Weird Studies

In his 1978 bestseller The Selfish Gene, Richard Dawkins described humans as "survival machines" whose sole purpose is the replication of genes. All of culture needed to be understood as a side-effect, if not an epiphenomenon, of that defining function. Four years after Dawkins' book was published, Warner Brothers released Blade Runner, an adaptation of Philip K. Dick's dystopian novel Do Androis Dream of Electric Sheep?. Ridley Scott's film presents us with a different kind of survival machine: the replicant, a technology whose sole function is the replication of human beings. In this episode, Phil and JF discuss the ethical, metaphysical, and aesthetic dimensions of one of the greatest and most prophetic science fiction films of all time. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Ridley Scott (dir.), Blade Runner Philip K. Dick, Do Androids Dream of Electric Sheep? Philip K. Dick, “The Android and the Human” Philip K. Dick, “Man, Android, and Machine” Dennis Villeneuve (dir.), Blade Runner 2049 Weird Studies, Episode 114 on the Wheel of Fortune Scott Bukatman, Blade Runner: BFI Film Classics Alan Nourse, The Bladerunner Weird Studies, Episode 115 on Brian Eno Richard Dawkins, The Selfish Gene Todd Gitlin, The Sixties: Years of Hope, Days of Rage Fredric Jameson, Postmodernism or the Cultural Logic of Late Capitalism Weird Studies, Episode 5 on “When Nothing is Cool” JF Martel, “Reality is Analog: Philosophizing with Stranger Things” John Carpenter (dir,), The Thing Beyond Yacht Rock podcast Sigmund Freud, “The Uncanny” Weird Studies, Episode 86 on “The Sandman” Orson Welles (dir.), Touch of Evil George Orwell, 1984 Learn more about your ad choices. Visit megaphone.fm/adchoices

Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Brian Eno, Ambient 1: Music for Airports Gabriella Cardazzo, Duncan Ward, and Brian Eno, Imaginary Landscapes Oblique Strategies Deck Theodore Adorno, Introduction to the Sociology of Music Marc Auge, Non-Places Anahid Kassabian, “Ubiquitous Music” Sigmund Freud, “On Transience” Weird Studies, Episode 104 on Sgt. Pepper Joris Karl Huysmans, A Rebours Roger Moseley, Keys to Play Learn more about your ad choices. Visit megaphone.fm/adchoices

Season five kicks off with a new installment in the ongoing series on the Tarot's twenty-two major arcana. This time, your hosts overcome the trials that fortune has dealt them -- a hangover in the case of Phil, a sleepless night for JF -- to discuss the Wheel of Fortune. Not surprisingly, the conversation is a mess, albeit a beautiful one that comes full circle in the end, tying up all its loose ends in something like a bow (or a coiled serpent). Topics include the challenges of improvised philosophical discussion, the importance of exposing oneself to difficult ideas, the serpentine nature of immanentist discourse, and the doctrine of the Fall. As usual, the anomymously-authored Meditations on the Tarot gets pride of place, although occult luminaries such as Alejandro Jodorowsky, Aleister Crowley, and Pat Sajak make notable appearances. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Our Known Friend, Meditations on the Tarot Pints with Aquinas Jaroslav Hašek, Czech author Lon Milo Duquette, Understanding Aleister Crowley’s Thoth Tarot True Detective, tv show Thomas Ligotti, Conspiracy Against the Human Race Henri Bergson, The Two Sources of Morality and Religion Alexander Jodorowsky, The Way of Tarot Jessica Hundley et. al., Tarot. Library of Esoterica Pierre Teilhard de Chardin, French priest and scientist Herman Hesse, The Glass Bead Game Bruno Latour, French philosopher David Bentley Hart interview Learn more about your ad choices. Visit megaphone.fm/adchoices

Shannon Taggart's book Seance is a landmark in art photography and the history of psychical research. Taggart spent years photographing practitioners of spiritualism in the U.S. and Europe in an effort to capture the mysteries of mediumship, ectoplasm, and spirit photography. In this episode, she joins JF and Phil for a conversation on the often-misunderstood tradition of spiritualism, the investigation of the paranormal, and the real magic of photography. If the technological medium is the message, then perhaps the spiritual medium is the messenger. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack **REFERENCES *Shannon Taggart, Séance * Read the introduction to the book here Visual companion page for this episode Shannon and her work are featured in Peter Bebergal's excellent book, Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural Weird Studies, Episode 24 with Lionel Snell Lionel Snell, “The Charlatan and the Magus” George P. Hansen, The Trickster and the Paranormal Diane Arbus, American photographer Warner Herzog (dir.), Cave of Forgotten Dreams Jeffrey Mishlove, Interview with James Tunney on Francis Bacon Eva C, French medium Andrew Jackson Davis, American spiritualist Henry Alcott, American Theosophist For further reading on women, spiritualism, and the art of the invisible: Ann Braude, Radical Spirits Guggenheim, Hilma af Klint: Paintings for the Future Special Guest: Shannon Taggart. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Book of Probes contains a assortment of aphorisms and maxims from the work of the Canadian media theorist Marshall McLuhan, each one set to evocative imagery by American graphic designer David Carson. McLuhan called the utterances collected in this book "probes," that is, pieces of conceptual gadgetry designed not to disclose facts about the world so much as blaze new pathways leading to the invisible background of our time. In this episode, Phil and JF use an online number generator to discuss a random yet uncannily cohesive selection of of McLuhanian probes. REFERENCES Marshall Mcluhan and David Carson, The Book of Probes Virginia Woolf, To the Lighthouse Marshall Mcluhan, The Mechanical Bride Aristotle, System of causation G. K. Chesterton, Orthodoxy Eric A. Havelock, Preface to Plato Weird Studies, Episode 71 on Marshall Mcluhan Walter Ong, Orality and Literacy Christiaan Wouter Custers, A Philosophy of Madness Gilles Deleuze, The Logic of Sense Marshall Mcluhan, The Gutenberg Galaxy Harry Partch, American composer Marc Augé, Non-Places Sapir-Whorf Hypothesis Denis Villeneuve (dir.), Arrival Gilles Deleuze and Felix Guattari, A Thousand Plateaus Harry G. Frankfurt, On Bullshit Learn more about your ad choices. Visit megaphone.fm/adchoices

A wish-fulfilment fantasy for pubescent boys of all ages, or a subtle disquisition on the ethics of a sorcerous world? John Milius' Conan the Barbarian (1982) manages to be both, although one may be easy to overlook. In this episode, JF and Phil leave the heights of Hesse's The Glass Bead Game with a headlong dive to the trash stratum. Their wager: that Conan the Barbarian, a film without a hint of irony, is a spiritual statement that is equal parts empowering and disquieting, and a prime of example of how fantasy is sometimes the straightest way to the heart of reality. REFERENCES John Milus (dir.), Conan the Barbarian (1982) Richard Fleischer (dir.), Conan the Destroyer (1984) Robert E. Howard, American writer, author of the Conan stories Jack Smith, "On the Perfect Filmic Appositeness of Maria Montez" Weird Studies #3: Ecstasy, Sin, and "The White People" H. P. Lovecraft, "Supernatural Horror in Literature" Fritz Leiber, American writer Weird Studies #95: Demon Seed: On Doris Lessing's The Fifth Child Dungeons & Dragons Weird Studies #20: The Trash Stratum (part 1, part 2) Masaki Kobayashi (dir.), Kwaidan Jerry Zucker (dir.), Ghost (1990) Roget's Thesarus of English Words and Phrases Maria Montez, Dominican-American actress Learn more about your ad choices. Visit megaphone.fm/adchoices

The hosts explore Hermann Hesse's The Glass Bead Game and its urgent relevance in today's attention economy. They discuss the existential crises of characters and their artistic pursuits, drawing humorous parallels to real life. The intricate relationship between music and personal interpretation highlights the emotional depths of art. They also examine the tension between marketability and intrinsic value, advocating for art's significance beyond commercial appeal. Ultimately, the conversation reveals how secularism can intertwine with spirituality for deeper community connections.

JF and Phil have been talking about doing a show on The Glass Bead Game since Weird Studies' earliest beginnings. It is a science-fiction novel that alights on some of the key ideas that run through the podcast: the dichotomy of work and play, the limits and affordances of institutional life, the obscure boundary where certainty gives way to mystery... Throughout his literary career, Hesse wrote about people trying to square their inner and outer selves, their life in the spirit and their life in the world. The Glass Bead Game brings this central concern to a properly ambiguous and heartbreaking conclusion. But the novel is more than a brilliant work of philosophical or psychological literature. It is also an act of prophecy -- one that seems intended for us now. Header image by Liz West, via Wikimedia Commons. REFERENCES Herman Hesse, The Glass Bead Game Paul Hindemith, German composer Morris Berman, The Twilight of American Culture Alfred Korzybski, concept of Time Binding Christopher Nolan, Memento William Irwin Thompson, The Time Falling Bodies Take to Light Thomas Mann, The Magic Mountain David Tracy, The Analogical Imagination: Christian Theology and the Culture of Pluralism Jeremy Johnson, Seeing Through the World: Jean Gebser and Integral Consciousness Teilhard de Chardin, French theologian Mathesis Joshua Ramey, The Hermetic Deleuze Weird Studies, Episode 22 with Joshua Ramey Joseph Needham, British historian of Chinese culture James Carse, Finite and Infinite Games Learn more about your ad choices. Visit megaphone.fm/adchoices

Modern skeptics pride themselves on being immune to unreason. They present themselves as defenders of rationality, civilization, and good sense against what Freud famously called the "black mud-tide of occultism." But what if skepticism was more implicated in the phenomena it aims to banish than it might appear to be? What if no one could debunk anything without getting some of that black mud on their hands? In this episode, Phil and JF discuss the weird complicity of the skeptic and the believer in the light of George P. Hansen's masterpiece of meta-parapsychology, The Trickster and the Paranormal. REFERENCES George P. Hansen, The Trickster and the Paranormal James Randi, stage magician and paranormal debunker Michael Shermer, American science writer CSICOP, Committee for the Scientific Investigation of Claims of the Paranormal, Publisher of the Skeptical Inquirer Rune Soup, Interview with George P. Hansen Weird Studies, Episode 24 with Lionel Snell Weird Studies, Episode 89 on Ishmael Reed’s Mumbo Jumbo Victor Turner, The Ritual Process: Structure and Anti-Structure Wouter Hanegraaff, Dutch professor of esoteric philosophy Shannon Taggart, Seance Society for Psychical Research Weird Studies, Episode 44 on William James’s Psychical Research G. K. Chesterton, Orthodoxy Robert Anton Wilson, American author Aleister Crowley, Magic Without Tears Learn more about your ad choices. Visit megaphone.fm/adchoices

Joy Williams' third novel, Breaking and Entering, is the story of lovers who break into strangers' homes and live their lives for a time before moving on. First published in 1988, it is a book impossible to describe, a work of singular vision and sensibilty that is as infectious in its weird effect as it is unforgettable for the quality of its prose. In this episode, the novelist, spiritual thinker, and acclaimed podcaster Conner Habib joins JF and Phil to explore how the novel's enchantments rest on the uniqueness of Williams' style, which is to say, her bold embrace of ways of seeing that are hers alone. Williams is an artist who refuses to work from within some predetermined philosophical or political idiom. As Habib tells your hosts, she goes her own way, and even the gods must follow. Discover Against Everyone with Conner Habib on Patreon Support Weird Studies on Patreon: Buy the soundtrack Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Photo by Wolfgang Moroder via Wikimedia Commons REFERENCES Conner Habib, "Joy Williams: The Best Fiction Writer Alive" Joy Williams, Breaking and Entering Joy Williams, The Quick and the Dead The Paris Review, Interview with Joy Williams Heraclitus, Fragments Joy Williams, “Breakfast” in Taking Care Bret Easton Ellis, American Psycho The Phantom Stranger, DC Comics character James Joyce, Ulysses Eugene Ionesco, Rhinoceros Deleuze and Guatarri, What is Philosophy? Quentin Meillassoux, French philosopher David Mamet, On Directing Film David Mamet, True and False Nicholas Winding Refn (dir.), The Neon Demon Joy Williams, “Congress” Joy Williams, “Hawk” Stephen Sexton, If All the World and Love Were Young Scott Burnham, Mozart’s Grace Special Guest: Conner Habib. Learn more about your ad choices. Visit megaphone.fm/adchoices