New Books in Popular Culture

How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century. Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves. Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production. Through detailed case studies, Herrera analyzes the ways in which Latinas/os have been typecast and stereotyped to “closet” or obscure ethnic, cultural, and regional distinctions among Hispanics, while simultaneously racializing them as non-white. Together, Herrera argues that the “Latin number” and “playing Latino” work in tandem to highlight the centrality of popular performance in rehearsing American audiences to think of Mexicans, Puerto Ricans, and Cubans in the more simplistic and monolithic terms of “Latino” and “Hispanic.” David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger Scott Bruce has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters (Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Leon Wildes is the author of John Lennon vs The U.S.A.: The Inside Story of the Most Bitterly Contested and Influential Deportation Case in United States History (Ankerwycke 2016). Wildes is an immigration attorney and the founder partner of Wildes & Weinberg. As immigration issues dominate the discussion of President-Elect Donald Trump’s transition to power, Wildes takes us back to the dramatic deportation case of John Lennon. Part legal analysis, part legal history, John Lennon vs. The U.S.A. shows the way presidential politics played out in the case against Lennon. Wildes, Lennon’s lawyer in the case, retells the case for the first time in this interesting new book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

All humans endure their private struggles, but rarely do we know what troubles our most famous public figures until now. In her recent book, Andy Warhol was a Hoarder: Inside the Mind of History’s Great Personalities (National Geographic, 2016), award-winning journalist Claudia Kalb shares her research into the mental health histories of several well-known and much-loved people. She discusses Princess Diana’s struggle with eating disorder and severe loneliness; the impact of Frank Lloyd Wrights narcissism on his architectural masterpieces and personal relationships; and Andy Warhol’s penchant for holding onto and storing decades’ worth of day-to-day objects. In our interview, Kalb talks about her keen interest in these people and their stories, and we discuss the way such stories humanize these idealized figures and universalize the human quest for mental and emotional well-being. Claudia Kalb is an award-winning journalist who specializes in the fields of medicine, health, and science, former senior writer at Newsweek, and contributor to publications such as Smithsonian and Scientific American. Follow her on Twitter. Eugenio Duarte, Ph.D. is a licensed psychologist and psychoanalyst practicing in New York City. He treats individuals and couples, with specialties in LGBTQ issues, eating and body image problems, and relationship problems. Follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jonathan Lethem’s latest novel, A Gambler’s Anatomy (Doubleday, 2016), traces the existential crisis of an international backgammon hustler who thinks he’s psychic and who, while plying his trade in Berlin, discovers a rare kind of tumor growing behind his face. His search for a physical cure, seemingly at odds with his spiritual quest for identity, takes him to California, where he becomes embroiled in conspiratorial circumstances which become increasingly indistinguishable from his growing inner turmoil. JONATHAN LETHEM is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem’s work has appeared in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and The New York Times, among other publications. The second part of this interview can be found at: http://auticulture.com/liminalist-78-5-termite-elephant-unknown-face-jonathan-lethem/ Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on extra-consensual perceptions. He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white. By pairing musicians such as Sam Cooke and Bob Dylan or The Beatles and Motown, Hamilton explores the connections among artists and how artists influenced each other across racial and musical distinctions. Hamilton’s well-researched text seeks to expand how we think about the rock and roll canon and challenge how we think about music during the time period. He explores the ways in which rock and roll critics rebranded rock and roll as white and promoted and sold it as authentic to fans. Hamilton’s book challenges the racial categories of authenticity in the 1960s, and challenges readers to hear music differently. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture