The relationship between media and museums is stronger than you might expect. Courtney Johnston is the youngest Tumu Whakarae / chief executive in Te Papa’s history. She oversees a staff of 600 and an institution with an unresolvable complex mission: one national museum to serve all our peoples. Yet Johnston gets a massive kick out of her big, unruly and fascinating job, and agrees with the thesis that museums were the original media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Newport founded Crux to address the fact that the big west coast towns of Te Waipounamu had no major newspaper serving them. Four years on, Crux has endured the usual startup travails, but also become a key voice in the region’s journalism. He joins The Fold to tell Duncan Greive why and how he did it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Known for weird and highly original TV shows, Leigh Hart is also a wildly innovative business person. In a rare earnest and out-of-character interview, he explains how he has built the singular Moon TV universe, and the way beer and chips have naturally grown out of his approach to funding his escapades. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes I just get to indulge in pure fandom on this show, and this is one of those times. Henry Cooke has been in the press gallery for just five years, but had a lightning fast rise to the role of chief political reporter. He writes brilliantly about all aspects of our politics with verve and a sense of the institution that belies his years (he’s 29). As he leaves on his OE, I got to ask him about one of the most fascinating jobs in journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s 30 years since Shortland Street debuted on our screens, and in that time Aotearoa has transformed. The daily soap opera is a maligned format, but the way Shortland Street does it, it really shouldn’t be. Where many soaps are fundamentally conservative, Shortland Street has been consistently and impressively progressive. The show’s producer, and one-time star, Oliver Driver, comes on The Fold to explain how they get it done. Learn more about your ad choices. Visit megaphone.fm/adchoices

Able is the home of the captioning and audio description services which make television accessible to hearing and vision impaired New Zealanders – and it’s about to lose the only leader it's ever had. Outgoing chief executive Wendy Youens tells The Fold about her haerenga, the importance of Able’s work – and why the same services barely exist on New Zealand’s streaming services. Learn more about your ad choices. Visit megaphone.fm/adchoices

She has produced television for decades, from every conceivable angle. Now, Irene Gardiner has taken on the presidency of producers’ guild, Spada, at the most fascinating and complex time in the sector’s history. Learn more about your ad choices. Visit megaphone.fm/adchoices

A second conversation with press gallery wonk, Bernard Hickey, about his newsletter / podcast product, The Kākā. It’s just 18 months old and only six months into its paywall, but already has become financially sustainable. Now he’s landed on a quixotic plan to grow it – make it free, to hundreds of thousands more people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Duncan Greive tackles two huge media stories of the past week. This week: Netflix’s big miss and Elon Musk taking Twitter private. Learn more about your ad choices. Visit megaphone.fm/adchoices

From a piqued interest in high school leading him hustling into radio work, Nathan Rarere's journey in broadcasting began doing the overnight shift. Most recently finding himself as the host of First Up on RNZ, over his history as a broadcaster, Nathan has been a part of many cultural pinpoints across the spectrum. Nathan joins the pod to chat his extensive path to First Up, how an early gig became a TV pinnacle of alt youth culture, and how to make good media. Learn more about your ad choices. Visit megaphone.fm/adchoices