New Books in Popular Culture

How should we value culture? In What Matters? Talking Value in Australian Culture (Monash University Press, 2018), Professors Julian Meyrick, Robert Phiddian and Tully Barnett, from Flinders University's Laboratory Adelaide: The Value of Culture project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another.Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young.Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality.Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It is certain that we all will experience death in our life. What is less certain is how and where our bodies will be disposed of. In Is the Cemetery Dead? (University of Chicago Press, 2018), Dr. David Charles Sloane discussed how cemeteries have transformed across time and place. He also explores alternative methods to dispose of the human body and commemorate loved ones. Dr. Sloane explores the practices of cremation, aquamation, virtual cemeteries, memorial tattoos, roadside memorials, and even ghost bikes.David Charles Sloane teaches courses in urban planning, policy, history, and community health planning at University of Southern California Price School of Public Policy. He facilitates Borthwick George Washington Lecture Series, a USC Price project in collaboration with the Fred W. Smith Library for the Study of George Washington at Mount Vernon. His research examines urban planning and public health, health disparities and community development, and public and private commemoration. He is also the author of The Last Great Necessity: Cemeteries in American History (1991), co-author of Medicine Moves to the Mall (2003), and editor of Planning Los Angeles (2012), as well as the author of several articles and book chapters on related topics.Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Americans gathering for Thanksgiving this week may assume they are continuing an unbroken chain of tradition that traces directly back to Massachusetts settlers in 1620. In fact, many of our most cherished Thanksgiving traditions are far more recent, and some are at odds with the historical record. When you examine various American traditions through the eyes of a historian and a cultural anthropologist, the gap between myth and fact can be vast. But that gap is instructive in revealing what Americans believe about ourselves. This is what Jack David Eller contends in Inventing American Tradition: From the Mayflower to Cinco de Mayo (Reaktion Books, 2018). Eller is a retired professor of Anthropology at the Community College of Denver. His many books include Cultural Anthropology: Global Forces, Local Lives (Routledge, 3rd edition, 2016), and Culture and Diversity in the United States: So Many Ways to Be American (Routledge, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we will be talking to Alicia Malone, the author of The Female Gaze: Essential Movies Made by Women (Mango Publishing Group, 2018). Malone is a film critic and host on Turner Classic Films who has compiled a list of 52 films directed by women, from the early days of Hollywood to the present. Along with other guest critics, she discusses each movie to show how the female gaze is different from how men direct films. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age. Renee C. Romano is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press. Claire Bond Potter is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture, and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture