New Books in Popular Culture

Dive into the world of Taylor Swift's latest album, exploring themes of love, fame, and the challenges of celebrity life. The hosts dissect the album's catchy melodies while discussing its blend of nostalgia and contemporary issues, like internet culture's darker side. They highlight Swift's clever lyrics showcasing her duality as both victim and instigator within fame. The conversation also touches on mentorship roles, showgirl imagery, and the physical demands performers face, all wrapped in an engaging analysis of pop's emotional landscape.

In Shouting Out Loud: Lives of The Raincoats (Da Capo Press, 2025) Audrey Golden traces the history of the iconic band The Raincoats staring of the founding by Art students Gina Birch and Ana da Silva in 1977. Since the release of their seminal early records, the band has been revered by punk, queer, feminist, and indie pop artists alike.The Raincoats reimagined the nature of experimental music and DIY design, and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians. Shouting Out Loud: Lives of the Raincoats tells this story, which resonates at the heart of late twentieth century radical art, in three distinct lives of the band. In The Raincoats' first life, they recorded three full-length albums now regarded as classics and were the first punk band to play behind the Iron Curtain in Warsaw. Nearly a decade later in 1992, the band's second life took off when Kurt Cobain's love of the band catalyzed their renaissance, and The Raincoats became renowned as 'godmothers of grunge and Riot Grrrl' only to go on hiatus again in 1996. In 2001, The Raincoats reemerged in a third and ongoing iteration marked by performances in art museums such as New York's MoMA, the Pompidou Centre in Paris, and London's National Portrait Gallery. The Raincoats have and continue to be a singular phenomenon and influence for so many. Featuring exclusive interviews and never-before-seen images from The Raincoats' archive, Shouting Out Loud is the first biography of this pioneering group of women who paved the way for hundreds of artists who have followed in their footsteps and the must-have account of a legendary band that holds a vital place in twentieth and twenty-first century sonic history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Vanilla is one of the most expensive of flavorings—so valuable that it was smuggled or stolen by pirates in the early days—and yet it is everywhere. It is a key ingredient in dishes ranging from crème brûlée to Japanese purin. It is the quintessential ice cream flavor in the United States. In Vanilla: The History of an Extraordinary Bean (Yale UP, 2025) Dr. Eric T. Jennings explains how the world’s only edible orchid, originally endemic to Central America, became embedded in the international culinary and cultural landscape. In tracing vanilla’s rise, Dr. Jennings describes how in the 1840s an enslaved boy named Edmond Albius discovered a way to pollinate vanilla orchids with a toothpick or needle—an ingenious process that is still in use. This method transformed the vanilla sector by enabling the plant to be grown outside of its natural range. Dr. Jennings also looks at how the vanilla craze led to the search for now‑pervasive substitutes, and how a vanilla lobby has fought back. He further unravels how vanilla—the world’s most expensive crop and once considered its most refined fragrance—came to mean “bland.” This tale of botany, production techniques, consumption habits, and colonial rivalry connects the Atlantic, Indian, and Pacific Oceans, revealing how vanilla has become a potent symbol of the modern global village. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon. The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N’ Roses, and recaps of gold records and arena rock—but it’s the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that’s both captivating and inspirational. A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna’s Rebel Girl, Patti Smith’s Just Kids, Hua Hsu’s Stay True, and other memoirs about the artist’s life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It’s The Pop Culture Professors, and we conclude our analysis of the FX series Alien: Earth with episode 7, “Emergence” and episode 8, “The Real Monsters.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz’s faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz’s popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Krista Bentley, an expert in singer-songwriters, Paula Harper, who studies music and the internet, and Kate Galloway, a scholar in ethnomusicology, dissect Taylor Swift's multifaceted career. They explore why Swift's scholarship was delayed compared to peers like Beyoncé, and how her transition from teen star to adult artist highlights her genre adaptability. The trio also discusses Swift's adeptness with social media, the intimate nature of her acoustic sets, and the impact of fandom in addressing environmental issues and navigating gender dynamics.