss, and Tom Hayden. Goldberg’s book is well researched and informed by interviews of some of the most influential participants during 1967, giving readers a greater understanding of the complexities of this influential time in American culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Amar Akbar Anthony is a film like no other. When you see it you cannot forget it. Filled with music, comedy, drama, and love it captures audiences in multiple ways. But what can we learn from a deeper look at this classic of Hindi cinema? William Elison, Assistant Professor at University of California, Santa Barbara, Christian Lee Novetzke, Professor at the University of Washington, and Andy Rotman, Professor at Smith College offer a layered analysis of the 1977 blockbuster in Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Harvard University Press, 2016). The authors examine the film through each of the narratives three brothers, as well as their mother. All four perspectives offer a new vision of modern India. Through their investigation they explore questions of religion and secularism, Indian nationalism, cinematic genres and Bollywood, politics, urban architectural space, and gender. They also examine the film as a powerful allegory of the nation, where differing religious identities, specifically Hindu, Muslim, and Christian, can produce a generative social harmony. Overall, the authors provide a rich portrait of this amazing film and a useful model for the interdisciplinary analysis of cinema. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Empire of Imagination: Gary Gygax and the Birth of Dungeons and Dragons (Bloomsbury, 2015) by Michael Witwer is an exceptional biography of the co-creator of Dungeons and Dragons, E. Gary Gygax. Witwer presents an honest, meticulously researched historical account of his subject’s life, while at the same time offering a compelling narrative for his readers. Lovers of Dungeons and Dragons will find much to love in this book, which was clearly a passion project for Witwer, who began the text in the context of research during his Master’s degree. I highly recommend Empire of Imagination to anyone with an interest in the story of this seminal, enormously important game and its brilliant albeit quirky creators. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that produced the technology that made hip-hop possible? Andre Sirois explores these questions in his book, Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization (which can be downloaded for free here). Sirois is both a scholar and a deejay, and his book brings academic discourse into dialogue with working deejays. Hip-Hop DJs and the Evolution of Technology (Peter Lang, 2016) draws on extensive interviews with the deejays that have shaped hip-hop and the technology manufacturers who made the products behind the deejays. The podcast covers the history of deejays, examining the three legends that are considered the founders of hip-hop: DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. He looks at how they transformed the role of the deejay through their digging in the crates, the development of deejaying techniques, and how they developed a collaborative ethos among deejays even as they sought to develop their own reputations. Then, Sirois explores other deejays, such as DJ Trix, DJ Craze, the Scratch Hamsters, and the Invisibl Skratch Piklz, who worked with manufacturers, including Vestax and Rane, to produce signature mixers and other equipment. (You can view Sirois’s collection of vintage mixers at djpedia). The podcast also examines the complicated ways that deejays and manufacturers worked together even though few deejays received significant economic benefit from these collaborations. Dr. Andre Sirois, also known as DJ food stamp, is an instructor at the University of Oregon, where he teaches courses on filmmaking and popular culture in the media. He has over 17 years experience as a hip-hop, scratch, club, and radio DJ. His scratches have been featured on numerous artists songs, including the gold-selling single by Spose, “I’m Awesome.” He is one of the founders of DJistory/DJpedia, a non-profit organization and archive dedicated to preserving and telling histories of DJ technology and culture. Richard Schur, Drury University professor of English and Director of the Honors Program, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

David M. Ewalt‘s book Of Dice and Men: The Story of Dungeons and Dragons and The People Who Play It (Scribner, 2013) is at once a love letter, cultural history, and succinct analysis of the roleplaying game phenomenon that started it all. Of Dice and Men was the first of a recent cluster of excellent commentary on D and D’s scope and impact, including Empire of Imagination and the recent Rise of the Dungeon Master. An engaging, entertaining, and informative read, Of Dice and Men is sure to interest gamers who may or may not quite realize the extent to which present popular culture owes its shape to this wondrous invention of E. Gary Gygax. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture