Weird Studies

In this episode, Weird Studies turns meta, reflecting on the peculiar medium that is podcasting, and how it has shaped the Weird Studies project itself. JF and Phil provide a glimpse into what it feels like to create the show from the inside, where each recording session is like a journey into an unknown Zone. The conversation also occasions sojourns into the flow state, or experience of pure durée, its implications for our conception of free will, and surprising parallels between modern materialists’ adherence to nihilism and ancient religious ascetic practices. Ultimately, JF and Phil explore the archetypal image of the wanderer as representative of Weird Studies’s existence so far, and of the kind of impact and legacy this project can have. N.B. Weird Studies will be on a haitus for the month of September, and will return on September 29. In the meantime: Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack References Robert Sapolsky, Interview with Pau Guinart Bruno Latour, French philosopher Richard Dawkins, The Selfish Gene Peter Sloterdijk, You Must Change Your Life Mihaly Csikszentmihalyi, Flow Paul Tillich, Dynamics of Faith Nina Simone, “Feeling Good” Robert Anton Wilson, Illuminatus Richard Wagner, Siegfried Lewis Carol, Alice’s Adventures in Wonderland John David Ebert, American cultural critic Patrick Harpur Daimonic Reality Marshall McLuhan, The Global Village Phil Ford, “What was Blogging?” Weird Studies, Episode 71 on Marshall McLuhan Learn more about your ad choices. Visit megaphone.fm/adchoices

The Twin Peaks mythos has been with Weird Studies from the very beginning, and it is only fitting that it should have a return. In this episode, Phil and JF are joined by Tamler Sommers, co-host of the podcast Very Bad Wizards to discuss Fire Walk with Me, the prequel film to the original Twin Peaks series. Paradoxically, David Lynch’s work both necessitates and resists interpretation, and the pull of detailed interpretation is unusually strong in this episode. The three discuss how Fire Walk with Me, and the series as a whole, depicts two separate worlds that sometimes begin to intermingle, disrupting the perceived stability of time and space. Often this happens in moments of extreme fear or love. Through their love for Laura Palmer and for the film under consideration, JF, Phil, and Tamler enact their own interpretation, entering a rift where the world of Twin Peaks and the “real” world seem to merge, demonstrating how Twin Peaks just won’t leave this world alone, and can become a way for disenchanted moderns once again to live inside of myth. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack References David Lynch, Twin Peaks: Fire Walk With Me The Sons of Sam: A Descent into Darkness, Netflix documentary David Hume, A Treatise of Human Nature Antonin Artaud, The Theater and Its Double Mark Frost, The Secret History of Twin Peaks Mark Frost, Twin Peaks: The Final Dossier Jason Louv, occultist Duncan Barford, Occult Experiments in the Home podcast Weird Studies, Episode 67 on “Hellier” Weird Studies, Episode 78 on “The Mothman Prophesies” Sound mass, musical technique Michael Hanake (dir.), Caché Courtenay Stallings, Laura’s Ghost Special Guest: Tamler Sommers. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is said that for several days after the release of Sgt. Pepper's Lonely Hearts Club Band in the spring of 1967, you could have driven from one U.S. coast to the other without ever going out of range of a local radio broadcast of the album. Sgt. Pepper was, in a sense, the first global musical event -- comparable to other sixties game-changers such as the Kennedy assassination and the moon landing. What's more, this event is as every bit as strange as the latter two; it is only custom and habit that blind us to the profound weirdness of Sgt. Pepper. In this episode, Phil and JF reimagine the Beatles' masterpiece as an egregore, a magical operation that changes future and past alike, and a spiritual machine for "turning us on" to the invisible background against which we strut and fret our hours on the stage. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Weird Studies, Episode 31 on Glenn Gould’s ‘Prospects of Recording’ Nelson Goodman, Languages of Art Brian Eno, Taking Tiger Mountain (By Strategy) Weird Studies, Episode 33 On Duchamp’s Fountain Emmanuel Carrère, La Moustache Rob Reiner, This is Spinal Tap Richard Lester, A Hard Day's Night Gilles Deleuze, Cinema 2 James Carse, Finite and Infinite Games Felix Guattari and Gilles Deleuze, What is Philosophy? Arthur Machen, “A Fragment of Life” David Lynch, Lost Highway Zhuangzi (Butterfly dream) Ian MacDonald, Revolution in the Head Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing their series on the tarot, Phil and JF discuss the card nobody wants to see in a reading – The Tower. Featuring lightning bolts, plumes of ominous smoke, and figures plummeting from the windows, the Tower’s meaning at first glance seems clear: “pride comes before a fall,” as the old adage goes. But as JF and Phil delve into the details, they note not only the card’s connection to the Biblical tower of Babel and the fall of man, but also its relevance to the present era’s systems of control and communication breakdown. This discussion leads them to search for an antidote to the Tower's message of destruction. References Anonymous, Meditations on the Tarot Alejandro Jodorowsky, The Way of the Tarot Thomas Kuhn, The Structure of Scientific Revolutions Arnold Schoenberg, Austrian composer Gilles Deleuze, “Postscript on the Societies of Control” Wilco, “Radio Cure” Richard Dyer, Heavenly Bodies George Cukor (dir.), A Star is Born Performativity, sociological concept Guy Debord, Society of the Spectacle Jaques Ellul, The Technological Society Learn more about your ad choices. Visit megaphone.fm/adchoices

"What was he doing, the great god Pan, down in the reeds by the river?" With this question, the Victorian poet Elizabeth Barrett Browning opens her famous poem "A Musical Instrument," which explores nature's troubling embrace of savagery and beauty. It seems that Pan always raises questions: What is he doing? What does he want? Where will he appear next? Linked to instinct, compulsion, and the spontaneous event, Pan is without a doubt the least predictable of the Greek Gods. Small wonder that he alone in the Greek pantheon sports human and animal parts. In this episode, Phil and JF are joined by Gyrus, author of the marvellous North: The Rise and Fall of the Polar Cosmos, to capture a deity who, though he has made more than one appearance on Weird Studies, remains decidedly elusive. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Gyrus, "Sketches of the Goat God in Albion" Gyrus, North James Hillman, Pan and the Nightmare Pharmakon, philosophical term Stanley Diamond, In Search of the Primitive Philippe Borgeaud, The Cult of Pan in Ancient Greece Hellier, television docuseries Weird Studies, Episode 98 on exotica Pink Floyd, Piper at the Gates of Dawn Kenneth Grahame, The Wind in the Willows Clayton Eshelman, Juniper Fuse Plutarch “On the Silence of the Oracles” Peter Levine, Waking the Tiger D.H. Lawrence, “Pan in America” Jim Brandon, The Rebirth of Pan Learn more about your ad choices. Visit megaphone.fm/adchoices

In modern physics as in Western theology, darkness and shadows have a purely negative existence. They are merely the absence of light. In mythology and art, however, light and darkness are enjoy a kind of Manichaean equality. Each exists in its own right and lays claim to one half of the Real. In this episode, JF and Phil delve into the luxuriant gloom of the Japanese novelist Jun'ichirō Tanazaki's classic meditation on the half-forgotten virtues of the dark. Get your Weird Studies MERCH! https://www.redbubble.com/people/Weird-Studies/shop?asc=u Support us on Patreon: https://www.patreon.com/weirdstudies Find us on Discord: https://discord.com/invite/Jw22CHfGwp Visit the Weird Studies Bookshop: https://bookshop.org/shop/weirdstudies REFERENCES Junichiro Tanizaki, In Praise of Shadows Chiaroscuro, Renaissance art style John Carpenter (dir.), Escape from L.A. Weird Studies, Episode 13 on Heraclitus Walter Benjamin, The Work of Art in Age of Mechanical Reproduction Yasujiro Ozu (dir.), Late Spring Wabi Sabi, Japanese idea John Carpenter (dir.), Escape from NY Jonathan Crary, 24/7: Late Capitalism and the End of Sleep Eric Voegelin, German-American philosopher Learn more about your ad choices. Visit megaphone.fm/adchoices

Central to the tradition of cosmic horror is the suggestion that the ultimate truth about our universe is at once knowable and unthinkable, such that one learns it only at the cost of one's sanity and soul. John Carpenter is one of a handful of horror directors to have successfully ported this idea from literature to cinema. This episode is an attempt to unearth some of the eldritch symbols buried in a selection of Carpenter's apocalyptic works, including Escape from New York, The Thing, They Live,_ In the Mouth of Madness_, and the little known Cigarette Burns. Support us on Patreon: https://www.patreon.com/weirdstudies Find us on Discord: https://discord.com/invite/Jw22CHfGwp Visit the Weird Studies Bookshop: https://bookshop.org/shop/weirdstudies REFERENCES John Carpenter films discussed: The Thing Cigarette Burns In the Mouth of Madness Prince of Darkness Halloween They Live Escape from New York Escape from L.A. Big Trouble in Little China Other References: Pascal Laugier (dir.), Martyrs Srdjan Spasojevic (dir.), A Serbian Film Weird Studies, Episode 90 on The Owl in Daylight Roger Corman, American director Northrup Frye, Words with Power J. R. R. Tolkien, forward to The Fellowship of the Ring Gilles Deleuze and Felix Guatarri, “Percept, Affect, and Concept” in What is Philosophy Weird Studies, Episode 72 on the Castrati Weird Studies, Episode 46, Thomas Ligotti’s Angel Gabriel Garcia Marquez, “A Very Old Man with Enormous Wings” China Mieville, British author Karlheinz Stockhausen, comments on 9/11 H. P. Lovecraft, Nyarlothotep H. P. Lovecraft, “The Haunter of the Dark” Nick Land, Fanged Noumena Zack Snyder, American director Haeccaity and Quiddity, philosophical concepts Samuel Delaney, Dahlgren Weird Studies, Episode 98 on Exotica Quentin Meillasoux, After Finitude Rainer Maria Rilke, Duino Elegies Learn more about your ad choices. Visit megaphone.fm/adchoices

In this never-before-released episode recorded in 2019, Phil and JF travel to rural Oregon through the Netflix docu-series, Wild Wild Country. The series, which details the establishment of a spiritual community founded by Bhagwan Rajneesh (later called Osho) and its religious and political conflicts with its Christian neighbors, provides a starting point for a wide-ranging conversation on the nature of spirituality and religion. What emerges are surprising ties between the “spiritual, not religious” attitude and class, cultural commodification, and the culture of control that pervades modern society. But they also uncover the true “wild” card at the heart of existence that spiritual movements like that of Rajneesh can never fully control, no matter how hard they try. REFERENCES Chapman and Maclain Way (dirs), Wild Wild Country Richard Dawkins, The God Delusion Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste Carl Wilson, Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste Peter Sloterdijk, German cultural theorist Weird Studies, Episode 47, Machines of Loving Grace Slavoj Žižek, On Western appropriation of Eastern religions William Burroughs, American writer Gilles Deleuze, “Postscript on the Societies of Control” Bhagwan Rajneesh/Osho, Speech on friendship Daniel Ingram, Mastering the Core Teachings of the Buddha Paul Tillich, Dynamics of Faith James Carse, The Finite and Infinite Games Learn more about your ad choices. Visit megaphone.fm/adchoices

Exotica is a kind of music that was popular in the 1950s, when it was simply known as "mood music." Though somewhat obscure today, the sound of exotica remains immediately recognizable to contemporary ears. Its use of "tribal" beats, ethereal voices, flutes and gongs evoke a world that is no more at home in the modern West than it is anywhere else on earth. With its shameless stereotyping of non-Western cultures and its aestheticization of the other, exotica rightly deserves the criticism it has drawn over the years. But as we shall see in this episode, if you stop there, you just might miss the thing that makes exotica so difficult to expunge from Western culture, and also what makes it a prime example of how the "trash stratum" sometimes becomes the site of strange visions that transcend culture altogether. REFERENCES Phil Ford, “Taboo: Time and Belief in Exotica” Future Fossils, Episode 157 Weird Studies, Episode 21: The Trash Stratum Weird Studies, Episode 79: Love, Death and the Dream Life Jack Smith, “The Perfect Filmic Appositeness Maria Montez” Yma Sumac, Peruvian singer Les Baxter, "The Oasis of Dakhla" Steely Dan, "I Heard the News" Stravinsky, Rite of Spring Les Baxter, “Hong Kong Cable Car” Jacques Riviere, review of The Rite of Spring Nenao Sakaki, Japanese poet Lew Welch, American Beat poet JF Martel, “Stay with Mystery: Hiroshima Mon Amour, Melancholia, and the truth of extinction” Jeffrey Kripal, Mutants and Mystics Captain Beefheart, “Orange Claw Hammer” Martin Buber, I and Thou Learn more about your ad choices. Visit megaphone.fm/adchoices

The question of art has been of central concern for JF and Phil since Weird Studies began in 2018. What is art? What can it do that other things can't do? How is it connected to religion, psyche, and our current historical moment? Is the endless torrent of advertisements, entertainment, memes, and porn in which seem hopelessly immersed a manifestation of art or of something else entirely? In this exploration of the main ideas in JF's book Reclaiming Art in the Age of Artifice, your hosts focus on these burning questions in hopes that the answers might shed light on our collective predicament and the paths that lead out of it. Photo by Petar Milošević via Wikimedia Commons REFERENCES JF's upcoming course on the nature and power of art, starting May 10th, 2021 JF Martel, Reclaiming Art in the Age of Artifice Weird Studies, Episode 84 on the Empress card Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Werner Herzog, Cave of Forgotten Dreams Stanley Kubrick, 2001: A Space Odyssey Adam Savage, Special effects designer Deleuze and Guattari, A Thousand Plateaus Kabbalistic emanationist cosmology Henry Corbin’s concept of the “imaginal” William Shakespeare, The Tempest Tibetan book of the Dead James Joyce, A Portrait of the Artist as a Young Man James Hillman, The Thought of the Heart and The Soul of the World Phil Ford, “Battlefield medicine” Jaques Ellul, idea of “technique” Alain de Botton, Religion for Atheists Paul Tillich, Dynamics of Faith Learn more about your ad choices. Visit megaphone.fm/adchoices