New Books in Popular Culture

Today we are joined by Jesse Berrett, author of Pigskin Nation: How the NFL Remade American Politics (University of Illinois Press, 2018). Berrett is a high school history teacher at University High School in San Francisco. He earned a PhD in History at the University of California, Berkeley, and has worked as a rock critic, television columnist, and book reviewer. In his new book, Berrett looks at the National Football League of the late 1960s and early 1970s, and how President Richard M. Nixon channeled his love for football into a useful tool to achieve political goals. Going to college football games like the 1969 Texas-Arkansas clash, talking baseball or drawing up plays for NFL coaches was not only a truly passionate response by Nixon, but also a productive wedge issue that allowed the president to connect with the audience he most coveted — conservative, middle-class American fans, particularly in the South. Nixon always identified with the underdog, and using sports metaphors about teamwork, character and a strong ethic were themes he hammered home in his speeches. Nixon is a major theme in this book, and the sports angle provides a fresh perspective on a conflicted, fascinating political figure. But Pigskin Nation also looks at how NFL Commissioner Pete Rozelle saw a marketing bonanza and used politics to help pro football surpass major league baseball as America’s go-to sport. Bob D’Angelo just completed work for his master’s degree in history at Southern New Hampshire University. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. Bob currently is a national digital content editor for Cox Media Group. Bob can be reached at bdangelo57@gmail.com. For more information and reviews, be sure to visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry. Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How did Nepal become synonymous, in the minds of many Westerners, with the idea of a mystical paradise and a place to find enlightenment? How did Kathmandu become the subject of songs by countercultural icons such as Janis Joplin and Cat Stevens? What did Nepalis make of the strange seekers who turned up on their doorsteps? In his book Far Out: Countercultural Seekers and the Tourist Encounter in Nepal (University of Chicago Press, 2017), anthropologist and historian Mark Liechty offers a deeply researched and thoroughly engaging to all of these questions and more. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans.  From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large?  In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general. This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understanding of the histories and relationships between African Americans and Italian Americans. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long running history of racial slavery, lynching, and segregation? Imani Perry answers this question in her recent book May We Forever Stand: A History of the Black National Anthem (University of North Carolina Press, 2018). Through her history of “Lift Every Voice and Sing,” Perry powerfully shows how and why throughout the Black liberation struggles in the twentieth and twenty-first century, Black Americans adopted the song as the “Black National Anthem.” Adam McNeil is a soon-to-be Ph.D. in History and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new book, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama (Melbourne University Publishing, 2017), Mehal Krayem, a sociologist and researcher at the University of Technology Sydney, explores the representation of Arab and Muslim men in Australian film and television crime dramas.  In a series of case studies, including the television show East West 101 and groundbreaking films like The Combination and Cedar Boys, Krayem investigates how race and ethnicity, religion, gender, and class intersect in contemporary Australian depictions of Arab and Muslim men. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, Dinner in Camelot: The Night America’s Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House (ForeEdge, 2018), Joseph Esposito examines the night of April 49, 1962 when President John F. Kennedy and First Lady Jacqueline Kennedy hosted America’s leading scientists, writers, activists, and thinkers to honor 49 Nobel Prize Winners. With guests such as American hero and astronaut John Glenn, Linus and Ava Helen Pauling who had picketed the White House prior to the dinner, J. Robert Oppenheimer, and writers including Pearl Buck, John Dos Passos, Robert Frost, and James Baldwin the dinner served as one of the most important nights in the White House. Esposito positions readers in the political climate of the time and shares a glimpse into a political climate where intellectuals and immigrants were honored, and even those with political differences could come together to honor one another for one night. Well researched, Esposito’s work gives a fascinating glimpse not only into a single night at the White House, but also a snapshot into the world of a number of the important and influential minds of the early 1960s. He shows us how this impressive gathering not only honored these important thinkers, but also created relationships and friendships for years to come. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture