Episode 115: Transience & Immersion: On Brian Eno's 'Music for Airports'

1

Introduction

00:00 • 3min

2

The Wanderer, Public Musicology Abroad in the Wilds of Content

02:38 • 2min

3

The Most Gentle, Gentle Music Ever Made

05:01 • 3min

4

Ambient Strategies by Brianino

07:33 • 3min

5

Is It a Kind of Divination?

10:25 • 1min

6

Eno's Ambient Music Is a Sense of Attraction

11:48 • 3min

7

The Art of Ambient Music by Eno

14:21 • 3min

8

Ambient Music - A Novel Approach to the Artifice of Canned Music

17:38 • 2min

9

Ambient Music

19:21 • 4min

10

Music for Airports Is Alblum

23:43 • 2min

11

Airports

25:41 • 3min

12

The Haptic Experience of an Airport

28:21 • 2min

13

Is There a Man That Doesn't Want to Have a Conversation?

30:31 • 3min

14

The Sound of Music for Airports

33:29 • 2min

15

The Hexaity of a Moment

35:40 • 2min

16

The Three Characteristics of Everything

37:37 • 3min

17

The Transience of the Music

40:16 • 4min

18

The Sound of the Lake, the Sound of a Boom Box, the Music of Brian Eno

44:43 • 2min

19

Ambient Music - A Sound You Can See

46:40 • 2min

20

Bringing Space Into Music

49:03 • 2min

21

The Importance of Creating Virtual Environments

51:15 • 2min

22

Embracing a Higher Purpose in a Video Game

53:21 • 3min

23

The Art of Immersion in a World

56:15 • 3min

24

Is There a Sinister Side to All This?

58:52 • 2min

25

The Importance of Affect Over Concept

01:01:17 • 4min

26

I'm a Little Bit More Wary Than I Once Was About Putting the Emphasis Entirely on One Side

01:04:48 • 4min

27

Weird Studies

01:08:44 • 3min

28

The Most Rhetoric Space You'll Ever Find Is the Desert

01:12:02 • 3min