New Books in Popular Culture

One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a major work. Shadle unearths, analyzes, and advocates for a repertoire that has been erased almost completely from the historical and performance record. Along the way, Shadle debunks or nuances some of the most common narratives in musicological historiography on American music. Written in a lively, approachable style, he provides contemporary assessments of the music, while also contextualizing American symphonic works within the musical, cultural, and political history of the United States. Despite focusing on nineteenth-century music and composers, Shadle’s work resonates with and informs some of the controversies that dog classical music today, including the continued dominance of pieces by white male composers in the repertoire of the nations leading orchestras. He challenges the arguments that critics made then, and some continue to make today, that uphold the systemic exclusion of non-canonical music and works by composers from marginalized groups. Learn more about Orchestrating the Nation here. Douglas W. Shadle is an assistant professor of musicology at Vanderbilt University whose research centers primarily on American orchestral music and American musical culture in the nineteenth century. His work has appeared in many journals and collected editions including American Music, the Journal of the Society for American Music, and MLA Notes. His article How Santa Clause Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Controversy won the 2016 Society for American Music Irving Lowen’s Article Award and a 2015 ASCAP Deems Taylor/Virgil Thomson Award. Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise has been well-reviewed not only by musicologists, but also in the popular press in venues such as The New York Times, The New Yorker, and the Washington Post. It was also honored with an ASCAP Foundation Deems Taylor/Virgil Thomson Award in 2017. Currently, Shadle is working on a short monograph for the Oxford Keynote Series on Antonin Dvořak’s New World Symphony. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse. In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden. Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website. The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in Pinery Boys: Songs and Songcatching in the Lumberjack Era (University of Wisconsin Press, 2017) Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3). Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70). Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s James P. Leary. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work. Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found here. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Consuming Japan: Popular Culture and the Globalizing of 1980s America (UNC Press, 2017), Andrew McKevitt explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan’s remarkable post World War II economic success enable the East Asian nation to overtake the United States? Or could Japan’s globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the yellow peril, and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world? From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We’ve featured a few books on fashion and the Muslim world recently, all part of an effort to re-orient the study of women in the Muslim and Arabic-speaking worlds. Elizabeth Bucar’s Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017) uses three different Muslim populations, Iran, Indonesia and Turkey, to look at what Muslim women wear and how it reflects individual agency. What’s so original about Bucar’s contribution is that it emphasizes how women dress, versus simply what they wear. Bucar looks at bad style, new media, global fashion, and religious authority in an account that gives agency to the subjects. But the book isn’t simply about Muslim women, but all women and is at its best when reminding the reader how dress functions in their own society. Elizabeth Bucar is Associate Professor of Philosophy and Religion at Northeastern University. She was previously Assistant Professor of Religious Studies at the University of North Carolina, Greensboro. She is a religious ethicist who studies sexuality, gender, and moral transformation within Islamic and Christian traditions and communities and she received her PhD in religious ethics from the University of Chicago. Nadirah Mansour is a graduate student at Princeton Universitys Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Paul Hensler, author of the book The New Boys of Summer: Baseball’s Radical Transformation in the Late Sixties (Rowman and Littlefield, 2017). Paul is a baseball historian and a member of the Society for American Baseball Research. He has also written The American League in Transition, 1965-1975: How Competition Thrived When the Yankees Didn’t, and has written for NINE: A Journal of Baseball History and Culture and the Baseball Research Journal. Hensler, who owns a masters degree in history, examines the issues that were percolating not only in Major League Baseball as the 1960s drew to a close, but also the political, social and cultural upheaval caused by the Vietnam War, the Civil Rights movement and the baby boomers who were coming of age. Baseball was on the verge of expansion, was dealing with an ineffective commissioner and was in the early stages of a labor movement that would radically change the game. American society and culture were in flux, Hensler writes, and armed with meticulous research and a wealth of sources, he presents a view of baseball history that has been overlooked. From the “Year of the Pitcher” to the “Amazin’ Mets,” Hensler takes the reader through one of the most turbulent years in American history. It was a line of demarcation for baseball, too, and Hensler provides a refreshing narrative. Bob D’Angelo earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelo’s Books and Blogs.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture