Weird Studies

Though it is seldom acknowledged in the weirdosphere, there is a difference between weirdness and mystery. Most of the time, the Weird confronts us with a problem, an impersonal epistemic obstacle which we can always believe would go away if we just closed our eyes and whistled past it with our hands in our pockets. Mystery, however, is always personal. It envelops us; it addresses us as persons. Mystery is as present within us as it is out there. It is there when you open your eyes, and even more so when you shut them tight. Maybe it had us in its grip before we were even born. In this episode, JF and Phil make radical mystery the focus of a discussion ranging over everything from unique kinds of tea and spelunking mishaps to antisonic demon pipes and malevolent radiators. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES For information on JF's new course, Groundwork for a Philosophy of Magic, go to [Nura Learning](www.nuralearning.com). Phil Ford, “Radical Mystery: A Preliminary Account” J.F. Martel, “Reality is analog” John Keel, The Mothman Prophecies Gabriel Marcel, Being and Having Immanuel Kant, Critique of Pure Reason Eugene Paul Wigner, “The Unreasonable Effectiveness of Mathematics” Louis Sass, Madness and Modernism Peter Kingsley, Catafalque Rudolf Otto, The Idea of the Holy Steven Spielberg (dir.), Raiders of the Lost Ark Dogen, “Instructions for the Cook” Alan Watts, The Way of Zen Weird Studies, Episode 56 with Jeremy Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the last several centuries, there has been one thing on which science and religion have generally agreed, and that is the fixity of the laws under which the universe came to be. At the moment of the Big Bang or the dawn of the First Day, the underlying principles that govern reality were already set, and they have never changed. But what if the laws of nature were not as chiseled in stone as Western intellectuals on both sides of the magisterial divide have assumed them to be? What if creation was an ongoing process, such that our universe in its beginning might have behaved very differently from how it does at present? This is the central conceit of Stanislaw Lem's story "The New Cosmogony," the capstone of his metafictional collection A Perfect Vacuum, originally published in 1971. In this episode, Meredith Michael joins JF and Phil to discuss the metaphysical implications of the idea that nature is an eternal work-in-progress. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES For more information JF's new course, Groundwork for a Philosophy of Magic, visit Nura Learning. Stanislaw Lem, “A New Cosmogony” in A Perfect Vacuum Weird Studies, Episode 118 The Unseen and Unnamed Ramsey Dukes, SSOTBME Quentin Meillassoux, After Finitude M. John Harrison, The Course of the Heart Michael Harner, The Way of the Shaman Richard Dawkins, The Selfish Gene Stanislaw Lem, Solaris Stanislaw Lem, His Master’s Voice David Pruett, Reason and Wonder Andrei Tarkovsky (dir.), Solaris Philip K. Dick, “Do Androids Dream of Electric Sheep” Andrew W.K., “No One to Know” Special Guest: Meredith Michael. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Phil and JF are joined by music scholar and Weird Studies assistant Meredith Michael to discuss two strange and unsettling short stories: J.G. Ballard's "The Gioconda of the Twilight Noon" (1964) and Ursula K. Le Guin's "She Unnames Them" (1985). Their plan was to talk about three stories, but they never got to Phil's pick, which will be the focus of episode 119. The reason is that Le Guin and Ballard's stories share surprising resonances that merited close discussion. From opposite perspectives, both tales put words to a region of reality that resists discursive description, a borderland where that which is named reveals its unnamed facet, and that which must remain unseen reveals itself to the inner eye. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES J. G. Ballard, “The Giaconda of the Twilight Noon,” from The Complete Stories of J. G. Ballard Ursula K. Le Guin, "She Unnames Them," from The Real and the Uneal Alfred Hitchcock (dir.), The Birds Jung's concept of the collective unconscious Walter Pater, The Renaissance Ursula K. Le Guin, “She Unnames Them” in The Real and the Unreal Henri Bergson, Creative Evolution M. C .Richards, Centering Weird Studies, Episode 35 on Centering Weird Studies, Episode 81 on The Course of the Heart Weird Studies, Episode 84 on the Empress Linguistically deprived children Walter Ong, Orality and Literacy Samuel Taylor Coleridge's thoughts on on imagination and fancy can be found in Biographia Literaria Special Guest: Meredith Michael. Learn more about your ad choices. Visit megaphone.fm/adchoices

The topic of games and play has fascinated JF and Phil since the launch of Weird Studies. Way back in 2018, they recorded back-to-back episodes on tabletop roleplaying games and fighting sports, and more recently, they did a two-parter on Hermann Hesse's The Glass Bead Game, a philosophical novel suggesting that all human culture tends toward play. In this episode, your hosts draw on a wealth of texts, memories, and nascent ideas to explore the game concept as such. What is a game? What do games tell us about life? What is the function of play in the formation of reality? Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Roger Caillois, Man, Play, and Games Johan Huizinga, Homo Ludens Ludwig Wittgenstein, Philosophical Investigations Bernard Suits, The Grasshopper: Games, Life, and Utopia Jobe Bittman, The Book of Antitheses US version, EU version Weird Studies, Episode 6, Dungeons and Dragons Weird Studies, Episode 7, Boxing C. Thi Nguyen, Games: Agency as Art Eduardo Vivieros de Castro, Cannibal Metaphysics BF Skinner, American psychologist Heraclitus, Fragments Learn more about your ad choices. Visit megaphone.fm/adchoices

In his 1978 bestseller The Selfish Gene, Richard Dawkins described humans as "survival machines" whose sole purpose is the replication of genes. All of culture needed to be understood as a side-effect, if not an epiphenomenon, of that defining function. Four years after Dawkins' book was published, Warner Brothers released Blade Runner, an adaptation of Philip K. Dick's dystopian novel Do Androis Dream of Electric Sheep?. Ridley Scott's film presents us with a different kind of survival machine: the replicant, a technology whose sole function is the replication of human beings. In this episode, Phil and JF discuss the ethical, metaphysical, and aesthetic dimensions of one of the greatest and most prophetic science fiction films of all time. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Ridley Scott (dir.), Blade Runner Philip K. Dick, Do Androids Dream of Electric Sheep? Philip K. Dick, “The Android and the Human” Philip K. Dick, “Man, Android, and Machine” Dennis Villeneuve (dir.), Blade Runner 2049 Weird Studies, Episode 114 on the Wheel of Fortune Scott Bukatman, Blade Runner: BFI Film Classics Alan Nourse, The Bladerunner Weird Studies, Episode 115 on Brian Eno Richard Dawkins, The Selfish Gene Todd Gitlin, The Sixties: Years of Hope, Days of Rage Fredric Jameson, Postmodernism or the Cultural Logic of Late Capitalism Weird Studies, Episode 5 on “When Nothing is Cool” JF Martel, “Reality is Analog: Philosophizing with Stranger Things” John Carpenter (dir,), The Thing Beyond Yacht Rock podcast Sigmund Freud, “The Uncanny” Weird Studies, Episode 86 on “The Sandman” Orson Welles (dir.), Touch of Evil George Orwell, 1984 Learn more about your ad choices. Visit megaphone.fm/adchoices

Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Brian Eno, Ambient 1: Music for Airports Gabriella Cardazzo, Duncan Ward, and Brian Eno, Imaginary Landscapes Oblique Strategies Deck Theodore Adorno, Introduction to the Sociology of Music Marc Auge, Non-Places Anahid Kassabian, “Ubiquitous Music” Sigmund Freud, “On Transience” Weird Studies, Episode 104 on Sgt. Pepper Joris Karl Huysmans, A Rebours Roger Moseley, Keys to Play Learn more about your ad choices. Visit megaphone.fm/adchoices

Season five kicks off with a new installment in the ongoing series on the Tarot's twenty-two major arcana. This time, your hosts overcome the trials that fortune has dealt them -- a hangover in the case of Phil, a sleepless night for JF -- to discuss the Wheel of Fortune. Not surprisingly, the conversation is a mess, albeit a beautiful one that comes full circle in the end, tying up all its loose ends in something like a bow (or a coiled serpent). Topics include the challenges of improvised philosophical discussion, the importance of exposing oneself to difficult ideas, the serpentine nature of immanentist discourse, and the doctrine of the Fall. As usual, the anomymously-authored Meditations on the Tarot gets pride of place, although occult luminaries such as Alejandro Jodorowsky, Aleister Crowley, and Pat Sajak make notable appearances. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Our Known Friend, Meditations on the Tarot Pints with Aquinas Jaroslav Hašek, Czech author Lon Milo Duquette, Understanding Aleister Crowley’s Thoth Tarot True Detective, tv show Thomas Ligotti, Conspiracy Against the Human Race Henri Bergson, The Two Sources of Morality and Religion Alexander Jodorowsky, The Way of Tarot Jessica Hundley et. al., Tarot. Library of Esoterica Pierre Teilhard de Chardin, French priest and scientist Herman Hesse, The Glass Bead Game Bruno Latour, French philosopher David Bentley Hart interview Learn more about your ad choices. Visit megaphone.fm/adchoices

Shannon Taggart's book Seance is a landmark in art photography and the history of psychical research. Taggart spent years photographing practitioners of spiritualism in the U.S. and Europe in an effort to capture the mysteries of mediumship, ectoplasm, and spirit photography. In this episode, she joins JF and Phil for a conversation on the often-misunderstood tradition of spiritualism, the investigation of the paranormal, and the real magic of photography. If the technological medium is the message, then perhaps the spiritual medium is the messenger. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack **REFERENCES *Shannon Taggart, Séance * Read the introduction to the book here Visual companion page for this episode Shannon and her work are featured in Peter Bebergal's excellent book, Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural Weird Studies, Episode 24 with Lionel Snell Lionel Snell, “The Charlatan and the Magus” George P. Hansen, The Trickster and the Paranormal Diane Arbus, American photographer Warner Herzog (dir.), Cave of Forgotten Dreams Jeffrey Mishlove, Interview with James Tunney on Francis Bacon Eva C, French medium Andrew Jackson Davis, American spiritualist Henry Alcott, American Theosophist For further reading on women, spiritualism, and the art of the invisible: Ann Braude, Radical Spirits Guggenheim, Hilma af Klint: Paintings for the Future Special Guest: Shannon Taggart. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Book of Probes contains a assortment of aphorisms and maxims from the work of the Canadian media theorist Marshall McLuhan, each one set to evocative imagery by American graphic designer David Carson. McLuhan called the utterances collected in this book "probes," that is, pieces of conceptual gadgetry designed not to disclose facts about the world so much as blaze new pathways leading to the invisible background of our time. In this episode, Phil and JF use an online number generator to discuss a random yet uncannily cohesive selection of of McLuhanian probes. REFERENCES Marshall Mcluhan and David Carson, The Book of Probes Virginia Woolf, To the Lighthouse Marshall Mcluhan, The Mechanical Bride Aristotle, System of causation G. K. Chesterton, Orthodoxy Eric A. Havelock, Preface to Plato Weird Studies, Episode 71 on Marshall Mcluhan Walter Ong, Orality and Literacy Christiaan Wouter Custers, A Philosophy of Madness Gilles Deleuze, The Logic of Sense Marshall Mcluhan, The Gutenberg Galaxy Harry Partch, American composer Marc Augé, Non-Places Sapir-Whorf Hypothesis Denis Villeneuve (dir.), Arrival Gilles Deleuze and Felix Guattari, A Thousand Plateaus Harry G. Frankfurt, On Bullshit Learn more about your ad choices. Visit megaphone.fm/adchoices

A wish-fulfilment fantasy for pubescent boys of all ages, or a subtle disquisition on the ethics of a sorcerous world? John Milius' Conan the Barbarian (1982) manages to be both, although one may be easy to overlook. In this episode, JF and Phil leave the heights of Hesse's The Glass Bead Game with a headlong dive to the trash stratum. Their wager: that Conan the Barbarian, a film without a hint of irony, is a spiritual statement that is equal parts empowering and disquieting, and a prime of example of how fantasy is sometimes the straightest way to the heart of reality. REFERENCES John Milus (dir.), Conan the Barbarian (1982) Richard Fleischer (dir.), Conan the Destroyer (1984) Robert E. Howard, American writer, author of the Conan stories Jack Smith, "On the Perfect Filmic Appositeness of Maria Montez" Weird Studies #3: Ecstasy, Sin, and "The White People" H. P. Lovecraft, "Supernatural Horror in Literature" Fritz Leiber, American writer Weird Studies #95: Demon Seed: On Doris Lessing's The Fifth Child Dungeons & Dragons Weird Studies #20: The Trash Stratum (part 1, part 2) Masaki Kobayashi (dir.), Kwaidan Jerry Zucker (dir.), Ghost (1990) Roget's Thesarus of English Words and Phrases Maria Montez, Dominican-American actress Learn more about your ad choices. Visit megaphone.fm/adchoices