New Books in Early Modern History

New Books Network
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Jul 14, 2014 • 1h 9min

Craig Martin, “Subverting Aristotle: Religion, History, and Philosophy in Early Modern Science” (Johns Hopkins UP, 2014)

Craig Martin‘s new book carefully traces religious arguments for and against Aristotelianism from the eleventh through the eighteenth centuries. Based on a close reading of a staggering array of primary sources, Subverting Aristotle: Religion, History, and Philosophy in Early Modern Science (Johns Hopkins University Press, 2014) in turn subverts several assumptions about the connection between Aristotelian thought and the emergence of the new sciences in early modernity. The book argues that we ought to understand the seventeenth century decline of Aristotle and Aristotelians as an authority in natural philosophy in its relation to the contemporaneous religious readings of Aristotelian texts. In a series of chapters that each look carefully at a particular temporal and philosophical context of debate over the readings of Aristotle, Averroes, and their interlocutors by various religious communities, Martin’s book offers a compelling and deeply textured account of arguments over the piety, language, translation, and other aspects of the Aristotelian corpus. This is a book that beautifully shows the interrelationships of the histories of science and religion, while taking readings on a journey through the philosophical corpora of some of the most foundational thinkers on the nature of the cosmos and the soul; through transformations in the craft of historical analysis; and through an important period when translation (and debates about it) helped shape the intellectual histories of the medieval and early modern worlds. It is a fascinating book, and an especially important study for anyone interested in the history of early modern science and/or the relationships between the early histories of science and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 14, 2014 • 1h 3min

Noah Shusterman, “The French Revolution: Faith, Desire, and Politics” (Routledge, 2013)

This year marks the 225th anniversary of the outbreak of the French Revolution. You don’t have to be a historian to know and appreciate how significant that revolution is to our understanding of French society and culture since the eighteenth century. Noah Shusterman‘s new book, The French Revolution: Faith, Desire, and Politics (Routledge, 2013) is an accessible book that provides readers with an overview of the major events and historical actors who shaped the Revolution from the storming of the Bastille on July 14th, 1789 to the rise of Napoleon Bonaparte in 1799. It is a book that offers a compelling narrative and draws on the vast field of scholarship that has analyzed and interpreted these events for over two centuries.This new study of the French Revolution emphasizes the central roles that religion and gender played as events unfolded, from the “liberal revolution” of 1789 through the emergence of the republic, from the Terror to Napoleon’s ascent. Readers familiar with the history of the French Revolution will especially appreciate chapters that pay close attention to the 1790 Civil Constitution of the Clergy and the revolt in the Vendee, issues and events that do not often get the play they may deserve in other surveys. Those who have always wanted to learn about the Revolution will find this book a highly informative and fascinating introduction to historical events and actors that help us understand so much that followed, in France and well beyond its borders. In our interview, Noah and I talk about teaching , the plethora of historical and political interpretations of the French Revolution, and the continuing relevance of that history to a contemporary French republic still struggling with issues of faith, desire, and politics. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jun 10, 2014 • 1h 14min

Hugh Talat Halman, “Where The Two Seas Meet” (Fons Vitae, 2013)

In Where The Two Seas Meet (Fons Vitae, 2013), Hugh Talat Halman unpacks one of the most provocative narratives in the Islamic tradition. In the 18th chapter of the Qur’an, Surat al-Kahf (The Cave), a mysterious figure named Khidr (the “Green Man”), guides Moses through a series of seemingly criminal acts. These events turn out to be, rather, tests to try Moses’ patience, each with divine purpose and knowledge behind it. Because of Khidr’s special knowledge and status–even immortal according to some traditions–this story from the Qur’an has inspired Muslims from a variety of cultures to take interest in the relationship between Moses and Khidr as a model of discipleship, adversity, and spiritual symbolism. In his pioneering book, Halman charts the waters of literature about the story of Khidr and Moses while giving special attention to Sufi commentaries, including those of Ruzbihan Baqli, al-Qushayri, and al-Qashani. Halman also demonstrates that it was not only medieval Muslims who gravitated toward mining the spiritual wisdom of the story but also non-Muslims in the modern period, including Carl Jung, a director of a kung fu film, and others. Halman ends his monograph with a poem that synthesizes the many faces of the narrative and adds a unique personal touch to his work. Where The Two Seas Meet has undoubtedly become the authoritative English-language reference for research on the “Green Man” and provides the reader with lucid writing and ample references. Inevitably, moreover, it will also interest readers beyond the academy because of its transcultural insights and possibilities for interpretation. Learn more about your ad choices. Visit megaphone.fm/adchoices
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May 29, 2014 • 1h

Clare Haru Crowston, “Credit, Fashion, Sex: Economies of Regard in Old Regime France”

Anyone who’s been paying attention to the flurry around the French economist Thomas Piketty’s 2013 Capitalism in the Twenty-first Century (Le Capital au XXIe siecle) knows how a la mode the economy is at the moment. Contemporary ideas and debates about capital, debt, and austerity are only part of what makes Clare Crowston‘s Credit, Fashion, Sex: Economies of Regard in Old Regime France (Duke University Press, 2013) such an interesting read in 2014. In this detailed study of the varied economic, political, social, and cultural meanings and practices of “credit” from the seventeenth through the eighteenth century, Crowston draws our attention to mutually constitutive worlds and systems of circulation. At once a genealogy of credit; an economic, social, and cultural history of fashion; and an examination of the roles of gender and desire in Old Regime France, Credit, Fashion, Sex makes an important contribution to our understanding of the origins of the French Revolution while respecting the historical integrity of the period that came before.In addition to its conceptual and historiographical insights regarding credit and the complexities of Old Regime society, the book offers readers a fascinating and extensively-researched analysis of the everyday practices and systems of exchange that operated “behind the scenes” of more familiar stories. For example, the book illuminates the mythology and critiques surrounding Marie Antoinette, the queen who embodied like no one else the intersection between ideas about credit, fashion, and sexuality in the era before 1789. At the same time, Crowston gives us a glimpse of other figures and social actors who played vital roles in the society of the period: Rose Bertin, the queen’s dressmaker; the fashion merchants who made so much luxury and refinement possible, as well as all those wives not married to Louis XVI who traded on/in their husbands’ credit, participating in multiple economic and cultural systems of circulation and power.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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May 14, 2014 • 1h 11min

Richard Yeo, “Notebooks, English Virtuosi, and Early Modern Science” (University of Chicago Press, 2014)

During the Great Fire of London in September 1666, Samuel Pepys went out to the garden and dug some holes. There he placed his documents, some wine, and “my parmezan cheese” for safekeeping as the buildings and streets of his city were licked and then consumed by flames. We know this thanks to a diary in which he recorded these burnings and burials. In his new book, Richard Yeo contextualizes the diary-keeping and document-organizing practices of men like Pepys within a rich, detailed account of notes and note-taking among early modern English virtuosi. Notebooks, English Virtuosi, and Early Modern Science (University of Chicago Press, 2014) offers a fascinating glimpse into practices of information management as they allowed English scholars to bridge text and memory, print media and manuscripts, journals and commonplace books, reading and observation, the individual and the collective. Yeo’s book explores the relationship between early modern methods of collecting and storing information and the larger project of Baconian natural history, paying special attention to the ways that Bacon and several Fellows of the Royal Society used notebooks and other note-keeping technologies. Beyond this, Notebooks, English Virtuosi, and Early Modern Science is also deeply embedded in the history of memory and its (dis)contents, and engages (especially in a chapter on Samuel Hartlib and his circle) the historiography of epistolary networks and early modern histories of correspondence. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Apr 8, 2014 • 59min

John Cornwell, “The Dark Box: A Secret History of Confession” (Basic Books, 2014)

I’ve never been in a confessional box, but I’ve seen a lot of them in films. And if the depiction of them in films is in any way a reflection of popular attitudes toward confession, then I can say with some confidence that the act has a rather poor reputation. Confessional boxes are–in my imagination, at least–dark places where dark things are admitted and, sometimes, even darker things are done. Is it a surprise that fewer and fewer Catholics confess their sins in the box?John Cornwell doesn’t think so. In this provocative book–half history and half religious commentary–The Dark Box: A Secret History of Confession (Basic Books, 2014), Cornwell traces the history of confession and the confessional box. The origins of confession–or at least its scriptural basis–can be found, of course, in the New Testament. But the sacrament’s form has changed quite a bit over the centuries. Regular, weekly confessions were a medieval innovation. The box itself was a product of the Counter-Reformation. Even more recent reforms included dropping the age of first confession to seven years, something that, according to Cornwell, put priests into rather too close contact with what were essentially impressionable children. Just as important, according to Cornwell, were things the Catholic Church didn’t do: its refusal to amend its stance on artificial birth control essentially drove even relatively devout, married Catholics out of the box. They could not, after all, promise they would do their best not to use birth control when they knew they would use it again.Cornwell makes a persuasive case that confession is good for the body, mind and soul. He calls for the Church to renew the rite, to adapt it to modern mores. Perhaps, he says, Catholics will come back to the box if it is made less dark. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Mar 23, 2014 • 1h 12min

Matthew C. Hunter, “Wicked Intelligence” (University of Chicago Press, 2013)

The pages of Matthew C. Hunter‘s wonderful new book are full of paper fish, comets, sleepy-eyed gazes, drunk ants, and a cast full of fascinating (and sometimes hilarious) members of the experimental community of Restoration London. Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London (University of Chicago Press, 2013) maps the visual traces of drawing, collecting, and building practices between 1650 and 1720 to narrate the emergence of a particular kind of intelligence that was formed by visualization techniques. Hunter’s book pays close attention to the work of Robert Hooke while situating Hooke within a community of painters, architects, writers, customs brokers, telescope makers, and other fashioners of early modern experiments of all sorts. A significant contribution to both the histories of science and of art, Wicked Intelligence pays equal attention to the flat spaces of the imaged page and the built spaces of the museum, the city, and the “laboratory of the mind.” It is a beautifully written book based on a gorgeously weird archive. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Mar 14, 2014 • 1h 10min

Josef Stern, “The Matter and Form of Maimonides’ Guide” (Harvard UP, 2013)

The medieval Jewish scholar Moses Maimonides’ most famous work, The Guide of the Perplexed, has been interpreted variously as an attempt to reconcile reason and religion, as a guide to philosophers on ruling the community while concealing the truth, or as an exegesis of rabbinical texts. In The Matter and Form of Maimonides’ Guide (Harvard University Press, 2013), Josef Stern provides an entirely distinct reading of this singular work. Stern, William H. Colvin Professor in the Department of Philosophy at the University of Chicago and Director of the Chicago Center for Jewish Studies, argues that for Maimonides, reason and religion are just one domain, not two that need to be reconciled; that biblical parable is a literary device used to articulate our incomplete understanding of truths about general welfare and individual happiness; and that Maimonides is primarily motivated by the question of what the best attainable human life can be given our embodied nature. The Guide is in effect a primer that trains the reader to tease apart the multiple meanings of biblical texts – even though these exercises will not yield knowledge of metaphysics and cosmology, including knowledge of God. Stern combines deep familiarity with Maimonides, his works, and his intellectual environment with expertise in contemporary philosophy of language in this major contribution to historical-philosophical scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jan 21, 2014 • 1h 7min

Kathleen Wellman, “Queens and Mistresses of Renaissance France” (Yale UP, 2013)

Queens and royal mistresses of the Renaissance were the Hollywood celebrities of their time, which explains their enduring magnetism for writers, artists, and the public. Historians and scholars, however, have long ignored them. Enlightenment philosophers used descriptions of powerful women in the French court to mock the monarchy. Nineteenth-century historians propagated myths about these historical women to discredit the monarchy and to justify the exclusion of women from the French republic. Feminist scholars have eschewed royal women as subjects because their influence stemmed from their sexual and romantic association with kings and not because of their own merit. And contemporary historiography in France has long turned away from political elites to focus on social and cultural sites of inquiry.Kathleen Wellman, in Queens and Mistresses of Renaissance France (Yale University Press, 2013, Yale), argues that women of the French court deserve our undivided attention because they greatly influenced the French Renaissance. Between the mid-15th century to the end of the 16th century, women such as Agnès Sorel, Anne of Brittany, Diane de Poitiers, Catherine de Medici, and Marguerite de Valois, acted with agency, carved out spheres of influence, overcame constraints, and made use of their positions for personal and political ends, and in the process influenced the course of French history. Wellman’s engrossing account of royal women compels us to revise our understanding of the French Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Dec 20, 2013 • 1h 1min

Rumee Ahmed, “Narratives of Islamic Legal Theory” (Oxford UP, 2012)

How should one understand Islamic law outside of its application? What happens when we think about religious jurisprudence theoretically? For medieval Muslim scholars this was the field where one could enumerate the meaning and purpose of Islamic law. But to the uninitiated these justifications for legal thinking are submerged in rote repetition of technical language and discourses. Luckily for us, Rumee Ahmed, professor in the Department of Classics, Near Eastern and Religious Studies at the University of British Columbia, Vancouver, dives into the depths of various legal theory manuals to draw narrative understandings of shari’a to the surface. In Narratives of Islamic Legal Theory (Oxford University Press, 2012), Ahmed examines two formative contemporaneous jurists from the Hanafi school of law to determine the relationship between law and ethics through legal discourses. He focuses on the nature and meaning of the Qur’an, the role of the sunnah (the Prophetic example), and the use of considered opinion in structuring legal boundaries. Ultimately, he views their positions not merely as academic debates over the minutia of religious opinions and injunctions but as ritual observance, which formulates a world ‘as if’ it were ideal. In our conversation we discuss abrogation, punishment, salvation, Abraham’s sacrifice, hadith transmission, Peircean notions of abduction, religious law, stoning, adultery, the role of scholars, and contemporary calls for reform. Learn more about your ad choices. Visit megaphone.fm/adchoices

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